Saturday, August 15, 2015 at 5:30PM 
Jose here.
Dear J.Law,
How do I love thee? Let me count the ways
By picking 25 times your red carpet looks
have taken my breath away...
All the birthday girl looks after the jump...
Saturday, August 15, 2015 at 2:05PM Here’s Murtada checking in with a few of our favorite ladies treading the boards across the globe.
A kiss from Keira on this month's ELLEKeira Knightley in New York
What to do after securing your second Oscar nomination and having your first child the same year you turn 30? Why, make your Broadway debut of course! Starting in October Knightley will star in the Roundabout Theater’s production of Therese Raquin. The play is based on the Emile Zola novel about family, illicit love and murder. Lets hope it’s juicier than DOA recent screen adaptation, In Secret. In that version Elizabeth Olsen played Therese, but despite a stellar supporting cast - Jessica Lange and Oscar Isaac - it vanished quickly from screens.
more Keira and two Oscar winners after the jump...
Friday, August 14, 2015 at 11:00PM
Jose here. In between making appearances in what seems to be every single movie being made, Joel Edgerton has been doing his homework and studying the creepy thrillers of Michael Haneke and Roman Polanski, since he emulates both auteurs’ styles in his directorial debut The Gift. The film stars Jason Bateman and Rebecca Hall as Simon and Robyn, a married couple who have just moved into their new home in Los Angeles when they run into Gordo (played by multitasker Edgerton who also wrote the screenplay), a former high school classmate of Simon’s who wishes to befriend them, but lacks the social skills to figure out that Simon isn’t interested in welcoming into his life.
We learn that back in high school, Gordon went by the nickname Weirdo and was the constant target of pranks made by Simon and his friends. Suggesting that we never really leave our high school roles behind, we see how Gordo turned into a self-loathing underachiever, while Simon became a successful executive who married the most beautiful girl in town - a former bookworm - and made a career for himself by bullying people in the corporate world. As strange things begin to happen in Simon and Robyn’s home, we are led to believe that maybe Gordon is seeking payback for the psychological torture he endured at Simon’s hands, and yet there is also a more perverse feeling of karmic retribution that at times makes us root for the sociopathic underdog. If he is a sociopath to begin with…
Edgerton’s film is filled with so many nuances that we are never truly sure of who is playing who. He manipulates the very same genre conventions he’s borrowing from, and instead of presenting Gordo as the perpetrator, he makes us wonder if by assuming the “odd dude” is the villain, we’re not becoming bullies ourselves. Combining elements from Gaslight, Funny Games, Repulsion and Caché, Edgerton weaves a stylish thriller that poses complex questions about human behavior without ever taking itself too seriously. There are scares galore, countless steamy shower scenes with damsels in distress, and more asshole-y behavior from Bateman’s character than you can imagine, and yet the movie feels fresh in its delivery. Like The Hand That Rocks the Cradle if Keyser Soze had been the babysitter, The Gift playfully evokes some of the most beloved contemporary thrillers, not all of which are great films, but most of which prove to become irresistible on repeat viewings. Who knew Edgerton had this in him?
Friday, August 14, 2015 at 12:39PM Margaret here with your live TV musical update. NBC has just announced the final principal cast members for its live production of The Wiz: R&B singer Ne-Yo as the Tin Man, Elijah Kelley (aka the showstopping dreamboat from Hairspray) as the Scarecrow, and Common as the Emerald City gatekeeper.
The full cast, then, is set:
Friday, August 14, 2015 at 11:59AM 
Jose here. Whit Stillman’s Metropolitan turns 25 in 2015, and you wouldn’t be able to guess it based on how fresh and original its dialogues and performances feel. Stillman, who once was touted as the heir to Woody Allen - but has proved to be a less nihilistic, brutally sardonic, slightly WASP-ier cousin - delivered a screen debut as powerful as it was unconventional. Perhaps the one thing that gives the film’s age away (other than the very late 80s hairstyles and costumes) is how interested the characters are in connecting to each other, in making a difference and affecting other people’s perceptions. Whether their agendas are strictly narcissistic or actually noble depends on the eye of the beholder.
The film marked Stillman’s debut, and it also introduced audiences to several actors including Chris Eigeman, who as the Mr. Darcy-esque Nick Smith proved to be the ultimate snob. The actor followed his work in the film with appearances in two more Stillman projects, not to mention films with Noah Baumbach and a recurring role in the beloved series Gilmore Girls. I had the chance to talk to Mr. Eigeman about the making of Metropolitan and also discussed his own directorial work, and the raison d'être behind his hilarious tweets.
JOSE: Can you believe it’s been twenty five years since Metropolitan premiered?
CHRIS EIGEMAN: Oddly I’m not surprised, because the film was shown at Sundance for its twentieth anniversary, so I had this anniversary in sight.
Read more after the jump...
