The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Reminder. At the end of the month the Smackdown returns with a look at the Supporting Actress Race of 1977 (The Turning Point, Julia, Close Encounters, The Goodbye Girl, and Looking for Mr Goodbar so get to watching so you can vote!).
To get you in the mid to late 1970s mood, if you lived through them, or just to engage your curiousity if you didn't, a collection of magazine covers from the year in question. Naturally we'll start with two Best Actress winners and then hit the general collections of showbiz covers...
This Week's Must Read "Behold Your Newest Silver-Screen Sex Goddess, Jane Neighbor" Absolutely genius send-up of that controversial Vanity Fair profile of Margot Robbie we discussed. Or as the author herself described it on twitter, 'I wrote this profile of a female celebrity who is definitely real & not a projection of desires.' The Male Gaze just got punched in the eyeballs.
Neighbor is twenty-eight and twenty-two, at once. She is a kind of gorgeous that can only be found in or very near rivers. She is blonde but also blond, depending on the spelling. She is tall when she is on a ladder, and medium-tall when she is halfway up the ladder. Her eyelashes spell “glory.” Her naked hands can open wet jars, with just the strength of her slender fingers. She can be sexy and pointy and things that aren’t even adjectives, like glossary, or aren’t even words, like hilabrion. Her voice sounds like a truck full of rain.
Now that we've had 24 hours to think those Emmy nominations over (comedy & drama), Team Experience is sounding off on what most wounded them. Normally we are a positive bunch here at TFE but sometimes you gotta air out the grievances. Two questions this afternoon.
Which nomination most perplexes you?
Which snub makes you the most crazy?
Answers from the team after the jump. And do share your own after reading!
1. Film Comment Cover Girl In case you haven't heard, the summer issue of Film Comment, one of our favorite magazines since forever, is out. You can purchase it here. And guess what? Our friend and podcast mate Nick Davis wrote the cover story "The Age of Kristen Stewart"
The twenty-six year old actress works non-stop. She'll soon hit 40 movies and she only started 15 years ago. (The first movie that people tend to remember her from is Panic Room as Jodie Foster's daughter.) She has not one but three movies this year, hence the cover story, with two hitting theaters simultaneously today.
2. Cafe Society Now Playing Limited Release Woody Allen's new movie (they tend to expand quickly so if you're not on the coasts you probably only have a week or two to wait) is a melancholy dramedy. Jesse Eisenberg is a young up-and-comer who ditches working for his powerful uncle (Steve Carell) in Hollywood for nightclub hosting fame with his brother (Corey Stoll) in New York City. Kristen Stewart and Blake Lively are his love interests on each coast. Our Review ICYMI.
3. Equals Now Playing Limited Release We weren't personally wild about Drake Doremus's breakthrough Like Crazy (2011) though Anton Yelchin (*sniffle*) was great in it, but we appreciate that a young director is committed to romantic narratives. Doremus's new film is a dystopian sci-fi romance starring KStew and Nicholas Hoult. Here's the trailer.
As far as first looks go, the La La Land trailer might have sucked all the air out of the room this week, but we also got a trailer for another Oscar hopeful: Cannes entry Loving. It left Cannes empty handed for prizes, but there was pletny of praise for the film and buzz for leading lady Ruth Negga. You can bank we'll be talking about this one before it finally arrives stateside in November all the way to the big show.
While that transfixing glimpse at Land was more a feast for the eyes and ears, the Loving trailer goes right for the heart. I know I'm higher on Jeff Nichols than most of Team Experience, so I can admit that I'm a little biased on the film already, even if I agree that his other film this year Midnight Special was his weakest. After flirting with fable and genre in his past three films, how will a more straight forward narrative work for the auteur this time?
Does the trailer make us any more or less excited? Let's break it down after the jump...
Friday, July 15, 2016 at 4:30PM 
