TIFF 2014 Vow

I will do this better next year. I will do this better next year. Steep learning curve I experienced schedule-wise at the Toronto International Film Festival. One must build in travel from theater-to-theater time, doublecheck "types" of screenings, have plan "B"s for screenings at the ready, interview time for some glitz, writing time for some sanity, reign-handing to people to cover non-festival news while you're abroad, queueing time for your limited public screenings. And that's just the obvious ones learned through trial by error. TIFF 2014 here I come. 

But I did eventually write up each and every film save one. Herewith links to all of my TIFF 13 adventures

Podcast a group discussion of TIFF 13: Oscar buzz, our favorite films, and more
Ambition & Self Sabotage on Gravity and Eleanor Rigby: Him & Her
Mano-a-Mano Hallucinations Norway's Pioneer & Jake Gyllenhaal² in Enemy
Quickies Honeymoon, Young & Beautiful, Belle
Labor Day in a freeze-frame nutshell
Jessica Chastain at the Eleanor Rigby Premiere
August Osage County reactions Plus Best Picture Nonsense
Rush Ron Howard's crowd pleaser
The Past from Oscar winner Asghar Farhadi & Cannes Best Actress Berenice Bejo
Queer Double Feature: Tom at the Farm and Stranger by the Lake
Boogie Nights Live Read with Jason Reitman and Friends
First 3 Screenings: Child's Pose, Unbeatable and Isabelle Huppert in Abuse of Weakness 
TIFF Arrival: Touchdown in Toronto. Two unsightly Oscars

Post Festival Additions:
Amir interviewed Asghar Farhadi on The Past
Amir on the David Cronenberg Exhibition - Long Live the New Flesh!
Amir's Fest Roundup - Pt 2
Amir's Fest Roundup - Pt 1 
August Osage County - an exceedingly rough draft months in the making  

Podcast: All About TIFF, Our Festival Takeaways

For this week's podcast, a special Toronto International Film Festival edition. Your regular players Nathaniel, Katey and Nick welcome Tim Robey from the Daily Telegraph and Angelo Muredda from Film Freak Central to discuss our experiences at this year's TIFF. We cover festival favorites like the joyful experiment Strange Little Cat, super-lengthy documentary At Berkeley and Clio Barnard's follow up to The Arbor, The Selfish Giant and spend time with 12 Years a Slave which blew (most of) our minds. (It also blew the TIFF audience's mind and took home the coveted People's Choice prize, that Oscar bellwether, with Philomena in second place) 

We also hit mainstream titles like the Daniel Brühl pictures Rush and The Fifth Estate. No one really liked Labor Day which Angelo calls "my summer of erotic pies" and which reminds us uncomfortably of previous Kate Winslet projects. Some slightly more divisive experiences include the sci-fi wow of Gravity, Jafar Panahi's Closed Curtain, the erotic thrillers Stranger by the Lake and Eastern Boys, animation giant Sylvain Chomet's first live action feature Attila Marcel, as well as two doppelganger movies The Double &. Enemy starring Jesse Eisenberg & Jake Gyllenhaal respectively.

Mixed in with these pre-release screening buzz-discussions there's plenty to chew on in terms of Oscar's Best Foreign Film category including possible entries from Singapore (Ilo Ilo), Romania (Child's Pose), Chile (Gloria) and Cambodia (The Missing Picture). And, last but not least our panel loves Jonathan Glazer's long awaited Birth follow up Under the Skin (starring Scarlett Johansson) and offers up advice for any readers who'd like to go to TIFF next year.

Clockwise from top left: Strange Little Cat, Gloria, Gravity, Eastern Boys, and 12 Years a Slave

You can listen to the podcast here at the bottom of the post or download it on iTunes. 
(I tried something new in the processing / uploading so let me know if the sound is okay and how it compares to other weeks) 

TIFF 13 Takeaways

Open Thread

What's on your cinematic mind? I'm prepping for three actress interviews (!!!) and tonight's podcast so I've no time to write. Your turn in the comments. 

