Two "Dracula" Actresses

The Los Angeles Times reports that one of the last remaining silent era actors has passed away. The actress in question, Carla Laemmle, had an easy in to the movies: her uncle Carl Laemmle founded Universal Studios and invited her family to live in a bungalow on the lot.  Carla only had a small part in the horror classic Dracula (1931) but a key one: she uttered the first line of dialogue. She didn't appear in many pictures in her long life, dying at 104 years of age, but she apparently just recently filmed a role in a new horror film Mansion of Blood (2014) starring Gary Busey.

In happier news - this is not a double RIP -  Lupita Tovar, a Mexican beauty who starred in the Spanish language version of Dracula that same year (in those early days of sound they made simultaneous alternative versions for other markets with the same sets and costumes) is still with us at 103 years of age. Lupita also comes from a movie family or, rather, began one. She is the mother of Oscar nominee Susan Kohner (Imitation of Life) and grandmother to the directors Paul Weitz and Chris Weitz (of About a Boy fame)

Related: Oldest Living Screen Stars of Note

Links, Kids

Broadway World James Whale's Showboat finally on DVD
AV Club whoa. The Grand Budapest Hotel made entirely out of Legos
Antagony & Ecstacy reviews The Fault in Our Stars with the best review title going anywhere. The rest of the review is another reminder that Tim Brayton is one of the essential online critics.

AP "Dame" Angelina Jolie? She just received an honorary title in England
Deadline Keanu Reeves will take the role vacated by Daniel Craig in that Courtney Hunt (Frozen River) Renée Zellweger picture The Whole Truth so it's back on
In Contention is The Judge with Downey Jr and Duvall an Oscar contender?
Deadline Tom Hiddleson will star as Hank Williams in an upcoming biopic and do his own singing!
The Black Maria looks back at the brief swing music renaissance in 90s cinema. Oh I used to love Swing Kids
Employee of the Month interviews the incomparable performance artist Taylor Mac
Yahoo horrifying slapstick bathroom humor of Paddington teaser will break the hearts of anyone who loved the actual dignified humble character of Paddington in book form. Sigh... here's another flop for Nicole Kidman (who does not appear in the teaser)
Pop Watch wants blockbusters to lighten up and return to fun times. Agreed. Love the list of who is to blame.

Finally...
Though we already gagged over this on Twitter, if you haven't yet seen it because you were mainlining OITNB or (gasp) offline, here is Sarah Paulson introducing her new character... excuse me, new characters on American Horror Story season 4. Meet "Bette" and "Dot"...

So excited to be playing Bette AND Dot this season. Two heads are better than one! #AHSFREAKSHOW pic.twitter.com/jdZJSPercn

— Sarah Paulson (@MsSarahPaulson) June 12, 2014

I can't think of an actress on TV that I'd like to see two of more right now, can you?

Geo-Politics, Car Chases, and Keri Hilson Rhapsodies in 'The Rover'

Glenn here looking at a film from my homeland. As I sat watching David Michôd’s The Rover surrounded by a room of American film critics, I began to think about politically-motivated cinema and how it is perceived by audiences who do not have a distinct knowledge of the subject at hand. Like many “new waves” that come about (which is basically a fancy term for “look, we’re finally paying attention to you!”), these films are usually the result of angry artists using their form to critique a government or regime. Some do it with unmistakable blunt force, while others take the allegorical road. In the case of The Rover, it’s the latter. So as I sat then more-or-less engrossed (more on that in a little bit) and admiring what Michôd was saying about Australian geopolitics (intentional or otherwise), I couldn’t help but think that – quite frankly – a lot of people aren’t going to get it.

People that I asked seemed to be aware that the film was working on a level higher than mere outback action fodder, but would be hard-pressed to explain what it was all about. I don’t blame them – I wouldn’t want to follow Australian politics either right now if I weren’t personally invested in it. It's truly depressing. Furthermore, it’s not like I can claim to know the impetus behind any number of film movements, political or not. However, with The Rover I think it’s a tougher case to decipher because Michôd and his collaborators have made a very sparse film. These thoughts I was having came about during one of The Rover’s quieter scenes, of which where are many. It's film that surely could have been wound tighter in the editing room (although the work of newcomer editor Peter Sciberras is still effective, especially in the film’s impactful and exciting opening act) and perhaps a little more forthcoming with its details, if only to allow the international audiences that it’s bound to attract after the Oscar-nominated Animal Kingdom more of an access to its themes.

Michôd, Pearce, & Pattinson on set of 'The Rover'

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A Great Big Weekend in Movie Theaters

What a delicious crop of movies to take us through the weekend! I'm tempted to just sit in the theater and play hooky from the blog till Monday. Two highly anticipated sequels in 22 Jump Street and How To Train Your Dragon 2 (the latter of which I've seen and loved) will surely crush the box office but there's a whole mess of movies worth seeing in arthouses right now, many of which we've already written up from festivals. If you're in the big cities here are just a handful of many choices.

I like this poster• Hellion (Sundance review) starring Aaron Paul as a grieving widower who's losing control of his sons. Juliette Lewis plays his sister-in-law
• Borgman The Netherland's Oscar submission last year
• Obvious Child (Sundance review) a romantic comedy that's getting a lot of attention due to its filthy mouth and abortion plotline
• The Rover (Cannes review) David Michôd's follow up to his outstanding debut Animal Kingdom is another crime drama. This one stars Guy Pearce again and Robert Pattinson.
• A Coffee in Berlin - this comedy was a huge hit in Germany. It used to be called Oh Boy! 
• We Are the Best - a girl band 80s-set movie from the great Swedish director Lukas Moodyson (Together, Lilja 4ever). I've only heard wonderful things and I have to stop putting it off.

Are you going to the movies this weekend? I'm off to see Edge of Tomorrow right at this moment (I'm late I know) due solely to the surprise of those extremely positive reviews. The premise, at least as delivered in the trailer, held zero interest so if I hate it I'll have to seek vengeance on the nation's film critics somehow. 

Yes No Maybe So: Birdman

How did we end up here? In this dump. You were a movie star, remember?

Surely one of the year's most intriguing features in concept and casting alone, is Alejandro Gonzáles Iñárritu's Birdman. The director collaborating with the great cinematographer Emmanuel Lubezki (fresh off his Oscar win for Gravity) trains the movie camera on the best Batman (I'm with Seth Rogen's in Neighbors on this one) as he plays a has-been movie star famous for playing a character named "Birdman". Now he's on stage years later trying to rejuvenate his career.

Concept and casting alone were enough for a "maybe so" tilting yes. And then came advance word from test screenings that the film really delivers across the board in performance so "yes". And then came the teaser which begins with a 41 second continuous shot like its asking me to marry it. So now I'm at 'Yaaaaas! I will. I will. I do!"

Making the traditional Yes No Maybe So a more lopsided formality than is healthy after the jump...

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