Cate Blanchett is Mrs. America

by Murtada Elfadl

Intensity is coming to Hulu. Cate Blanchett level intensity. Uzo Aduba, Sarah Paulson, Rose Byrne intensity. The cast assembled for Mrs America, the F/X Hulu series that recounts right wing activist Phyllis Schlafly’s fight against the feminist movement of the 1970s is chock full of all your favoriter character actresses. Elizabeth Banks, Margo Martindale, Tracey Ullman and Melanie Lynskey are also in the cast. There are some men too, namely John Slattery, James Mardsen and Insecure’s Jay Ellis. The official synopsis reads... 

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Fellini @ 100: His Self-Referential Masterwork "8½"

A few volunteers from Team Experience are revisiting Federico Fellini classics for his centennial. Here's Eurocheese...

A filmmaker stands out as a master because of the distinctiveness of their voice, and how they speak specifically to the human condition. Well, that, and a filmography where we can point to classics, even stone-cold masterpieces. If I was to ask you which director seemed to examine life through a fun house mirror, you might be able to guess we were talking about Fellini. I hadn’t rewatched 8½ (1963) in several years and one of the things I had forgotten, maybe because of the joyous memories of so many individual scenes, is the way the razor sharp editing creates such a sense of panic right from the start; we're watching our protagonist suffocating with hundreds of eyes on him. The iconic image of the director flying high in the sky like a kite, only to be pulled down to the ocean, adds terror to the upcoming, more realistic scenes. This movie itself must provide answers for him to escape his terrible fate.

The way the film consistently rushes one character after another at the camera gives us a taste of the control Mastroianni’s Guido is experiencing. He's both suffering from a god complex where he can toy with the depictions he is sending us, and building towards a fate he's desperate to avoid...

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Doc Corner: The 2019 Oscar Nominees!

By Glenn Dunks (returning from a writing break, I hope y'all missed me)

Following last year’s surprising line-up for Best Documentary Feature that ignored multiple major box office hits and favoured critical and festival hits, I asked how much the Academy’s changing dynamics had affected the nominations in this category that was often considered a musty piece of furniture. It was undeniable that a significant shift had been made and I am thankful to say that it wasn’t a fluke. The 2019 nominations for documentary have yet again marked the branch as one on its own course through the greater Oscar season narrative. A narrative that is otherwise marked by predictability, a distinct lack of adventurousness, and even outright laziness.

This year’s nominees took us from the bombs and missiles of a warzone of Syria (two times! The Cave and For Sama) to the silent beekeeping traditions of North Macedonia (Honeyland), through the muddy democratic waters of Brazil (The Edge of Democracy) and the blue collar working yards of America's midwest (American Factory). They represent American and international filmmaking at their finest made by newcomers and veterans alike...

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Soundtracking: Cats

by Chris Feil

One month after its catastrophic arrival and its official: Cats has entered the cult pantheon. But unlike the midnight musical tradition set before it by The Rocky Horror Picture Show, this disaster isn’t simply finding an audience that appreciates its merits. If the ultimate schadenfreude response to the film felt pre-baked by the gleefully unhinged  reactions to its promotional material, we shouldn’t forget that much of its failed vision falls squarely in the lap of director Tom Hooper.

Cats as a musical is supposed to be earnest, its silly concept a vessel for unbridled imagination from the bombastic funhouse of Andrew Lloyd Webber. Of course, it has always had vocal detractors - it’s still a musical about cats. But for better or worse, it’s a more tuneful score than it’s often credited as, even if it grates...

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18 days till Oscar

by Nathaniel R

18 is today's magic number. Everyone knows that Oscar's acting branch sometimes takes a shine to little kids for acting nominations (almost always it requires a Best Picture nomination for the movie that houses them) but how often do they nominate kids who've just become adults? Not too often! There have only been three 18 year olds who've ever been nominated* and curiously none were in Best Picture nominees. Still, all of them gave unforgettable performances and the latter two could have easily be argued as "shoulda wons" in their year. They are...

•  Mariel Hemingway in Manhattan (1979), Best Supporting Actress
•  River Phoenix in Running on Empty (1988), Best "Supporting" Actor 
•  Juliette Lews in Cape Fear (1991), Best Supporting Actress

Fact: No 18 year-olds have ever been nominated in either lead acting category.

* It's possible we missed an 18 year old in Supporting Actress (though we could only think of 19 and 20 year olds like Angela Lansbury and Saoirse Ronan beyond the 16 and under famous inclusions) since it's the category that is most favourable to teenage nominees and most trivia and articles list don't go beyond age 15 or 16 in that category. If we did we trust you'll tell us who in the comments.