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Thursday
Jun182015

Ann Dowd: Playing Patti on "The Leftovers"

The Film Experience is proud to turn the site over to Ann Dowd for the day. Enjoy...

As Patti Levin on "The Leftovers"


-by Ann Dowd

Finding the character of Patti on The Leftovers was a fascinating experience. I remember having a lot of questions about her when I first read the script. It was scary at first, it was daunting the not speaking. “What is this about? How are you going to play this?” There are always so many questions for an actor. You think “Where is this person? How am I going to find her?” And then the thought came, "Take a breath, settle down, The information will present itself." And sure enough it did.

There are always clues when you’re searching for a character. Not speaking actually turned out to be an incredibly powerful position to be in and here's a clue: make sure you know what the character wants because you are not going to be able to tell anybody with words so it has to be in your whole being. Other clues turned up each time, episode by episode: what she responded to, what she didn’t respond to, her intense aggression toward Kevin, trying to understand why.

It’s a process and in those first episodes, I had just enough to do to slowly put that picture together. [More after the jump...]

Click to read more ...

Thursday
Jun182015

Mothers & Imagination

The Film Experience is proud to turn the site over to Ann Dowd for the day. Enjoy...

- by Ann Dowd

As I’ve said I did not grow up in an environment where acting was a viable career choice. I remember once when I was a teenager seeing Franco Zeffirelli’s Romeo & Juliet and having to go to bed afterwards … from grief! Can you imagine? I had not read it and when I saw the tragedy happening I said  “NO NO NO” I just knew that there was no way Romeo would not get the message that she wasn’t dead, that she was just sleeping. But when it went in that direction — I just was “THIS CANNOT BE TRUE”. I had to go to bed. My mother said “That’s it — No more movies! That’s the end of it.” 

Later when I became an actor she was less than thrilled. I think deep down she saw it coming, mothers are smart that way, but I know she hoped the desire would fade and I'd stick with medicine. She felt that it was such an unstable life.  But she’s wildly supportive now. She’s on board now. I love her to bits.

Of course it will be different for my children if they are interested since they grew up in the environment. My husband is also an actor and he's the chair of the acting department at CAP 21. It’s a musical theater school, a great school. I'm not teaching at the moment because I'm not able to commit to a schedule but one of my favorite things was to teach Chekhov and Tennessee Williams. I hope to do it again because it’s a lovely thing when you’ve been at acting for awhile and you can understand enough of what the students are going through and be of use to them.  

My oldest boy doesn’t have an interest in acting. My girl, who is 17, does. My littlest one came into the world singing and dancing. Living in New York our children are exposed to a lot: Music, plays, books. We remind them that there are other ways to negotiate the world besides technology. Keeping your imagination alive and well is a big thing in our house. 

Previously: Playing Patti on The Leftovers and Falling in Love with Acting 
Next: A Few Key Roles

 

Thursday
Jun182015

Falling in Love with Acting (and Advice for Young Actors)

The Film Experience is enormously proud to hand the site over to Ann Dowd (The Leftovers, Masters of Sex). She will be guest blogging all day. - Editor.

As Patti on "The Leftovers"

-by Ann Dowd

The awareness, the love story, for me began in high school. Acknowledging it came later. I’m talking about falling in love with acting and committing to the life with all its ups and downs.

You know, you do a play in high school and you think “Wow, this is kind of great.” For me it was playing Adelaide from Guys & Dolls -- it just about did me in with joy. But it never occurred to me, and I’m sure this is true for many others who didn’t grow up in a theater environment, that you could choose to be an actor.  It just wasn’t an option. 

I was in premed for four years in college. But I also took acting classes each year and that's where I found peace and some sense of fufillment. There it was, that feeling again, a deep love. The role that changed my perspective on whether or not I could really be an actress as a life choice was Sonya in Anton Chekhov's Uncle Vanya. It was that quiet voice again which said, "I want to live in her life."

It’s a simple thing, from my perspective now years later, about knowing whether you want to do this and whether you can commit for life.  And that’s in this question: 

Can I step into the life of another human being in an open and truthful way without judgment?

There’s a connection that happens when you’re acting that transcends just about anything. When that happens — and it doesn’t always —  but if it’s deep and it happens enough there’s an awareness that you could really live this life with all its ups and downs. So I made the change in senior year of college, auditioned for an acting school, got in, and essentially never looked back. It was very hard, many ups and downs. But there was never a question of “can I do it?” It was that I had to do it. Plain and simple — it was the only thing that made sense to me. 

