Amir's TIFF Roundup, Pt 2: The Good

Amir here, back to finish my TIFF diary. With the bad taste of my previous roundup washed away, it's time to move on to the good stuff. And boy did we have a lot of that.

As a diligent ticket stub collector (I know some of you do that, too) it wasn't hard for me to look back at the previous editions of the festival, put the films side by side and compare this year to past festivals. Without a doubt, my 2013 lineup is the cream of the crop. So strong were the films I watched this year that my TIFF top ten can easily match the quality of any of my year-end top tens. Still, I hesitate to call this a good year for Toronto. TIFF is, by nature, impossible to classify as having a "good" or "bad" year. The festival's gargantuan program offers nearly 300 films and each person's experience hinges entirely on their particular selections. Essentially, every year is a good year for TIFF and every years is also a bad one. It all depends on which tickets you buy.

Yet, the films themselves aren't the only thing that made this festival special for me. The people did, too. Boring as it might be for you to read, I'd be cheating you if I pretended that the cinema was all I had on my mind, that the conversations and the atmosphere didn't affect my experience of the festival. And that's really what makes the whole ordeal worth it. Sure, I watched a few early morning screenings with pins holding my eyes open, but would you pass up on the chance to talk about actresses with Nathaniel and Nick over beer and nachos? Yes, I had to skip a screening I had paid for, but I dare you to find an Iranian cinephile who wouldn't take a dream-come-true interview with Asghar Farhadi over any film. I should have probably given a film its fair due by not watching it hungover, but hey! I got to Karaoke with the two German brothers who made my favourite film of the festival, so that's a win-win in my books. That's not to mention the invaluable friends I've made among journos whom I cherish more than the films I watched. The point is, the standard of films was more consistently great than previous years, but the mood was set just right, too. I'm aware, however, that most of you would rather read about the films than my beer-fuelled adventures, so let's get right to the point.

Starting from the top, the aforementioned German film by Ramon Zurcher, The Strange Little Cat, was the clear highlight for me... [more]

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Amir's TIFF Roundup, Pt 1: The Bad and The Ugly

[Editor's Note: I've shared my TIFF experience with you through 12 plus articles. Amir was also there, hell he lives there, so he has a two part report to wrap things up. - Nathaniel]

"Take it, Chiwetel, TAKE IT!"

In awards season terms, the Toronto Film Festival is already old news. A bunch of films screened and some stars showed up on the red carpet and, as you all know, 12 Years a Slave has already won the best picture Oscar and everyone has gone home happy.

That’s not quite how it ends for anyone who attends a festival though. The act of film-watching itself happens with such rapidity that it becomes impossible to process all the films within the short duration of the festival. For me, TIFF hasn’t yet ended, mentally. I keep going back to every film, processing the details I remember and letting a whole new reaction unravel.

Here’s a truth I discovered this time around: it is impossible to maintain a regular work schedule, watch 30 films and also write about them. I had to compromise one of those things, and you can tell by my complete absence from this space which one of those I chose to leave out. But let’s pretend for a minute that it’s last week, you are still interested in festival coverage and you want to find out how I feel about the films I watched. Shall we?

Toronto's Oscar Problem & more after the jump...

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TIFF 2014 Vow

I will do this better next year. I will do this better next year. Steep learning curve I experienced schedule-wise at the Toronto International Film Festival. One must build in travel from theater-to-theater time, doublecheck "types" of screenings, have plan "B"s for screenings at the ready, interview time for some glitz, writing time for some sanity, reign-handing to people to cover non-festival news while you're abroad, queueing time for your limited public screenings. And that's just the obvious ones learned through trial by error. TIFF 2014 here I come. 

But I did eventually write up each and every film save one. Herewith links to all of my TIFF 13 adventures

Podcast a group discussion of TIFF 13: Oscar buzz, our favorite films, and more
Ambition & Self Sabotage on Gravity and Eleanor Rigby: Him & Her
Mano-a-Mano Hallucinations Norway's Pioneer & Jake Gyllenhaal² in Enemy
Quickies Honeymoon, Young & Beautiful, Belle
Labor Day in a freeze-frame nutshell
Jessica Chastain at the Eleanor Rigby Premiere
August Osage County reactions Plus Best Picture Nonsense
Rush Ron Howard's crowd pleaser
The Past from Oscar winner Asghar Farhadi & Cannes Best Actress Berenice Bejo
Queer Double Feature: Tom at the Farm and Stranger by the Lake
Boogie Nights Live Read with Jason Reitman and Friends
First 3 Screenings: Child's Pose, Unbeatable and Isabelle Huppert in Abuse of Weakness 
TIFF Arrival: Touchdown in Toronto. Two unsightly Oscars

Post Festival Additions:
Amir interviewed Asghar Farhadi on The Past
Amir on the David Cronenberg Exhibition - Long Live the New Flesh!
Amir's Fest Roundup - Pt 2
Amir's Fest Roundup - Pt 1 
August Osage County - an exceedingly rough draft months in the making  

Podcast: All About TIFF, Our Festival Takeaways

For this week's podcast, a special Toronto International Film Festival edition. Your regular players Nathaniel, Katey and Nick welcome Tim Robey from the Daily Telegraph and Angelo Muredda from Film Freak Central to discuss our experiences at this year's TIFF. We cover festival favorites like the joyful experiment Strange Little Cat, super-lengthy documentary At Berkeley and Clio Barnard's follow up to The Arbor, The Selfish Giant and spend time with 12 Years a Slave which blew (most of) our minds. (It also blew the TIFF audience's mind and took home the coveted People's Choice prize, that Oscar bellwether, with Philomena in second place) 

We also hit mainstream titles like the Daniel Brühl pictures Rush and The Fifth Estate. No one really liked Labor Day which Angelo calls "my summer of erotic pies" and which reminds us uncomfortably of previous Kate Winslet projects. Some slightly more divisive experiences include the sci-fi wow of Gravity, Jafar Panahi's Closed Curtain, the erotic thrillers Stranger by the Lake and Eastern Boys, animation giant Sylvain Chomet's first live action feature Attila Marcel, as well as two doppelganger movies The Double &. Enemy starring Jesse Eisenberg & Jake Gyllenhaal respectively.

Mixed in with these pre-release screening buzz-discussions there's plenty to chew on in terms of Oscar's Best Foreign Film category including possible entries from Singapore (Ilo Ilo), Romania (Child's Pose), Chile (Gloria) and Cambodia (The Missing Picture). And, last but not least our panel loves Jonathan Glazer's long awaited Birth follow up Under the Skin (starring Scarlett Johansson) and offers up advice for any readers who'd like to go to TIFF next year.

Clockwise from top left: Strange Little Cat, Gloria, Gravity, Eastern Boys, and 12 Years a Slave

You can listen to the podcast here at the bottom of the post or download it on iTunes. 
(I tried something new in the processing / uploading so let me know if the sound is okay and how it compares to other weeks) 

TIFF 13 Takeaways

TIFF: "Gravity" & "Eleanor Rigby: Him / Her"

Here's to grand ambition, the spiritual cousin of self-sabotage; whatever scale filmmakers are working on, it's a thin (blood)line that separates them. An noble arguable failure and an unwieldy arguable success from the Toronto International Film Festival will illustrate…

GRAVITY
The very talented multi-hypenate filmmaker Alfonso Cuarón has been MIA from cinema for the past seven years. He's presumably been huddled over various computers or engulfed in endless meetings trying to work out the logistics of bringing this epic outerspace survival drama to the screen. [more...]

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