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Entries in Horror (385)

Tuesday
Apr032018

The Revenge of April Showers

Seán here, full of the joys of spring and delighted to be helming the reboot of a franchise we all love here at the Film Experience... April Showers! Kicking off the month is a healthy dose of heavy-handed homoerotic horror, A Nightmare on Elm Street 2: Freddy's Revenge - what else!

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Wednesday
Feb142018

Cry Baby Cry, Make the Devil Sigh

 By Salim Garami


What's good?

Yuasa Masaaki is going to have a really good 2018 year. Earlier last month, North American animation distributor GKIDS announced they had acquired distribution rights to his two works from 2017, Lu Over the Wall and The Night Is Short, Walk on Girl, as well as his 2004 cult hit Mind Game. The acquisitions can promise no less than a breakout in recognition in the U.S. for the 52-year-old animator and his studio Science Saru. And yet, it's only apparently going to be riding on the tail of Yuasa's latest release, the Netflix anime series Devilman Crybaby, inspired by Nagai Go's tragic action-horror manga series...

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Thursday
Jan252018

"Hereditary" and Toni Collette Lurking

by Chris Feil

This year has made for a quiet Sundance Film Festival, no? While there seems to be less word on major deals and potential Oscar players in the year to come, one premiere that has quickly become must-see material is Ari Aster's horror debut Hereditary. Cryptic reviews have promised genuine genre scares and (much to our excitement) a worthy showcase for Toni Collette. Collette's co-stars include Ann Dowd and Gabriel Byrne.

The film centers on a family after the death of their not-so-beloved grandmother. Her artist daughter (played by Collette) deals with the increasingly spooky fallout...

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Tuesday
Dec192017

35 days til Oscar nominations. 35 years of Make-up 

by Nathaniel R

Since there are 35 days left until Oscar nominations --well perhaps 34 by the time this is published. Damn you, ever ticking clock! -- let's look back back at the 35 films that have won the regular Achievements in Makeup Oscar. We should admit straightaway that that's fudging the number a bit for the sake of a trivia countdown. In truth 37 films have won this prize but two were before the category was an official competitive one. The first two films to be Oscared for their Makeup effects were The 7 Faces of Dr. Lao  (1964)  and the original Planet of the Apes  (1968). Nevertheless it took quite some time for a category to emerge and title changes and such until it became the character we know today (which is also sure to change again!)...

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Monday
Dec182017

Beauty vs Beast: A Black Christmas Story

Jason from MNPP here wishing you a Happy Season with this week's ho ho holiday edition of our "Beauty vs Beast" series. If you ask me there is but one undisputed Movie King of Christmas - no it's not Frank Capra with his wingless angels and suicide bridges, nor is it Tim Burton with his antihero cat-people and scissor-handed freaks. No the Lord of Cinematic Hollies Jollies is Mr. Bob Clark, who gave us the ever-festive duo of 1983's A Christmas Story in 1974's Black Christmas. Nostalgia & Homicide - spells Xmas to me.

So this week to celebrate we'll be facing down two representational totems, one from each film - from A Christmas Story we have the infamous Sexy Leg Lamp that Ralphie's Dad buys (and that Ralphie's Mom destroys). And from Black Christmas comes the Crystal Unicorn that is used to murder the film's greatest character, drunken and acid-tongued Barb (a never funnier Margot Kidder).

PREVIOUSLY One of 2017's greatest movies was last week's subject and it was  a blow-out for Get Out's leading man - Daniel Kaluuya took just under 3/4s of the vote. But Allison Williams shouldn't feel bad since she got some lovely notices in the comments... said IanO:

"I expected Team Chris to win so I threw my vote to Rose. Get Out is fantastic, am so happy it’s getting awards attention, but I think Williams is somewhat lost in the critical hosannas for the film. She has to walk a real tight rope and she does so with ease. A second viewing really drove home how nuanced the performance is - it’s why the key scene works so damn well."