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Monday
Jun222015

Happy Merylmas !

Last year we celebrated Meryl Streep's birthday with a list of 65 appropriate ways to celebrate... and all of those still apply, so click over there and do them today. To add a 66th item for her 2015 birthday, rewatch the trailers to Ricki & The Flash and Suffragette or just daydream about Florence Foster Jenkins (2016) in which she plays a terrible opera singer


Happy Merylmas. If you're not following our instructions, how are you celebrating? 

Monday
Jun222015

The Many Faces of Ann Dowd ~ 25 Years in Film & TV

As this new week begins, I need to take a moment to express gratitude for what made last week special. Ann Dowd was gracious with her time and thoughts for a special guest blog day. In case any of you missed it, it was neat to get an insight into her work on The Leftovers, hear about her teenage reaction to Romeo & Juliet, and more. I particularly enjoyed her comments on falling in love with acting and advice for young actors. Regarding the latter, I'm not an actor but it resonated with me strongly and I think it's great advice for any career that requires risk, heart, soul, and the ability to handle considerable peaks and valleys.

Which is quite a few careers if you stop to think about it.

Ann Dowd's film and television career began in earnest 25 years ago in 1990 with a role in the Golden Globe Comedy winner Green Card and guest appearances on two different TV series The Days and Nights of Molly Dodd and The Baby-Sitter's Club.

this is just scratching the surface

Her gallery of characters has been growing ever since but with critical raves and a few prizes for her riveting film-carrying work as a duped fast food manager in Compliance (2012) audiences finally starting putting a name to the face. Ever since we've been blessed with more and more of her. The Leftovers was arguably her greatest showcase yet. If Emmy voters don't notice what casting directors already have, it'll be their loss. 

What's your favorite Ann Dowd character and did her Guest Blog Day make you long for more peeks into your favorite character actors? (I'll take suggestions)

Sunday
Jun212015

Weekend Highs: Inside Emotions, Dinosaur Thrills, Prison Love

Two separate films earning over $90 million in a single weekend? Impressive. That didn't leave a ton to money to go round for other films, though. Spy is a solid performer at the box office but I'd actually expected it to be much bigger since it's the funniest film of the year. But all the action was at the dinosaur theme park and Pixar's return to form, the delightful Inside Out. The new film follows the emotions inside an 11 year old girl's head as she moves to a new city. I was resistant to the concept, which seemed too gimmicky and "Herman's Head" like, but resistance was futile: it's wonderful. Better still they didn't even remotely give the best stuff away in the trailer and that's such a surprise nowadways!

WIDE RELEASE BOX OFFICE
June 19th-21st Weekend
01 Jurassic World $102 (cum. $398.2) Jurassic Articles 
02 Inside Out NEW $91 Inside Out Articles
03 Spy $10.5 (cum. $74.3) Rose Byrne FYC
04 San Andreas $8.2 (cum. $132.2)
05 Dope NEW $6 Sundance capsule
06 Insididous Chapter 3 $4.1 (cum. $45.3)
07 Pitch Perfect 2 $3.3 (cum. $177.5) Review & Sequel
08 Mad Max: Fury Road $2.8 (cum. $143.6)  Review & Podcast & Random Articles
09 Avengers: Age of Ultron  $2.7 (cum. $451) Review & Marathon & Podcast
10 Tomorrowland $2 (cum. $87.6)  Review

The opening weekend for Dope was solid especially for a film with zero stars. It was one of the big sales at Sundance (7 million) and it nearly nabbed that back on opening weekend. Good word of mouth (which is likely - the film is very funny and likeable) could turn it into a minor hit. None of the miniscule limited releases caused a stir at the arthouse but The Overnight (also from Sundance -- why do they wait till all the heat dissipates to release those films?) took in $62,000 on 3 screens.

