Links: Vocal Mimicry, Fearless Reprises, and Kick Lines

Web Slinging hear Tom Hiddleston's impressions of Samuel L Jackson, Owen Wilson and Chris Evans. He's a talented mimic. And funny, too.
My New Plaid Pants gratuitous Byung-hun Lee
Pajiba acknowledging the nameless lineless secretaries on Mad Men. Hey, at least they get to wear the insanely great costumes of Janie Bryant.
LoveFilm asks which Brad Pitt film haircut is the most iconic? How to choose? Surely the best male follicles in Hollywood.

Monkey See on long term investments in TV shows and whether or not they pay off (via New Girl and Smash) 
Boy Culture has the rumored set list for Madonna's MDNA tour. Sad I'm not going but it'll be fun to read about and see clips from
Rope of Silicon Care to see a sneak peak of The Lizard from The Amazing Spider-Man? I'm avoiding spoilers which is frankly silly since we're in reboot territory but whatevs. I love Spider-Man, easily my favorite superhero film franchise. Though I'm still not excited about this one. 
Daily Musto The Avengers when they were young
Cinema Blend release date shuffling strikes. No Gravity in 2012. Sniffle. Guess I have to update my Oscar charts asap 

Playbill Yes, Julianne Moore accepted the Piper Laurie "Margaret White" part in the new film version of Carrie. She's brave that one, but stepping into another actor's iconic shoes (slippers in this case?) is tough work. See also Julianne Moore in Hannibal. I'm not sure she shoulda done it but now I have to see the movie. Damn you Juli, you fearless minx!
The Film Experience <--- yes, we already discussed this.
 Movie|Line has a candid interview with 90s teen star Devon Sawa... hadn't heard that name in awhile
The Incredible Suit 'is it just me or...' (seeing double) 
Empire Channing Tatum may star in Roland Emmerich's next noisy action picture (oh dear) White House Down 
The Wrap Hollywood learned nothing about Taylor Lautner's lack of film-carrying talent from Abduction (oy) and he's getting another action picture called  Tracers.
The Film Experience <--- yes, I actually wrote about Abduction. I am a masochist. 

Finally via SuperPunch, which always finds neat things to share, a supercut of just the kicking from Jean Claude Van Damme's Kickboxer...

Say What, Alien Scarjo?

Amuse us in the comments by adding a caption or dialogue to the first image from Jonathan Glazer's (Birth, Sexy Beast) new film Under the Skin about an alien (Scarlett Johansson) in Scotland.

Monday Monologue: Miss Jean Brodie

With The Best Exotic Marigold Hotel (just reviewed) garnering big audiences in limited release, Dames Judi and Maggie have been on the mind. Last week, I remembered my favorite scene from Judi Dench's best performance in Notes on a Scandal (2006), so this week a look back at Maggie Smith's Oscar winning signature role The Prime of Miss Jean Brodie (1969) for a companion piece...

What follows from the 1969 film The Prime of Miss Jean Brodie is not technically a monologue. This progressive middle school teacher in a conservative girls school invites interjections into her speeches, if not actual participation or dialogue. I was tempted to publish this a day early and call it for a Sunday Soliloquy but it's not really that either. For Miss Brodie isn't speaking directly to herself.

Or is she?

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Take Three: Chris Cooper

Craig here with this week’s Take Three. Today: Chris Cooper

Take One: Adaptation. (2002)
Cooper was up against a quartet of big names in the 2003 Best Supporting Actor Oscar race: Christopher Walken (Catch Me if You Can), Ed Harris (The Hours), John C. Reilly (Chicago) and Paul Newman (Road to Perdition). As the then least weighty name, his nomination didn’t necessarily guarantee success. But, conversely, his fifteen prior award wins and a further 5 nominations for the role spoke volumes. He emerged victorious, yet, inexplicably, Adaptation remains his only nod to date.

Spike Jonze’s very meta, self-referencing Adaptation was unique and playful in equal measure. It mulled over plenty of original ideas with its life-fiction overlap. Cooper, as orchid thief John Laroche, a real-life figure, stole the film away from actors as lively as Nicolas Cage, Meryl Streep and Tilda Swinton. He played the wry humour and the tragedy of Laroche with equal skill. The event that haunts him (the death of his wife in a car accident) has plot repercussions that Cooper almost invisibly folds into his performance. He uses Laroche’s dry, off-kilter amiability as a subtle yet defining trait. And in the driving scenes featuring with Streep he can be glimpsed looking cautiously for each road turn, knowing danger can arrive out of anywhere, any day. Such moments reveal how immersed Cooper is in the role. But, further than that, he navigates the increasingly bizarre and intentionally conventional plot swerve into thriller territory with ease. It’s a cranky, clever piece of acting both oddly knowing and incredibly moving.

Thanks to his Oscar win here, his career since has been a plethora of top-drawer performances, not least his largely under-appreciated role in Take Two’s film...

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Mad Men @ The Movies: Megan, The Actress

In Mad Men @ The Movies we talk about the show's movie references. Mad Men happens to love the movies and we happen to love Mad Men.

Megan Draper: My father won't care if he finds out you read James Bond.
Don Draper: You know what? It's a good book. You should read it. 

poll by twiigs.com

Eyebrows were raised recently when it was announced that Jessica Paré would be submitting herself in the lead actress category at the Emmys for this season of Mad Men. Over the show's interminably long hiatus she graduated from guest star to... well, the new Mrs. Don Draper fits the "Lead" description in every way. Not only does Megan gets key storylines in every episode but her energy, impulsiveness, and partial foreignness is something like a youthquake for the show, especially since all the other characters are aging quicker than they'd like to.

In "At the Codfish Ball" and "Lady Lazarus" Megan's decisions continue to cause aftershocks with Don, Peggy, Roger and more who all seem to interpret Megan's decisions through their own narcissistic lens. Her parents visit, she saves a major account (Heinz Baked Beans) proving her natural aptitude at advertising but instead of celebrating she announces her resignation. She secretly still wants to be an actress and has been attending auditions on the sly.

Movie grammar and a pinch of Hitchcock after the jump...

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