Blueprints: Five Expertly Written Scenes of 2018

by Jorge Molina

A screenplay has to accomplish many things to be successful: establish the characters, create and maintain tension, introduce the plotlines and carry them smoothly and compellingly, grasp the audience’s attention and hold it for two plus hours. A good script does it all. A great script makes it all look easy and seamless.

We previously sang the praises of 5 original screenplays and 5 adaptations. This week, we're getting more specific with 5 scenes. While each of the following stories were successfully told overall as one cohesive movie, their writing stood out for making a particular element of screenwriting shine; each unique to the story they were trying to tell.

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Podcast: On the Basis of Sex and Destroyer

Nathaniel R and Murtada Elfadl and Chris Feil talk new films

We recorded this one just before Christmas so apologize on the delay at delivering it to you! 

Index (57 minutes)
00:01 Felicity Jones underwhelming RBG in On the Basis of Sex
06:50 Mixed takes on Karyn Kusama's Destroyer with Nicole Kidman
12:52 "Festive" Christmas movies like Vice, Shoplifters, Destroyer, Capernaum, Beale Street... so many depressing films scheduled for the holidays
18:30 Oscar shortlists for Score, Visual Effects, and Makeup
28:00 The Documentary Finals and the short films
35:00 Will Yorgos Lanthimos (The Favourite) be nominated for Best Director? Will Green Book controversies derail its expected screenplay nomination?
46:22 Leave No Trace and A Quiet Place might be peaking at the right time for big nominations
56:00 The Wrap Up

Further Reading / References
• Oscar Chart: Screenplay Charts
• Oscar Chart: Visual FX & Makeup
• Oscar Chart: Original Score
• Documentary Finalists
• Nathaniel's Destroyer Review
• Shadow & Act's Green Book Article

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Destroyer, On the Basis of Sex, Oscar Discussions

Oscar Charts!

A tip of the hat to you. Just letting you know that most of the Oscar charts have all been updated. 

This week sees gains for Stan & Ollie (especially all things John C Reilly and that wonderful makeup job to make him more Laurel-like), Ready Player One and The Ballad of Buster Scruggs (given their multiple finalist list bids), A Quiet Place (given that it's still campaigning and got that absurd "supporting" actress nomination at SAG), and Bohemian Rhapsody all over the place (because, 'Facts are Facts America,' sometimes massive popularity makes quality a complete non-issue!)

Check 'em out, won't you? They're updated
INDEX |  PICTURE  
DIRECTOR |  ACTRESS | ACTOR  | 
SUPPORTING ACTOR | SUPPORTING ACTRESS |
 SCREENPLAYS | FOREIGN  FILM 
VISUAL | SOUND | ANIMATION / DOC

This & That: SAG fallout, Beale St agnosticism, Kidman's AACTA win

December is a bear, isn't it? It just keeps on coming at you and more intense as it goes, too. We're so far behind, we're just going to do this with no structure and no editing. Here is a list of lots of news-items or curiousities that are probably worthy of their own articles  but they aren't going to get them! We need a big staff (now seeking volunteers!) Okay, here we go...

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2018 Review: Top Ten Hits in Nine Categories!

Soon we'll start daily 'year in review' parties, but here's an early one...

It's time for a special box office report AND the kick off to our year in review party. Yes, yes, everyone knows that Disney/Marvel owned the domestic and international box office with Black Panther and Infinity War, respectively. Yet there is far more to the story of ticket sales than just one studio and superhero films in general.

It's much more interesting to break it down into types of films and see which films most interested the ticket-buying public. We'll have separate reports on foreign films and documentaries but for now nine other categories!

🔺 = means that the film is still in release so its place in these rankings is not yet settled. All figures are as of March 24th, 2018

TOP ORIGINALS
NOT PRE-EXISTING  / NOT (YET) A FRANCHISE

 

01 🔺Bohemian Rhapsody (Fox) $215.9 (Nov 2nd)
02 A Quiet Place  (Paramount) $188 (April 6th)
03 The Mule (Warner Bros) $103.8 (Dec 14th)...

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