What did you see this weekend?
I'd already seen Inside Out so I started on the Smackdown movies -- Key Largo is so good. I hope y'all are watching along at home. I also went to a reunion concert for the original cast of Into the Woods . Let me just say that it was basically heaven on earth. I'm still high from it... and not just from the always sublime Bernadette Peters. I went in expecting more of a talk with a few musical numbers but they did several from each act. As it turns out the original Cinderella (whose voice is still ridiculously pretty) and the original Cinderella's Prince/Wolf got married in real life and they have kids now. Joanna Gleeson was still amazingly funny as the Baker's Wife,and so on.

And of course I took in a couple more episode of Orange is the New Black. I'm absolutely loving this newly low-key character-driven season. Gone are the distractions of the outside world that marred the otherwise brilliant Season 1, the absence of a focus pulling villain like season 2's Vee (Lorraine Toussaint's Emmy worthy work aside) means more focus on the complicated network of friendships and rivalries among the women in the prison and ways that they cope, or don't. I'm just loving it.

You?

Sunday
Jun212015

FYC: Melanie Lynskey for Best Supporting Actress, Comedy

Team Experience continues to share their individual dream picks for Emmy nominations. Here's abstew on TFE favorite Melanie Lynskey...

With this year's rule-change that half hour shows will be automatically placed in the comedy categories and hour-long ones in drama, we worry about the shows that don't necessarily fit so easily into either category, regardless of their running times. But then again, Melanie Lynskey currently giving one of the year's best comedic and dramatic performances in HBO's Togetherness, has always been an actress undefined by categorization. Equally at home in traditional sitcoms (playing kooky neighbor Rose on Two and a Half Men) as she is in dramatic film work (her film debut in Heavenly Creatures is still a haunting revelation), Lynskey utilizes her skills from both (along with a sure hand at improv, recently seen in Happy Christmas) to play Michelle, the unhappily married wife and mother on the Duplass Brother's relationship dramedy. [More...]

Click to read more ...

Sunday
Jun212015

Meet the Panelists for 1948's Smackdown

The next supporting actress smackdown is just one week away. UPDATE 06/28: HERE IT IS The panelists are watching John Huston's Key Largo, the immigrant drama I Remember Mama, and best picture contenders Johnny Belinda and Laurence Olivier's Hamlet. 

MEET THE PANELISTS
Here's a little bit about our panel to prep you for our conversation as they finish up their screenings...

First Timers

ABDI NAZEMIAN (Screenwriter / Novelist)
Abdi Nazemian is the screenwriter of The Quiet, Beautiful Girl, Celeste in the City, and the short film Revolution. His first novel The Walk-In Closet recently received the Lambda Literary Award for Best Debut. He and his children live in Los Angeles. Follow him on Twitter @Abdaddy.

What do you cherish about 1948?

In my 1948 fantasy, I am dancing at the Mocambo with Rita Hayworth to Ella Fitzgerald's How High the Moon, then going home to my private screening room to watch Ava Gardner in One Touch of Venus before retiring to bed (next to Gary Cooper, obviously) to read Truman Capote's debut novel on my Kindle. Wait, what year is it?".

 

CATHERINE STEBBINS (Film Blogger)
A librarian and professional film obsessive living in Providence, Catherine is best known for her in-depth Top Ten By Year project which can be found at her site Cinema Enthusiast (active since 2010). Contributor to Criterion Cast & Verite Magazine. Idols include Louise Brooks, Leonard Cohen, Joanna Newsom, Jim Henson, Isabelle Huppert, Michelle Pfeiffer in Batman Returns, and drag queens. 
[Follow Catherine on Twitter

What do you cherish about 1948?

To take the minute approach; little Bobby Henrey adorably saying 'Baines' and 'MacGregor' over and over in The Fallen Idol; varying degrees of homoeroticism in Rope and Red River; Joan Bennett narrating in the Freudian-laced Gothic melodrama Secret Beyond the Door... ("this is no time for me to talk of danger; this is my wedding day"); Laurence Olivier making a hot blonde Hamlet. And most of all, Letter from an Unknown Woman, Max Ophüls's unparalleled story of unrequited love, in which Joan Fontaine's Lisa reflects on her life through the romanticized facade of fate.'

