Costume Design in 1938. A Discussion with Nathaniel and Cláudio

by Nathaniel R and Cláudio Alves

Holiday, The Adventures of Robin Hood, The Great Waltz

For the first time ever as a Smackdown supplement -- the 1938 event arrives tomorrow night -- we're giving you two entire additional categories: we discussed Best Picture and now we bring you Best Costume Design. 'But wait,' the Oscar experts amongst you instantly protest. 'Best Costume Design didn't exist yet in 1938. The category wasn't created until 1948!.' This is true so Cláudio and I, who are both obsessed with this particular craft, thought we'd just create it early. Which films should have been nominated for this prize back in 1938 since the category should have existed from the very first ceremony. (You can't make movies without costumes. At least not ones that hope to find MPAA favor or, in '38, approval from the Hayes Code.)

At the end of this discussion we'll each present our two ballots for "should haves" and "would haves" to reflect our own preferences and how we think The Academy might have voted...

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Emmy Review: Period Costumes

by Cláudio Alves

In the past three seasons, The Crown and The Marvelous Mrs. Maisel have won the Best Period Costumes Emmy. This year, they are again competing for the prize. If history repeats itself, Netflix's royalty porn will triumph over Maisel's midcentury stylings, but we never know. After all, two new contenders are joining the race in the form of two Emmy-loved limited series Hollywood and Mrs. America. Pose  is also there, but the FX show seems to bound to go the Mad Men route, always a worthy nominee, never a winner…

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Emmy Review: Fantasy/Sci-Fi Costumes

by Cláudio Alves

Compared to other Emmy awards, the Best Costumes tryptic of Contemporary, Period, and Fantasy/Sci-Fi represents a fairly recent addition. For decades, there was no distinction between genres. Contemporary, period and fantasy competed together, to the obvious disadvantage of the more modern-set series. Later on, fantasy and period designs were joined in a single award, leaving space for contemporary fashions to win. As of 2018, all three got their own category.

We'll be starting our analysis of the Best Costumes contenders with the Fantasy/Sci-Fi race which has been dominated by Game of Thrones in previous years. As that series' reign has ended, a new champion will emerge…

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Yes No Maybe So: Ammonite

by Nathaniel R

Okay. NOW it feels like prestige film season is about to begin... even though it isn't, not really, at least not in its traditional way. Behold the lovely poster for Ammonite, pairing two star profiles in ethereal fashion, The trailer is even more thrilling. Let's break down the Yes No and Maybe So of it all after the jump...

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Atwood vs Powell: Battle of the costuming titans

by Cláudio Alves

Our look back at the cinematic year of 2005 and its Academy Awards continues. This time, we're examining the work of two titanic talents who battled for the Oscar in the Best Costume Design category as they were prone to do. We're talking about the magnificent Colleen Atwood and the sublime Sandy Powell…

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