Norma Shearer, the First Lady of MGM

by Cláudio Alves

It's odd that so few people talk about Norma Shearer nowadays. This Academy Award-winning actress was once one of the greatest stars of moviedom, First Lady of MGM, Queen of the Lot. Her arch elegance typified the glamour of Old Hollywood, while her evolving acting style often reflected and predicted the trends of the industry. She was a phenomenon, a sensation, a diva, but her modern recognition pales in comparison to many of her contemporaries like Joan Crawford, Bette Davis, Greta Garbo, Marlene Dietrich, and others.

Since we're celebrating 1938 and that was the year when she got the last of her five or six Oscar nominations (depending on how you count her double from 1930), it's a good time to look back at the life and films of Norma Shearer…

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"Night of the Kings" is our third International Oscar submission

by Nathaniel R

Director Philippe Lacôte and a still from "Night of the Kings" his second feature

We have our third reported Oscar submission for Best International Feature at the 2020 Oscars and this one is a rarity. Ivory Coast, a West African country, has only ever submitted two previous films to the race. Though Ivory Coast, a former French colony, became independent in 1960, their first submission Black and White in Color (1976), which won the Oscar, was the debut of French filmmaker Jean-Jacques Annaud who was quickly snapped up by Hollywood. Ivory Coast didn't submit again until they had their own debut director, Philippe Lacôte. His first film, a crime drama called Run, was submitted to represent the country in 2015 and his sophomore feature will represent the country again. Screen Daily recently spoke with the filmmaker about why there are so few African films at A-list festivals and how this new film came into being.

Night of the Kings which premiered this past week in Venice, is a Scheherazade-like story about a thief (Bakary Koné, pictured above) who becomes a storyteller in order to survive in the infamous MACA jail in the city of Abidjab (Lacôte's home town). The story the thief is telling is a true one about a crime lord called Zama King but  Lacôte wasn't interested in making a traditional biopic (bless him!). French actors Steve Tientcheu (from last year's Oscar nominated Les Miserables) and the always incredible Denis Lavant (Holy Motors) co-star.

Previously
Poland selects Never Gonna Snow Again
Switzerland selects My Little Sister

Red Carpet Lineup: 30 Looks from Venice 2020

The 77th Venice Film Festival wrapped today with the Golden Lion going to Chloe Zhao's Nomadland (which we'd predicted as far back as our annual April Foolish Predictions to be in the forthcoming Best Picture and Best Director lineups (we'll update all those charts this week). Venice wasn't the star-studded affair it usually is due to the shortage of travel and the ongoing troubles of the pandemic but they shouldered on. Cate Blanchett was in town for the whole festival as the President of the Jury and she made the all too rare decision to be sustainably fashionable by wearing only red carpet looks she'd worn before at other glitzy events. But her superpower, well one of them at any rate, is to make any year's fashions look utterly timeless.

29 other looks after the jump from the small batch of stars who went to Venice...

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Jean Gabin: French Superstar

by Cláudio Alves

The 11th Academy Awards marked an important first in Oscar history. Jean Renoir's Grand Illusion, a French drama about class hierarchies and political strife in World War I, received a Best Picture nomination. It became the first non-English language film to ever do so. As we all know, it'd take 81 years for one such picture to win Hollywood's most coveted trophy, but we're not here to talk about Parasite's glorious victory as tempting as that is. Instead, our subject matter is one of French cinema's greatest stars, a brilliant actor that grew to be a cultural monument, the leading man of that historic '38 Best Picture nominee. Jean Gabin was a divinity of the Silver Screen, as magnetic as he was devastating…

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Back to the movies with "Tenet" and a "Personal History..."

by Eurocheese

I drove 100 miles (one way!) to see two movies last weekend. Was it worth it? Well… yes and no. Here’s my take on returning to theaters and my thoughts on the two films I went (way) out of my way to see: Tenet and The Personal History of David Copperfield.

First, the moviegoing experience itself...

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