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Oscar Takeaways
12 thoughts from the big night

 

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Entries in Action (90)

Thursday
Jul142022

'Don't tell me not to link, I've simply got to... 🎵 '

This Week's Must Read: Everyone has been talking about the cast changes at Funny Girl on Broadway and it's been very messy. Daily Beast has the gorey details in an inside scoop on how things have played out as Beanie Feldstein announced an early departure and Lea Michele prepares for the iconic titular role.

More after the jump including new projects for Jonathan Bailey, Chris Hemsworth, a second season for The Bear, an Amy Winehouse biopic, and appreciations of Nicole Kidman, the Three Colors trilogy, and the year's best action films...

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Thursday
Jul072022

Almost There: Jamie Lee Curtis in "True Lies"

by Cláudio Alves

When announcing his honors for the year's first half, Nathaniel cited Jamie Lee Curtis among his Supporting Actress favorites. If Everything Everywhere All At Once keeps its buzz going into the awards season properly, we might see Curtis among this year's Oscar contenders. This Hollywood princess turned erstwhile scream queen has had a storied career full of outstanding performances, and it's about time the Academy pays her respect. Maybe the reason for her nomination-less state is that Curtis' best work tends to happen when she's playing in genre pictures – comedy, action, and horror. Such is the case of 1994's True Lies, a James Cameron-helmed action-comedy for which the actress got some buzz.

As we wait to see how Curtis' new Oscar hopes pan out, let's look back to the 90s and re-examine the actress' take on the character of Helen Tasker…

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Saturday
May072022

Quick Belated Reviews: AmbuLAnce, Deep Water, The Northman

by Nathaniel R

We know we know. We need to get better about always reviewing things in a timely manner here at TFE. Here are quick takes on some movies we have said too little about -- at least in a reviewish kind of way, two of which we'd heartily recommend and one quite unexpectedly...

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Thursday
May052022

Review: 'Doctor Strange in the Multiverse of Madness'

by Nathaniel R

In the recent What If? series on Disney+, which is based on the comic book series of the same name, Marvel's writers could fashion any kind of variation on traditional heroes (and villains) and storylines without any actual consequences for the large familiar canon. Zombie avengers? Sure! Peggy Carter as Captain America? Why not! The What If? series of the 1970s was not quite the beginning of the Multiverse in comics but it was close enough. These thought experiments were always pitched as alternate realities (as opposed to pure fiction) though it took awhile before the effects were felt. The multiverse essentially became a shortcut to any type of retconning any storyteller wanted to do; Contrary to all that dialogue in Loki, Marvel has no "sacred" timeline given all the reversals, resurrections, reboots, and switcheroos. The multiverse virus was even more of an epidemic in DC comics, Marvel's top competitor.

Unfortunately if What If is essentially fan-fiction without the fans, then Doctor Strange in the Multiverse of Madness is arguably stingers without a movie. The latest MCU movie is positively awash in cameos and teases for future installments, resulting in a film that feels very much like an incoherent feature-length mid-credits scene... 

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Sunday
May012022

Support Original Filmmaking - See 'Everything Everywhere All At Once' on the Big Screen

by Eurocheese

If you haven’t already experienced the cinematic joy of seeing Everything Everywhere All at Once with an audience yet, you’re missing out. This creative powerhouse is adding back IMAX theaters this week and may become A24’s biggest box office hit to date. Anyone who believes Hollywood doesn’t bring original content to our screens anymore owes it to themselves to see this as soon as possible. Just in case you weren’t convinced by the critical raves and audience support, here are a few reasons this film needs to be seen on the big screen.

Daniels’ (writer/director duo Dan Kwan and Daniel Scheinert) latest film is a visual feast, incredibly made for just $25 million and a tiny vfx team. As it pairs elements of action with comedy and family drama, the action sequences dazzle with varying tones, ranging from images you might see in a Scott Pilgrim vs. the World battle to scenes that the cast of Jackass would applaud...

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