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Entries in Best Original Song (87)

Thursday
Dec212023

The Oscar Shortlists are Here!

by Cláudio Alves

Like Scorsese's film, SOCIETY OF THE SNOW got into four different shortlists.

AMPAS has announced shortlists for ten categories, from International Feature to Makeup and Hairstyling. One can deduce plenty from the results, seeing what films overperform and which titles don't meet expectations. Well, at least that's true for the more general races. In something like International Feature, one can surmise other things, like the Academy's European bias, or how some titles are popular enough to make it there and Best Documentary. All in all, this should shake up predictions beyond these ten prizes, so there's much to analyze. After the jump, discover the complete lists and some additional commentary…

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Monday
Dec182023

Oscar Volley: It's a Barbie World in Original Song

Team Experience is discussing each Oscar category as we head into the precursors. Today's Oscar Volley, on Best Original Song, is brought to you by Mark Brinkherhoff and Baby Clyde...

Will we see "I'm Just Ken" performed on Oscar night?

MARK: Barbie! Long may she reign.  The pop-cultural juggernaut of 2023 not only drew moviegoers worldwide (to the tune of $1.5 billion globally—Warner Brothers’ biggest hit ever), but also ruled the music charts with international smashes like "Barbie World", "Dance the Night", "What Was I Made For?", etc. And that doesn’t even do justice to perhaps Barbie’s biggest earworm, the delightfully daffy "I’m Just Ken". 

All of them were technically eligible for Academy Awards submission; yet AMPAS rules are such that only three songs from a single film can be submitted for Best Original Song consideration, and only two of them can land actual Oscar nominations... 

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Friday
Dec152023

94 Songs vie for the Oscar

by Cláudio Alves

ORLANDO: MY POLITICAL BIOGRAPHY is an unlikely contender but you gotta love its boldness.

The Academy has released a couple of eligibility lists, including one for the Best Original Song race. Ninety-four different tunes have been submitted for the Oscar. It's three maximum for each movie, from which only two can be nominated for the same title. Barbie, The Face of the Faceless, A Good Person, The Little Mermaid, State of the Unity, and Wish have submitted three, while many other projects went for double trouble. There are no significant surprises in terms of omitted contenders, but some submission choices delight with their boldness, and others shock because their origin is so obscure. For example, I quibble with the one song chosen from Dicks: The Musical and Carmen. I'm also delighted that Orlando: My Political Biography threw its hat in the race and just found out some of these movies even exist.

From American Symphony to Wonka, come discover the complete list of submissions…

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Friday
Jun162023

Queering the Oscars: Calamity Jane's "Secret Love"

For Pride Month Team Experience is looking at LGBTQ+ moments in Oscar history. 

by Nathaniel R

When we decided to do this series we left it up to contributors to pick their topics. Does an movie achievement qualify as queer because of an aesthetic sensibility? Because the artists involved were LGBTQ+? Because of subject matter or characters? Any of those! With Old Hollywood movies one of the most common 'qualifying' reasons -- it's all very subjective of course -- is whether or not a movie or singular element of a movie was 'adopted' by the queer community. In this regard "Secret Love," the Oscar-winning ballad from the western musical comedy Calamity Jane more than qualifies...

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Thursday
Mar162023

Podcast: Oscar Season Finale (and Career Futures)

It's all over but the post-mortem and the huge sigh of relief that another awards season is over. Team Experience has a multiple time zone conversation to talk about the 95th Academy Awards and the season in general: Nathaniel in NYC, Ben Miller in Texas, Chris James in Los Angeles, and Baby Clyde in London. Hope you enjoy and do carry on the conversation in the comments, wherever you are.

1 hr and 10 minutes
00:01 Intros & Oscar parties
05:00 Length of the season / staying power of Everything Everywhere All At Once
19:00 Original Song performances / Acceptance speeches
33:00 The internet turning on Jamie Lee Curtis
38:00 Career futures: Paul Mescal, Hong Chau, Stephanie Hsu, Austin Butler, Colin Farrell
46:00 Miscellania: Kidman, Malala, Kimmel
1:02:00 Final thoughts - which acting nominee returns first? 

You can listen to the podcast on iTunesStitcher or Spotify or download the attachment below. 

Goodbye to the Oscar Season