Friday, December 31, 2021 at 10:34AM by Deborah Lipp
If you have clicked on this 50th anniversary commemoration of the James Bond movie Diamonds Are Forever, you are probably eager for a takedown. Diamonds Are Forever (1971) is a movie fans love to hate. But get your tomatoes ready to pelt me at me instead because I will be doing no such thing. I love this movie and I’m fully prepared to defend it...
Saturday, December 25, 2021 at 1:30PM by Nick Taylor
Happy Holidays! We are celebrating a very dear, tumultuous season - awards season - and the current wave of critics prizes has left us with some very exciting developments. It’s perhaps not the biggest shock that Jane Campion’s austere, sensual Western The Power of the Dog has become such a critical darling. It’s the first time in nearly two decades that one of Campion’s phone is in serious consideration but the film’s remarkable showing with awards bodies and the sheer number of Best Director wins she’s accrued are both tremendously deserved and, given the overall trajectory of her career, something of a surprise.
Releasing her first film since 2009’s Bright Star (and after showrunning the acclaimed series Top of the Lake for two seasons), Campion’s favor with the Academy and critics at large has shifted wildly over the years. As rapturously as The Piano was received, her 1996 bold, purposefully hard-edged adaptation of Henry James’s The Portrait of a Lady scuttered a lot of that goodwill, and as abrasive as that film is, I can’t for the life of me understand why this torpedoed her prestige reputation so badly...
Saturday, December 25, 2021 at 9:00AM MERRY CHRISTMAS EVERYONE.
This picture has nothing to do with the post but it's Nicole Kidman three Christmases ago. Cheers!
Years ago it was decided that we couldn't be celebrating movie anniversaries with utter randomness at the Film Experience so we committed to 10th, 25th, 50th, and 75th, and 100th parties. We stray often, especially if we're busy on "projects" like a Smackdown or what not, so this decision was useless and we'll probably drop it next year. Broader movie culture wouldn't play along anyway, celebrating all sorts of odd anniveraries (17th! 36th!) in order to just keep celebrating the same things over and over again. This is all a long way of getting around to the conceit of this post (GET ON WITH IT) which is
On this Christmas day in showbiz history, what was going on...
10|25|50|75|100, 1946, 1971, Dirty Harry, Tarzan, The Razor's Edge, The Yearling, War Horse, christmas, moviegoing Friday, December 24, 2021 at 6:00PM by Gabriel Mayora
On Christmas day, twenty-five years ago, Evita (1996) premiered nationwide in theaters. The musical adaptation was helmed by Alan Parker and international superstar Madonna was its leading lady. For her divisive star turn, the actress was famously awarded a Golden Globe for Best Actress in a Musical or Comedy over Frances McDormand (Fargo), who went on to claim the Academy Award in the equivalent category a couple of months later. Yet, Madonna’s name was left out of the Academy’s Best Actress line-up, suggesting the casting and Madonna's pop stardom may have proven too controversial for the group.
Much like Effie White, Fantine, and Velma Kelly, Eva Perón is the kind of role that appears destined to win awards sight unseen. What happened, then?
Thursday, December 23, 2021 at 7:00PM by Brent Calderwood
It might be time to stop calling Harold and Maude a cult film. Yes, it’s true that when it came out fifty years ago (December 20, 1971), many critics and audiences greeted it with a mix of bewilderment, indifference, and even hostility—Variety, for example, claimed it had “all the fun and gaiety of a burning orphanage.” And yes, it's also true that Harold and Maude has been a staple of midnight art-house screenings almost since its release and has topped “best cult films” lists for as long as “cult film” has been a recognizable term.
But 50 years on, Harold and Maude is so widely beloved by critics and new generations of film lovers that what was faintly hailed as an exquisite but slightly rarefied document of post-’60s counterculture is now firmly a part of our culture...
