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Entries in Action (92)

Thursday
Sep242015

Emily Blunt is on a roll

Here's Murtada on a long time TFE favorite...

Blunt earlier this week at Sicario's London premiere

It’s a good week to be Emily Blunt. Her latest movie Sicario opened to strong reviews and scored the year’s best on screen average for a limited release indicating it might become a substantial hit when it goes wide. She’s one of the favorites mentioned for that Mary Poppins sequel. And her next movie The Girl on the Train just got a couple of high profile co-stars; an Oscar winner and Captain America himself.

Jared Leto and Chris Evans are set to join Blunt, Rebecca Ferguson and Haley Bennett in the adaptation of the best selling novel that will be directed by The Help’s Tate Taylor. The book, written by Paula Hawkins, is a publishing sensation, a la Gone Girl, having spent 20 weeks at the top of the hardback fiction charts. The plot is about alcoholic Rachel Watson (Blunt) who still pines for her ex husband (Evans) who is now married to Anna (Ferguson) while concocting a fantasy about the seemingly perfect couple (Bennett & Leto) she watches from the train on her daily commute. The story chronicles Bennett’s character disappearance and its effect on both Rachel and Anna. Though the book was set in London and Blunt will keep her English accent, the movie has been transplanted to the suburbs of New York City.

Clockwise L-R : Bennett, Leto, Ferguson and Evans

It’s exciting to see Blunt mixing it up. It would’ve been easy to be pigeonholed in action roles after her much lauded turn in Edge of Tomorrow. Even Sicario in which she plays an FBI agent is very different than her “full metal bitch” in Edge. Her Kate Macer is aces at her job but also overwhelmed by the grim reality of the drug trade along the US-Mexico border, a more nuanced characterization than the straight action-heroine of Edge. In a recent interview with Indiewire she talks about why only a handful of women are sought for all the action roles :

I think it’s because the list is very short, because we don’t see women in these kind of roles. So I think as soon as you do a role like that, like Charlize did or I did, or Rebecca’s done -- there’s like four of us or something. And Jen Lawrence. So I feel like us four, we get talked about -- and Angie, Angelina. So it’s a list of like, four women who are going to be considered for those kind of roles. So I think that’s why the rumors happen, because they’re like, "who else? Surely not another girl can wield a gun," you know what I mean? "A woman doing push-ups? There’s only one who can do that."

Sicario should take her to the next level, whether or not it brings her that first Oscar nomination. The film succeeds as both a vivid and violent thriller and a brilliant character study. At the center of it is Blunt’s Kate Macer who is by turns ferocious, steely, determined and also vulnerable and uncertain. It’s a great showcase of not only Blunt’s giant talent but Denis Villeneuve’s assured direction. Excellent word of mouth should translate into box office gold soon.

Have you seen Sicario yet? Isn't it funny that the two actresses who stole movies from Tom Cruise are going to be on screen together?

Monday
Sep072015

Visual Index ~ Mad Max: Fury Road "Best Shots"

For this week's edition of Hit Me With Your Best Shot, our last until October, we're looking at George Miller's thrilling return to his signature franchise Mad Max: Fury Road. It's the kind of movie that, as we just discussed on the "best of summer podcast," really goes the extra mile. And we're not talking about Imperator Furiosa's detour to "the green place" though that's well out of her way as drives go. George Miller completely outdid himself with this saturated, explosive, delirious, feminist action film.

One shot won't do of course which is why "Hit Me With Your Best Shot" is a communal experience. We each choose one and hopefully it adds up to a survey of a movie's crucial inspired images. My piece will be up late tomorrow before your host heads out for the Toronto International Film Festival and because this movie totally deserves an extra day. If you meant to participate and forgot, you have 24 more hours to get your choice in. I'll add more entries if they come in...

MAD MAX FURY ROAD
Directed by George Miller (Mad Max, Lorenzo's Oil). Cinematography by John Seale (The English Patient, Witness). Starring Charlize Theron & Tom Hardy
Click on the 10 images to read the 12 corresponding articles

Miller has made his subtext text in this image...
-The Entertainment Junkie 

 Despite being an intensely colorful film, there are actually just two main colors in the film’s palette...
-Magnificent Obsession 

 I was not prepared to be blown away by the awesomeness...
-Jija 

Given the sprawling vistas and circus craziness that are the film's bread and butter, my pick for best shot is almost idiotically off-book:
-Antagony & Ecstacy 

For all the images incongruous potency and humor, it's also a rich story point, introducing us to "the stuff" that got stolen and humanizing it.
-The Film Experience 

It just hit me so hard in the cinema I legit gasped...
-Cinematic Corner 

Movie Motorbreath - VIDEO ENTRY

Throughout Fury Road, character is defined by action; how we react to it and what we do after.
-Zitzelfilm 

Anguish never looked so beautiful...
-I Want to Believe

 

The grand spectacle that Miller created in that vast, unforgiving, and beautiful desert wasteland...
-Sorta That Guy

a palpable sense of the scale of the action...
-Film Actually

The movie is full of scenes that reveal themselves with a remarkable efficiency
-Awards Circuit 

AGAIN. You have 24 more hours to get your "best shot" in before we close out this episode late Tuesday night before TIFF travels begin!