Returning Panelists

JOE REID (Freelance)
Joe Reid never went to film school, unless you count the film school of hard knocks, which he also didn't go to. That hasn't stopped him from writing about movies (and TV, but don't think less of him) for places like The AtlanticGrantlandSlate, and more. One day, he'll have written about his love for The HoursGo, and Mermaids enough that he can finally close his laptop, satisfied that his work is done. You can experience the best (and worst) of him via his Twitter. 

What do you cherish about 1948?

1948 brings back so many memories; the Marshall Plan, the London Olympics, the Alger Hiss hearings, the Costa Rican Civil War. What a time to be alive. Or so I've heard. In reality, it would be one more year before my father was born, and while if I ever have a kid, I'll be certain to make sure he watches Kramer vs. Kramer, the shameful reality is that before this Smackdown, I'd only seen one film released in 1948. Alfred Hitchcock's Rope. It's too bad that one isn't reflected in the Oscar nominations of 1948, but part of the reason I wanted to participate in this particular year was to beef up my 1940s film vocabulary. Maybe I can move on from Olivier's Hamlet to Welles' Macbeth....

 

TIM ROBEY (Film Critic)
Tim Robey has been reviewing films for the Daily Telegraph since 2000, alongside a few interviews, book reviews, and more or less whatever else they throw at him. He turns up periodically on Radio 4's The Film Programme and Front Row, Monocle FM radio, and BBC Film Twenty-Whatever, as long as he has a new jacket to wear on it. His writing is mostly here. His recommendations series is here. A picture of a half-grown labrador squishing a cat is here
[
Follow him on Twitter] 

What do you cherish about 1948?

1948 is the year my mum, Wendy, was born, so I'm trying to imagine her early years in filmgoing and immediately skipping a decade. She told me once she used to be a great fan of Lee Remick, which makes sense, as this is ten years before her big breaks in movies; ditto James Garner, a favourite of her late sister Jill. They would have been right there for Mary Poppins and Darling and The Graduate, if they weren't out rocking the new Dusty Springfield look, with a strict curfew from my grandfather. I can't imagine them having an iota of time for Star Wars, the year before I was born – mum's always been allergic to science-fiction films, horror, or anything not set in a plausible version of the real world. These days, if we go to films together, it'll be for Milk, or a Christmas screener-viewing of Philomena. I think she started to watch Under the Skin on a holiday flight and practically had to call the attendants to come and switch it off. Here's to mum and our barely-overlapping movie tastes! Love her loads.

 

And your host...

NATHANIEL R (Host)
Nathaniel is the founder of The Film Experience, a reknowned Oscar pundit, and the web's actressexual ringleader. He fell in love with the movies for always at The Purple Rose of Cairo (1985) but mostly blames Oscar night (in general) and the 80s filmographies of Kathleen Turner & Michelle Pfeiffer. Though he holds a BFA in Illustration, he found his true calling when he started writing about the movies. He blames Boogie Nights for the career change. [Follow him on Twitter]

What do you cherish about 1948?

True fact: I cannot live without Montgomery Clift in Red River. I did not exist before seeing it. Or, rather, him. '48 also marks the technicolor reunion of my two favorite musical stars (Judy Garland and Gene Kelly) in The Pirate. Finally, Alfred Hitchcock's Rope and Vittoria de Sica's The Bicycle Thief were important discoveries on VHS when I was trying to learn about the movies as a teen cinephile. And now a shameful confession: I chose this year because it's the only one we've ever done, to my recollection, from which I'd previously seen none of the movies involved. No, not even Hamlet. Not sure how that happened but now my shame is public!


What does 1948 mean to you dear readers?

 Perhaps you have a favorite film or a movie you are ashamed to say you've never seen?

NOW PROCEED TO THE SMACKDOWN