On Those Wacky TV Globe Wins

Manuel here. While there’s plenty to talk about in terms of the Globes, I figured I’d put my TV math cap on and talk about the most obvious takeaway from the Globes TV wins from last night: the HFPA loves its shiny new toys.

Freshman shows Mr Robot, Crazy Ex-girlfriend and Mozart in the Jungle all took home prizes. (That's especially significant in the case of Mr Robot since it was produced by "Anonymous Content" who were also behind The Revenant - it marks the first time in history an independent production company has won both the top movie and the top tv prize at the Globes) 

But I was curious: how prevalent is this shiny new toy notion? We know the Emmys loves their repeat winners but could it really be that the Globes love freshman shows that they then immediately forget thereafter?

I crunched some numbers on their top categories to find out.

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Who "won" the Globes last night? Jacob Tremblay did, that's who.

That was not a trophy statistics question but a figurative one.

Proposal: T'was actually tiny Jacob Tremblay from Room who won the Golden Globes hands down. He was not nominated (though he is at the forthcoming SAG Awards) but he had his name praised from the stage via golden girl Brie Larson. She claimed that the award and her performance were half his as she took Best Actress, Drama. He stood up to watch her with his internet-fancied dad right beside him. Later, met his favorite Star Wars character "Poe" at an after-party (photo via A24)

So basically, Jacob Tremblay won the night.

Well, and Oscar Isaac too. But Oscar Isaac had basically already won the season... the world... at life. 

Previously on Golden Globes

Beauty vs Beast: In Carol's Orbit

Jason from MNPP here, christening 2016 (yes, the whole darn year) "The Year of Carol" -- a memo the Globes missed. Like Therese Belivet I've just got stars in my eyes (or maybe I just feel bad I didn't manage to do this edition of "Beauty vs Beast" during Carol Week proper here at TFE) but I'm still head over for Todd Haynes' true romance and I have a feeling many of you are too. Point being every week should be Carol week, so let's keep singing! For the briefest of seconds I considered forcing us to choose between our leading ladies of lesbian love (as Oscar voters should have to do in a righteous, Category-Fraud free world) but not, no, it's time for the true Supporting Characters to shine.

PREVIOUSLY It was the 15th anniversary of the great Shadow of the Vampire last week and in between the holidays we asked you guys to choose between its two best bloodsuckers, literal and/or notsomuch, and it was Team Nosferatu for 64% - said Craver:

"Team Schreck. I always thought that Dafoe's work in Spiderman also merits an Oscar nom. It was that great, plus fun to watch."

David Bowie (1947-2016) and a little Velvet Goldmine (1998)

Pt 1 Goodbye to Bowie

One of the most influential artists of the 20th century lost a long battle with cancer in the wee hours of the night as Golden Globe parties were still going, a sobering end to a frivolous evening.

Though it's perhaps inappropriate given Bowie's towering iconicity in pop culture, I couldn't help thinking of Todd Haynes when I heard the news. More...

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Baz's The Get Down Gets A Trailer

Manuel here. Can it be possible that it’s taken us this long to talk at length about the trailer for Baz Luhrmann’s upcoming Netflix series The Get Down? I guess we’ve been busy, what with writing up our year end review, following all the precursors (including last night’s Golden Globes), counting down the shortlisted docs, and of course, obsessing over who’ll be nominated this Thursday. Well, let’s remedy that because nothing will cleanse your palate from the always fun/frustrating gamble of Oscar predictions than some flashy Baz.

All I really needed to know about The Get Down was that it comes from, as the trailer below states, the Australian “visionary director.” Even when his films don’t quite hit the mark (see Australia, The Great Gatsby) they are never nothing short of fascinating and as his Fitzgerald and Shakespeare adaptations show, few directors can match his cinematic vibrancy when it comes to using music to infuse his own storytelling.

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