Monday
Jul272015

Oscars vs. Blockbusters? No, It Isn't That Simple.

Jurassic World just beat The Avengers box office tally to become the third highest grosser of all time (when you don't adjust for inflation) which has Awards Daily wringing its hands over what the Academy should do to better honor the types of films people pay to see. As you may have guessed The Film Experience has strong feelings about this topic (including suggested new Oscar categories) all of which we will share with you right now...

Click to read more ...

Thursday
Jun042015

My New Link Parts

Benjamin Walker: still waiting for the mainstream breakthroughPajiba If you needed some contrarian Grace & Frankie critique try this. I love Dustin but he actually thinks that Grace & Frankie are the problems with Grace & Frankie. Say what? Is this opposite day?
The Dissolve Xavier Dolan's Tom at the Farm getting US distribution two years late. (sigh) So weird that it took so long since it's a) good b) marketable being of the thriller genre and c) only 90 minutes long (that's practically a "short" by the standards of the Dolanverse)
People Actress Jennifer Grey (Dirty Dancing) honored her legendary dad Joel Grey (Cabaret) at a recent event
Broadway World The awesome but still relatively unknown Benjamin Walker (aka 'Bloody Bloody Andrew Jackson' Himself and Former Streep-Son-in-Law) will star in American Psycho: The Musical on Broadway next spring.
Towleroad Tony Award predictions
Gold Standard predicts Best Drama Series at the Emmys - suggests that Breaking Bad dominance will continue with Better Call Saul. NOOOooooooo

Today's Must See(s)

Color me so impressed that this site did a video entry for "Hit Me With Your Best Shot". Why didn't I think of that? Maybe it'll inspire others to join us! *crossing fingers* Now go read Movie Motorbreath and subscribe totheir YouTube channel (I hope STinG does this every week). 

This short video is like Action Filmmaking 101. And obviously a lot of action directors working in Hollywood need to go back to school since John Seale (cinematographer) and George Miller (director) and Margaret Sixel (editor) just reminded everyone how it's done. This video describes one of the main reasons that Mad Mad Fury Road is so incredibly exciting without ever being disorienting. (Hat tip to Polygon for bringing this to our attention.) 

Superhero Link Quota
Heroic Hollywood looks at Marvel/Netflix's Defenders plans post Daredevil success. The proposed Black Widow series is never happening though, get real. ScarJo is too much of a movie star to settle
Comics Alliance Luke Mitchell promoted to series regular for Agents of SHIELD S3. (I liked him a lot but I'm done with that show. It's just far too incoherent and inferior to other Marvel product out there - Agent Carter runs circles around it for one and you can't watch everything.)

Show Tune To Go!

 

Musical hater Jason would not approve of me commemorating his baby My New Plaid Pants's 10th birthday this week by sharing a showtune but that's why I have to. Otherwise this would be way too sentimental because MNPP is my personal favorite blog (4realz). It's always hilarious and sexy and puts a smile on my face when I'm down and Jason is genius. So go and wish him well. For his tenth anniversary he counts down the ten hot movie stars he's posted about the most over the years. Naturally Jake Gyllenhaal wins but the order is interesting and for the show tune to go I've selected features Bachelor #8 Dominic Cooper's Bathing Suit from Mamma Mia! I can't imagine most TFE readers aren't already aware of Jason's blog (since he posts here regularly, too) but if you aren't, get familiar. There's something for everyone: cinephiles will love "The Moment I Fell For..." and "Five Frames From..." and his succinct reviews; Horny admirers of the male form \will love NSFW stuff like "Gratuitous" and "Anatomy IN a Scene" and "Do, Dump, or Marry"; if you're a horror fan you'll be way more at home over there since he has totally gross but inspired series like "Ways Not To Die," too.

So happy anniversary and keep making the internet a better place with "nonsense incarnate," everyone!

Monday
May182015

Review: Mad Max: Fury Road

Michael C here to review my most anticipated film of the summer. Isn't it wonderful when anticipation and quality go together?

With each passing Summer the concept of the Event Movie gets a little more cheapened, a little more downgraded. Like eyes adjusting to darkness, we see weightless CG blurs collide with other weightless CG blurs and deem it good enough. That is until a film like George Miller’s Mad Max: Fury Road comes along to rip the curtains down and the light flood in. No, that image is not strong enough. Fury Road tears through the multiplex like a great cleansing fire, leaving the great herd of lesser, timid blockbusters scattering to escape its path. 

It may seem an odd declaration to make about a franchise reboot, itself the third sequel in a series dormant since 1985’s Beyond Thunderdome. But Miller proves that any project can attain greatness with the right spirit of reckless ambition. The prevailing mentality is that an established brand is an excuse to play it safe, to scrub a rehash of the original story down to a neutered PG-13 so as not to risk alienating a single ticket buyer on Earth. George Miller goes full tilt in the opposite direction, embracing the franchise’ twisted id...

Click to read more ...