Highlights from Middleburg's "Coffee & Contenders"

by Nathaniel R

Clayton Davis, Jazz Tangcay and I created this annual panel at Middleburg together (I named it!) and now we're a regular event early in the morning at the beginning of each fest.  The new venue, outside in a tent, is a big improvement over our initially cozy but cramped space while the crowd is the (wonderful) same. Here are highlights from the public discussion this morning as well as the private discussions before and after the event (it all blurs together at film festivals which are so social)...

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A Room With a View, Pt 3: A lot of lying on the way to Truth, Beauty, and Love

Previously in our deep dive retrospective, Nathaniel visited Lucy Honeychurch at her idyllic pastoral home in England and her new engagement to Cecil Vyse, whose sneering fastidiousness is only matched by his complete inability to relate normally to other people. Things got delightfully complicated when the Emersons turned up unexpectedly as neighbors.  They’re about to get a lot more complicated in part 3, with Charlotte Bartlett, of all people, emerging as the unsung savior of truth, beauty, and love.

A ROOM WITH A VIEW
(a three part miniseries)
part 3 by Lynn Lee

I’ll be honest: although A Room With a View is one of my all-time favorites, for a long time the third act was my least favorite.  Too much lying and denial by Lucy, too much drawing out of the inevitable, not enough humor to make it go faster.  But as I grew older, I came to see it differently.  If the first act is the most romantic and the second the most comedic, the third is – pardon my French – when shit gets real.  We see the emotional consequences of our heroine trying to bury what’s in her heart, and in so doing we get to see her finally grow up. 

1:18:26  First-time viewers may not know it yet, but the library book Lucy’s mother admonishes her to pick up is a narrative grenade...

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A Room With a View Pt 2: Sacred puddles and stuffy engagements

Previously in our deep dive retrospective into A Room With a View (1986), Cláudio considered Lucy Honeychurch's Florentine summer and the sharp storytelling instincts of one James Ivory in the director's chair.  Sensual Italy was viewed with both wonder and suspicion as proper English decorum played constant defence against passion. And, as Mr Emerson might add, played offense with its other sworn enemy "common sense". We also met the classic film's remarkable cast of characters (though there are three key introductions left).

A ROOM WITH A VIEW
(a three part miniseries)
part 2 by Nathaniel R

39:13 After Lucy and George's very decorum-breaking makeout sesh in the countryside, the parties involved have all high-tailed it back to their pensione to retire for the night. Their heads are still spinning from the events of the day. Particularly (poor) Charlotte's. "What is to be done? How do you propose to silence him?" is her four alarm question to Lucy. Lucy, for a delicious beat too long in the shot above, doesn't appear to be listening; we know exactly where her head is at.

Please note that this shot of Lucy comes brilliantly on the heels of a pan up from George running, elated, in the rain into stormy clouds. Cut to this beautiful frame of Helena Bonham Carter, her head still in that passionate storm, her glorious mane as wild as nature itself. Charlotte is brushing it so violently it's like she's trying to tame it...

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Oscar Chart Updates: Picture, Director, Screenplay, and more...

Jane Campion's new film Power of the Dog has been named the Centerpiece for the New York Film Festival. Perhaps it's wishful thinking (we've loved Campion forever) but we're betting big on it for the Oscar race. The film is set in 1920s rural Montana and stars Benedict Cumberbatch and Jesse Plemons as brothers who are at odds. The rift between them grows wider once the younger brother brings a new wife (Kirsten Dunst) home. The novel by Thomas Savage has been compared to works like East of Eden and Brokeback Mountain and if the film can live up to either of those classics' screen adaptations it will be something special.

We've been working hard on the first Oscar charts of the year.  The four acting categories and international film have yet to be posted, but the rest of the charts are now up...

• PICTURE - Will streamers like Netflix or Amazon prevail or will more traditional distributors like MGM/UA, Searchlight, Focus, A24, and SPC rise up? So many films sound exciting but we won't know which deliver on their promise until later in the year.  
• DIRECTOR - Jane Campion could become the first woman ever nominated twice in Best Director
• SCREENPLAYS  - Numerous brilliant writers have new films coming but however will they choose between Asghar Farhadi, Joel Coen, Tony Kushner, Pedro Almodóvar, Mike Mills, and Paul Thomas Anderson?
• VISUAL CATEGORIES - There's (presumably) eye candy aplenty in Dune, Last Night in Soho, House of Gucci, and Nightmare Alley
• SOUND CATEGORIES - Can it finally be Nicholas Britell's year or will he split his support with three movies (Carmen, Don't Look Up, Cruella)?
• ANIMATED FEATURE - Will Disney's musical Encanto be the frontrunner? Will Flee and Belle be the more adventurous citations?
• PREDICTION INDEX - the overview snapshot

Little Gold Men on 1934's "It Happened One Night"

by Nathaniel R

The year of guesting on podcasts continues (after no invites forever I'm suddenly mouthing off everywhere!) with Vanity Fair's "Little Gold Men" podcast. I join Katey and Joanna to talk about the early Best Picture winner It Happened One Night. The story of Clark Gable's bare chest sending undershirt sales plummeting is old school famous, of course, but Joanna's additional research nuggets kind of blew my mind. I'd seriously never heard the bit about Bugs Bunny before (whaaa?!). We also talk briefly about the 2021 Academy invitees previously discussed right here. 

Have a listen and even a watch (the movie is streaming free on Crackle with ads). What a great film.