April Foolish Predictions: Eye Candy and Music
by Nathaniel R
Our April Foolish tradition continues with the visual and sound categories. For this installment we're just picking highlights from our crystal ball. Read on...
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by Nathaniel R
Our April Foolish tradition continues with the visual and sound categories. For this installment we're just picking highlights from our crystal ball. Read on...
Like Mark said in his Veronica Cartwright tribute, this 4/20 is an essential date for actressexuals... among others. After all, we celebrate the horror queen's 75th birthday and that of Jessica Lange as well. Initially, I thought about writing about the star's upcoming adaptation of O'Neill's Long Day's Journey Into Night, but that film seems trapped in some nebulous distribution limbo. By all accounts, production wrapped in late 2022 after a brief halt due to financing issues. Since then, there's been hardly any news, and Lange herself speculated it might not yet be finished in a Vulture interview. Let's hope we don't have another Blue Sky situation in our hands, though that farrago resulted in a Best Actress Oscar.
So, instead of dwelling on that mystery, why not remember The Film Experience's collective love for Jessica Lange? Going through the site, I came up with a selection of write-ups worth revisiting, plus some bonus Nina Foch to mark her centennial…
by Mark Brinkerhoff
Happy 4/20, which happens to be the birthday—same day/month/year—of both Jessica Lange and one Veronica Cartwright, the British-born former child star and current character actor extraordinaire.
When did you first clock the extraordinary Veronica Cartwright on screen? Though she mainly does TV guest spots (and the occasional direct-to-VOD titles) nowadays, I can say that she made an immediate impression for me in the mid-‘80s, starting with The Right Stuff (1983), Flight of the Navigator (1986), and most notably The Witches of Eastwick (1987)...
by Nathaniel R
Last season, we finally saw another hand drawn film take the Best Animated Feature Oscar with The Boy and the Heron emerging triumphant. Will we have another rarity this year or will Oscar voters return to their Pixar and/or American CG habits? Each year we root for the underdogs in this category since great studios like Laika and Cartoon Saloon have yet to take home an Oscar. Sadly, neither of those companies will have a film ready this year. Still, we'll dream that it will prove a truly competitive year no matter what emerges. That always makes it more exciting.
Herewith our April Foolish predictions...
For all its controversies, Alex Garland's Civil War has gifted us with more than just an (a)political provocation. The chosen format limits the film's considerations of conflict journalism, and its overall construction has flaws aplenty. Yet, in the picture's lead, Kirsten Dunst delivers another worthwhile turn as a disillusioned photographer. Exhaustion laces every gesture and actorly choice, and though Garland seems to abandon her for the film's final act, whenever the camera finds Dunst, she delivers. Whether portraying cynical apathy or shell-shocked grief, apprehensive over a younger colleague's fate or breaking down at the eleventh hour, the actress can weave straw into gold and elevate any material.
Considering her latest performance, I couldn't help but reminisce about Dunst's early days and how, thirty years ago, she became a star at just twelve years old…