Nora Ephron (1941-2012)

Goodbye NoraScreenwriter, director and all around wit Nora Ephron passed away yesterday at 71 from a long battle with leukemia. The Ephron movie I hold most personally dear (with the exception of Silkwood which is more of a Nichols/Streep thing for me) is Sleepless in Seattle (1993). When it came out on video I was in college working in a video store / pizza place. We always put movies on and they had to be safe for families so it was all G & PG titles. I'd play old movies and musicals and whatnot in the morning when people wouldn't complain about them but when it would get busier you'd have to have the new titles playing while they stuffed their faces full of hot melted cheese. Sleepless in Seattle was popular in heavy rotation. Loved that movie and always got a little heartsick right along with Meg Ryan, listening to that radio in her car.

My last Nora specific memory was the tickling experience of reading her brief spoof of The Girl With the Dragon Tattoo in The New Yorker. I remember my smile turning to audible laughter (aka LOL'ing ) a third of the way through and increasing in frequency as its brilliance sank in. There was an after pang - "If she's still this funny, how come we don't get another When Harry Met Sally?"

Alternate title for Nora Movies: "You've Got Relatlonships"

I didn't know at the time that she had already been sick for a few years. And even if her filmography contains its fair share of head-scratchers, on the whole its a good one. Her reputation has only been unfairly diminished by the shortsighted modern disdain for the rom-com genre which she ruled for a time. (While it's true that this genre is currently at its nadir, some of the greatest films ever made belong to it - think screwball.)

This morning my thoughts turned to Ephron's screen muses. While she worked with Tom Hanks, John Travolta, and Steve Martin multiple times I wondered sadly how Meryl Streep and Meg Ryan, her two most prominent interpreters, were feeling today. I have no idea what their personal friendships were actually like -- though Ephron's amazing AFI tribute speech to Streep suggests that theirs might have been filled with nonstop hilarious banter.

Since Ephron wrote so well and often about romantic relationships, I like to frame the collaborations in that way. Let's call her screen romance with Meryl Streep (Silkwood, Heartburn and Julie & Julia) an "amorous friendship" -- one of those mostly chaste things with occassional "what if...?" flarings of passion. The screen romance with Meg Ryan (When Harry Met Sally, Sleepless in Seattle, You've Got Mail, Hanging Up) on the other hand can only be interpreted as "marriage" --unmistakably public, fruitful and life-changing for both.

Nora ♥Meryl, Nora ♥ Meg

What's your favorite Nora & Meg movie? What will you most miss about Ephron's best work?

Recommended Reading
The New Yorker The Girl Who Fixed the Umlaut by Nora Ephron
Lists of Note "What I won't and will miss" by Nora Ephron 
...and my two fav Ephron tributes: NPR's Monkey See and Stale Popcorn.

Hugh Jackman Sings. "Emptys" Wins TropFest.

I wasn't able to attend TropFest on Saturday night here in NYC due to last minute conflicts -- what a crazy week -- but it looks like a good time was had by all. 

Hugh Jackman hosted the free event, the first in the US though the short film festival, born in Australia, has been going strong for 20 years. Hugh Jackman hosted while fellow Aussie Rose Byrne served with other celebs served on the jury. The winner Josh Leake won $20,000 and the once-in-a-lifetime chance to actually be on stage singing with Hugh Jackman. They sang Kander & Ebb's "New York New York" because, well, what else?

That acceptance speech duet and the winning film after the jump.

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Tues Top Ten Suggestions?

Fill up my inspiration bucket for future installements in the comments. Go!

If you can... link it here ♪ you'll link it... ♫ anywhere

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Curio: Gypsy Rose Lee

Alexa here.  In honor of Magic Mike opening this weekend and Nathaniel's Stripper Week -- yes, the blog is going there -- I thought I'd celebrate my favorite film stripper, Natalie Wood as the titular Gypsy Rose Lee (née Louise Hovick). Of course, the film is far from one of the best musical adaptations put on film; if only Ethel Merman had been given the chance to put her Broadway signature performance of Mama Rose on screen (Rosalind Russell was such a drag).  But it is probably the rabid Natalie Wood fan in me that can't see anyone else as Gypsy.

Here are some curios (and one of my own) in celebration of the charming ecdysiast.

My vintage tie-in paperback, complete with striptease filmstills.

Click for more including a gorgeous illustration and a bizarre marketing tie-in from 1962.

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