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Entries in Best Costume Design (110)

Wednesday
Mar102021

FYC Emma.'s Costumes (or lack thereof)

by Elisa Giudici

The Academy Awards love period dramas and historical adaptations, at least in the Best Costume Design category. They love movies in which actors and actresses sport garments from the past so much that it's always unlikely that movies set in the present will be nominated, no matter how great the work is. Contemporary outfits? Not for us! Historically accurate costumes? Oscar worthy! Even in the realm of sci-fi they have an aversion to the contemporary (via the future), fantasy movies which are more likely to recall the past with their medieval vibes, are more likely. 

That said, sometimes period costume design can be really stunning. Such is the case with the latest movie adaptation of Jane Austen’s classic Emma might gain. The first feature from director Autumn de Wilde is working against an early release, but 2020's lack of gorgeous actors dressed in lavish costumes might help Alexandra Byrne gain her sixth nomination anyway. And she'll deserve it...

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Thursday
Mar042021

Death in Venice @50: Piero, I love you

by Cláudio Alves

For a cinephile, costume enthusiast, and Oscar obsessive like myself, there are few things more enticing than the lone nominee. That elusive movie that gets nominated only for the Best Costume Design statuette. Such is the case of Luchino Visconti's adaptation of the Thomas Mann novel Death in Venice. To celebrate the film's 50th anniversary, I decided to explore that wondrous wardrobe that caught AMPAS' collective eye. It's one of the best works of Piero Tosi, a man who may have been the greatest costume designer to ever create for film.

After five unsuccessful Oscar nominations, Piero Tosi won an Honorary Academy Award in 2014, the first costume designer to ever do so. It couldn't have happened to a more deserving artist...

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Thursday
Feb182021

Oscar Race: Best Costume Design

We aren't going to find out what the Costume Designer's Guild thinks of this past year in film until March 4th, literally the day before Oscar nomination ballots go out. That gives us two weeks still to believe that all things are possible still in this category, though obviously the season to date will have an effect on the outcome. Here are what we think are the top ten contenders in descending order of probability (though this ranking should not be seen as a meritocracy but merely punditry).

PREDICTIONS

the only lock?

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Wednesday
Jan272021

Angels & Insects @ 25: Entomological Perversions

by Cláudio Alves

Angels & Insects arrived in US theaters 25 years ago. The picture had had its premiere at the 48th Cannes Film Festival, where it competed for the Palme d'Or but it would take several more months for it to get a commercial release in the UK and the States. Once that happened, Phillip Haas' adaptation of an A.S. Byatt novel received plenty of acclaim from such renowned critics as Roger Ebert, conquering enough buzz to get a surprising, if deserved, Best Costume Design Oscar nomination. Nowadays, the flick isn't talked about, which is a terrible injustice as far as I'm concerned.

To rectify such lack of contemporary discussion, let's try to explore the sensuous perversions and entomological nightmares of this tale insects, incest, and insidiousness…

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Tuesday
Dec292020

Restoration @ 25: Honoring the great James Acheson

by Cláudio Alves

In 1995, Michael Hoffman's Restoration adapted the best-selling novel of Rose Tremain into a sumptuous dramatization of 17th century England. Despite some dumbfounding feats of miscasting and a disjointed structure upended by the advent of the Black Plague, the picture's quite beautiful to look at and features some of the best Baroque designs in film history. The scenography leans into the theatricality of Charles II's court, creating an airless world gilded in gold. The costumes, in turn, indulge in the absurdities of 1660s fashion, conjuring a world of radical contrasts between royal splendor and the austere rigor of Puritan charity.

Both achievements won trophies at the 68th Academy Awards. As usual, I'm more interested in the work of Oscar-winning costume design by the great James Acheson. Let's explore the man's genius, his filmography, and the Baroque stylings of the 25-year-old Restoration

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