Returning to Chekhov years later on Broadway in "The Seagull" with Kristin Scott Thomas and company

For Those Starting Out
Many young actors starting out want advice — “how do I get an agent?” is usually the question — and I'm afraid I don't have much advice on that issue.  When I look back now 30 years, when I think of what a young actor needs to be successful in this business, for me it comes down to the following: a fierce energy, a single mindedness, a refusal to consider failure or giving up as an option, and an unshakable belief that you have a rightful place in this work. Youth has that in it's favor. 

And I can offer this: stay deeply connected to your love of acting. Put your head down and keep going, even if there aren’t roles, or if they go well or don’t go well. In the moments when you’re alone, slow it all down. Step away from technology as much as you can, observe and listen to life as it unfolds. Live your life. Work on your relationships. You will need all of those things as actors. You need perspective. If you have personal issues, seek the help you need to get through them — you need an understanding of suffering and pain but you do not need to spend your life doing that to make the work good! 

Attend to your life in other words. Know and believe that it’s going to work out. If you love what you’re going to do and you do the work to get better as an actor,then you’re going to get the support you need.  

I know that sounds naive but I honestly believe it’s true.

Next: The Leftovers

 

Wednesday
Jun172015

Tim's Toons: The Many Tears of Pixar

Tim here. We're just a couple of days from the release of Inside Out, the 15th feature produced by Pixar Animation Studios, and by virtually unanimous consent, a return to the glory days of a company that has spent the last few years in search of its artistic mojo.

It’s a movie about emotions, the personification of Joy, Sadness, Anger, Disgust, and Fear present in the mind of an 11-year-old girl. As befits its topic, virtually unanimous consent is also that it will make you feel lots. And it will make you cry. Lots.

more...

Click to read more ...

Wednesday
Jun172015

HMYBS: Magic Mike (Part One)

Channing Tatum, Joe Mangianello and Matt Bomer have been hitting the campaign trail hard (no pun intended) to build excitement for Magic Mike XXL (2015) and for our little corner of the world, we'll "help" by revisiting the original with the less hilarious title of Magic Mike (2012). I love the title Magic Mike XXL but it's a relief that XXL is not a true Roman Numeral because think of all the sequels we would have missed between 2012 and 2015 if it were?

Among the campaign efforts from the beefcake cast thus far, are online vines, marching in LA's pride parade, and Channing Tatum's highly enjoyable Reddit AMA today, which included these two moments which just delighted me (as well as a stealth dig on Jupiter Ascending).

But I digress. Due to our very complicated schedule this week (I've been busy corralling future guests as well as talking with Ann Dowd who has the whole day tomorrow to talk to you about the love of acting and The Leftovers) this is only Part One of the Magic Mike celebration and if you want to play along we'll do another roundup on Friday. But for now please to enjoy these articles from the early bird Best Shot Participants.

Magic Mike (2012)
Directed by: Steven Soderbergh; Cinematography by: Steven Soderbergh as "Peter Andrews"; Written by: Reid Carolin; Starring: Channing Tatum, Matthew McConaughey, Olivia Munn, Alex Pettyfer, Matt Bomer, Adam Rodriguez, Kevin Nash, and Joe Mangianello

MAGIC MIKE BEST SHOT(s) - PART ONE 
Click on any of the 7 photos to read the corresponding blogpost

Pre-2012, Tatum was one of my least favorite actors. But in Magic Mike he finally had a vehicle that showed off his natural easy charisma...
-Sorta That Guy

Not only is it incredibly amusing, it reflects on the movie’s views on using bodies, sexuality, and images as commodities...
-Coco Hits NY


It was here that the McConaissance peaked...
- The Entertainment Junkie 

True Story:  In the summer of 2012, I saw Magic Mike with my sister in a movie theater in Anderson, South Carolina... 
- Drink Your Juice, Shelby

 

There's something very Lynch-ian about this particular frame... the haunting, mysterious lightning and the positioning of Ken in a doll package...
-Hofverberg *first submission* 

While the film is very much focused on its male characters, I found myself appreciating Cody Horn's seemingly maligned performance much more on a re-watch... 
-Film Actually 

 

Are they checking each others' moves or lost in a reverie of their own reflections?
-Me Says 


CONTINUE ON TO PART TWO - NINE MORE SHOTS (Some NSFW)