Burning Questions: War of the Five (Nerd) Kings

Hey everybody, Michael C. here. There are certain phrases entertainment writers are fond of throwing around until they lose all meaning. If pop culture pundits are to believed at any given moment there are around a dozen “Best Shows on Television” and twice that many “It Girls”. 

One phrase run into the ground this past summer was declaring such and such person “King of the Nerds -every week saw a new monarch crowned by the media. So in an effort to save everyone the confusion I propose we settle the matter here and now:

Who is the current King of the Nerds?

If we were to put things into Game of Thrones terms (and why wouldn’t we?) George Lucas is the Mad King who used to be the unquestioned ruler but had to be deposed when he lost his mind and started dragging his own films out onto the throne room floor to be destroyed. Peter Jackson would be the Robert Baratheon who was swept into power on the glory of the Lord of the Rings trilogy but whose subsequent projects became increasingly bloated until he was but a shadow of the leader he was when he first took the crown.

Now into the power vacuum wades these potential heirs to the throne and their fervent armies of fans:

JOSS WHEDON – The Popular Favorite

Hand of the King: Nathan Fillion

Claim to the Throne: Tough to beat his combination of mainstream success and cult adoration. Currently at the helm of The Avengers franchise, which, in case you failed to notice, was box office champ of the summer for the second year in a row. Its television spin-off Agents of S.H.I.E.L.D. debuts a week from Tuesday. Fans don’t come more loyal than his legion of followers. 

Achilles Heel: Does he desire the title? Low-budget black and white Shakespeare adaptations? Internet musicals? Talk of doing a ballet? He seems more like a theater dork at heart.

SIMON PEGG – The People’s King

Hand of the King: Nick Frost

Claim to the Throne: Listen to him talk for 5 minutes (or glance at the cover of his book) and it’s clear that he is the real nerd deal. When he isn’t improving mega franchises with his presence, he is spearheading the Cornetto trilogy, the cult success of the last decade.

Achilles Heel: Can't really break out of cult status as a leading man, but then again, maybe that’s a plus for a Nerd King.

BENEDICT CUMBERBATCH - The Knight of Flowers

Hand of the King: Martin Freeman

Claim to the Throne: Provokes the opposite of Affleck casting tantrums. Welcomed with open arms every time he shows up in a new geek-friendly franchise, which lately feels like all of them.

Achilles Heel – Sic Transit Gloria. In a year or two his roles in the The Hobbit, Star Trek, and Sherlock will all be in the rear view mirror.

JJ ABRAMS – World Conqueror

Hand of the King: A Pile of Money

Claim to the throne: All your franchise are belong to him. Accomplished the obscene fantasy of landing both the Star Wars and Star Trek franchises. Who can top that?

Achilles Heel: He has the power but does he have the love of the people? Star Wars and Star Trek aren’t what they once were and he his films have the habit of leaving vocally disgruntled fans in their wake. The masses could rise up against him.

GUILLERMO DEL TORO – The Connoisseur’s Choice

Hand of the King: Ron Perlman

Claim to Throne: One of the few guys creating original visions for the screen instead of rebooting and rehashing old ones. Lackluster response to Peter Jackson's The Hobbit, a project he was originally attached to, has only increased his cred, “If only Guillermo had done it…”

Achilles heel: Pacific Rim suggests he loses some of his mojo when reaching for mass appeal. More suited to work on the fringes than to sit on the throne.

 

It doesn’t feel right for me to make such a momentous judgment on my own, so I leave it to you. Declare which army you would join below or make a case for a different candidate altogether in the comments. 

poll by twiigs.com

Previous Burning Questions
You can follow Michael C. on Twitter at @SeriousFilm. Or read his blog Serious Film

TIFF: "Gravity" & "Eleanor Rigby: Him / Her"

Here's to grand ambition, the spiritual cousin of self-sabotage; whatever scale filmmakers are working on, it's a thin (blood)line that separates them. An noble arguable failure and an unwieldy arguable success from the Toronto International Film Festival will illustrate…

GRAVITY
The very talented multi-hypenate filmmaker Alfonso Cuarón has been MIA from cinema for the past seven years. He's presumably been huddled over various computers or engulfed in endless meetings trying to work out the logistics of bringing this epic outerspace survival drama to the screen. [more...]

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