Comment Party: Best Actress, 1930s

Who is your favourite from each year in the 1930s? My current votes go like so though there are always more films to see so one must always reserve the right to change one's mind.

• 1930 Norma Shearer, The Divorcee
• 1931 Marie Dressler, Min & Bill
• 1932 Marlene Dietrich, Blonde Venus
• 1933 Greta Garbo, Queen Christina
• 1934 Claudette Colbert, It Happened One Night
• 1935 Katharine Hepburn, Alice Adams
• 1936 Carole Lombard, My Man Godfrey
• 1937 Irene Dunne, The Awful Truth
• 1938 Bette Davis, Jezebel
• 1939 Vivien Leigh, Gone With the Wind (though I'll admit to being somewhat torn because Dark Victory is my favourite pre 1950s Bette Davis performance)

Happy Day, Miss Moss

by Jason Adams

Today we wish a happy 38 to the actress I have come to consider (give or take a Carey Mulligan) my favorite working actress, Elisabeth Moss. At the start of quarantine I binge-watched Mad Men for the very first time (here's the Twitter thread if you missed it) which only cemented my love, which had been gaining momentum like a great big boulder rolling down a hill (there's a "gathering Moss" joke in there somewhere) over the past few years to become, now, this unstoppable force.

The top of the hill was definitely 2014-ish when the triumverate of Listen Up Phillip, The One I Love, and Queen of Earth came out swinging and knocked me out of my socks...

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Who deserves a shot at romantic lead stardom?

This question is brought to you by a recent rescreening of North Country (2005). The movie is too didactic to dimensionalize its characters but there are lots of little things worth thinking about and discussing therein... especially the kind of topics that can only come when a movie is now an older if not an 'old' movie. Like... why didn't Michelle Monaghan (who really pops in a small role) become a bigger deal? And why hasn't Hollywood given Corey Stoll a shot as a romantic lead? There he was, 15 whole year ago, being bald and sexy and crushworthy six years before his breakthrough (Midnight in Paris). He plays one of the only redeemable guys in the mine where Charlize works (and is continually harassed, both violently and sexually). There's a lovely but sad moment when he asks her to dance at a local bar and as she relaxes into his arms, drunk, she asks him twice... "you're a nice guy, right?" 

Are they any other character actors that you think deserve a shot at a romantic leading role? 

Remembering Howard Ashman

by Cláudio Alves

On the morning of February 19th, 1992, the nominations for the 64th Academy Awards were announced. As always, the last category to be revealed was that of Best Picture and, just as Best Director lineup had done, it brought with it a historical event. Disney's Beauty and the Beast became the first animated feature to be nominated for the Best Picture Oscar, a momentous achievement that was applauded by the audience of journalists. It was the only Best Picture nominee to receive such jubilant cheer and it's easy to see why. While some had predicted the cartoon's glorious haul of nominations, the long-lasting prejudices of AMPAS against animation made its success seem impossible. Thankfully, even the Academy can get over itself from time to time, and honor truly deserving cinema. Beauty and the Beast is certainly deserving, being a masterpiece of American animation, as well as one of Disney's crown jewels.

Unfortunately, not everyone involved with its triumph was able to bask in the glory of the Oscar nominations. One of the men most responsible for the wonder of Beauty and the Beast was long gone by the time of the announcement…

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1991: Carina Lau in "Days of Being Wild"

by Nick Taylor

Happy Birthday, Wong Kar-Wai, who turned 62 years old last week, something that surely feels impossible for anyone younger than 61 to really consider for themselves! The celebrated auteur is known for his indefatigable sense of coolness and poise, doing for delicately conjured yet passionately felt romanticism what Ingmar Bergman did for psychological anguish. Especially in certified masterpieces like In the Mood for Love and Happy Together but even in lesser works like My Blueberry Nights, Wong’s sense of style is refreshing to sit with and inimitably his. And so, in celebration of our beloved birthday boy and the many gifts he’s given us across his career, I’m here to discuss Days of Being Wild, and the bewitching, jewel-toned performance of Carina Lau...

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