Jurassic Park Anyone?

My policy is I don't see 3-D revivals of old movies. Don't encourage them !!!

Though it's been my lifelong dream that mainstream multiplex would be in the habit of devoting one screen to older films -- a way of giving something back to the art we love so much -- I didn't foresee it happening in this way and I'm not too happy about it since 3D is a cheap (okay, expensive) gimmick and not the way these films were originally shot and therefore impure (like colorizing black & white movies).

But you know, if they must do it, this one's maybe the best choice. Don'cha think? Maybe I should make an exception just this once.

Most people love Spielberg unreservedly. Alas not I. But I do love some of his pictures so I thought I'd do a top ten. But it turns out I only have five. They are...

1. Raiders of the Lost Ark (1981)... aka the second best picture of 1981
2. Jaws (1975) ...a member of maybe the best best picture lineup ever
3. Close Encounters of the Third Kind (1977) ...the only one I've written about recently
4. Schindler's List (1993) 
5. Jurassic Park (1993)

All the others I have minor or major quibbles with. But those five? Pass the popcorn! Extra butter.

Yes, No, Maybe So: "World War Z"

Remember that classic Robert Frost poem?

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

Sadly, it's incredibly dated; everyone knows that the world will end in a zombie apocalypse! 

World War Z, which opens next June, is the latest in a seemingly endless stream of zombie apocalypses from Hollywood. The first trailer has arrived. Let's break it down...

Click to read more ...

Our Kind of Voting ~ Finale!

These were so much fun on election day (pt 1 & pt 2) that we'll do one more before we hunker down into this year's Oscars. Tell us who you'd vote for and why in these famously divisive and/or just plain fabulous Oscar categories.

BEST ACTRESS 1961
SOPHIA LOREN (Two Women) vs. AUDREY HEPBURN (Breakfast at Tiffany's) vs. NATALIE WOOD (Splendor in the Grass) vs. GERALDINE PAGE (Summer & Smoke) vs. PIPER LAURIE (The Hustler) 

BEST CINEMATOGRAPHY 2007
NO COUNTRY FOR OLD MEN (Deakins) vs. THERE WILL BE BLOOD (Elswit) vs. ATONEMENT (McGarvey) vs. DIVING BELL AND BUTTERFLY (Kaminsky) vs. THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (Deakins) 

BEST SUPPORTING ACTOR 1999
HALEY JOEL OSMENT (The Sixth Sense) vs. MICHAEL CAINE (The Cider House Rules) vs. TOM CRUISE (Magnolia) vs. JUDE LAW (The Talented Mr Ripley) vs. MICHAEL CLARKE DUNCAN (The Green Mile)

poll by twiigs.com

BEST PICTURE 1975
ONE FLEW OVER THE CUCKOO'S NEST vs. BARRY LYNDON vs. NASHVILLE vs. DOG DAY AFTERNOON vs. JAWS 

Can you even choose from all the awesome?

Dr. Link

Columbia Journalism Review looks back at a watershed moment in celebrity profiles: Truman Capote meets Marlon Brando
The Film Doctor thinks Wreck-It Ralph is more corporate brainwashing for profit
Movieline Brad Pitt turns furniture designer. Unfortunately you can't see the show which is in New York next week if you're not in the design industry -- I looked it up after treading this; private appointments only 
Awards Daily Soundworks profiles Flight. How many Oscar noms will that film win? 
Studio Briefing Daniel Craig's "get me outta this" feelings for Bond since day one -- I'm amused by how seriously people are taking these comments. Please, it's not like he's going to quit just yet.

My New Plaid Pants a double o version of Do Dump or Marry shook and stirred me. So hard to answer!
Coming Soon It seems like Channing Tatum has as many movies coming out next year as he did this year! New pics from White House Down 
Cinema Blend the last star-laden version of Les Misérables, which was stupidly not the musical at the time,  comes to DVD in time for Christmas. Remember that one? Uma Thurman is Fantine and Liam Neeson is Jean Valjean
Family Room Gary Ross not at all sad that he walked away from The Hunger Games
/Film the beloved (but sometimes reviled) indie comic hit Elfquest from the 70s and 80s is still trying to become a movie. Fans who made a short film type trailer are hoping to be the ones to accomplish it. I'm a bit confused by their short though since it only features the female elves. It has to be a measure of Elfquest's impact that I recognized every single character... and not like distant memories either.

Today's Watch...
Well, if you have a couple of hours to spare that is...

Good concept though. They've linked up the Bond films chronologically, and then used roughly five minutes of film from each in sequential order to create a FrankenBond movie.

Hedlund Owns The Road

Michael C. here.  Walter Salles’s big-screen adaptation of Kerouac’s On the Road is set for limited release December 21, but I fear that if people aren't buzzing about this one before Christmas then there's a real risk that one of the year’s best performances will be lost amid talk of Hobbits and show tunes sung live on set. So to prevent that happening I’m going to get the ball rolling right now: Garrett Hedlund deserves to be nominated for Best Supporting Actor.

FOR YOUR CONSIDERATION

Sam Riley may be the lead as Kerouac stand-in Sal Paradise, but the character is something of a cipher, passive and observant and taking notes the whole time. As Dean Moriarty, based on beat generation figure Neal Cassady, Hedlund has the star part. He drives the action. He is the guy who everyone talks about when he’s off-screen and is the unquestioned center of attention when on-screen. It's a daunting role. Hedlund needs to make Moriarty a solipsistic, libido-driven egomaniac that makes a wreck of all his relationships while at the same time have him be so irresistibly brilliant and charming that we believe it when all the other characters are attracted to him despite this behavior. It’s not for nothing that Kerouac originally wanted Marlon Brando for the role. 

Hedlund delivers big on all these counts and makes it all seem effortless. In one electric scene he lets fly with an impromptu monologue about a party that evolved into a bizarre orgy, and you can feel the whole story skipping right off the surface of Dean's Benzedrine-addled mind. 

Any film of On the Road is going to rise or fall based on the character of Dean. The character embodies all the novels romantic deals about the excitement of the open highway as well as the story's tragic grace notes when the road trip ends. That this adaptation works as well as it does suggests that voters need to find room among all the beloved veterans for one of 2012's breakout stars. 

The Best Supporting Actor Race