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Entries in biopics (304)

Thursday
Oct252012

It's Hitchcock's World...

Yesterday I received my invitation to Hitchcock and I nearly let out a scream of delight. Not that the trailer convinced me a masterpiece awaited me or that I've rushed to read "Alfred Hitchcock and the Making of Psycho" in preparation but I do tend to get excited for most things Hitchcock. The power of branding! I still remember the day I received the Hitchcock Masterpiece Collection box set (a gift from a generous reader some years ago) which felt like 15 Christmases at once.

Wouldn't it be neat if more Golden Age era directors had the sort of modern profile that The Master of Suspense still enjoys? Wouldn't it be neat if baby cineastes pored over every page of "William Wyler and the Making of Jezebel" (not a real book) or if the film version of "Billy Wilder and the Making of Some Like It Hot" (not a real book)  retitled simply Wilder (not a real film) was a sudden hot Oscar buzz prospect for 2013 or if you could say "George Cukor" to anyone and they wouldn't think you were referring to a coworker or neighbor they didn't know. Wouldn't it be great if "King Vidor" didn't sound more fictional to people than Princess Mia Thermopolis of Genova?

But I digress.

My mind suddenly jolted to Hitchcock and his immense fame a record six times already this week: when Manuel Muñoz's (author of the Psycho-adjacent novel "What You See in the Dark") wrote up Hush Hush Sweet Charlotte for the blog; when I read Interiors Film Journal's look at the motel room in Psycho (What an interesting choice as I've never much considered it as a space before... just as a violent eruption of glass shard like images if you will, and again when I was ); when Vanity Fair posted those photos of young prankster Mitt Romney and the one of him with the etch-a-sketch totally had me shivering from its Norman Bates like quality only scarier because I can escape Bates' knife if I don't stay in his motel but how to escape Mitt's destructive capabality if he becomes President?; when Beau sent me a text saying "The Girl" (that other Hitchcock making-of bio) sucked; when the invite arrive and; first and foremost when I my friends covered me in seed and pidgeons landed all over me in Puerto Rico's Old San Juan (I'm just back from a week in the sun!) which made me want to watch THE BIRDS again immediately...

me in Old San Juan earlier this week. Amor a Puerto Rico

Well... immediately after a shower. They're so dirty!

P.S. This image doesn't even hint at how many of those birds land on you when you're holding bags of seed. They peck so furiously that your arms have polka dot imprints afterwards but the sound of their begging cooing right in your ears is remarkably endearing/freaky/surreal.

TALK TO ME... Which classic movie director outside of Hitchcock do you most wish had a higher profile these days? How high would you rate your anticipation of "Hitchcock" on the coming soon meter? Have you seen The Girl?

On an off-cinema note, have you ever been to Puerto Rico?

 

Thursday
Oct182012

Oscar Horrors: "Max Schreck"

HERE LIES... The actor-or-is-he Max Schreck, brought to vivid undead-or-is-he life by Willem Dafoe in 2000's Shadow of a Vampire, nominated for Best Supporting Actor.


JA from MNPP here. When I started rewatching E. Elias Merhige's 2000 film Shadow of the Vampire the other day for the umpteenth time I was convinced that we first see Willem Dafoe's Max Schreck is when he's first being filmed by Murnau & Company - when he emerges from his deep dark tunnel, aka the hole where Murnau says he found him. I was wrong. The first time we see Schreck is a few minutes earlier when Murnau leaves a caged mink sitting outside said hole as tasty bait and Schreck's hands - white as moles, fingers long and sharp as stalactites - appear in the background and snake their way around the bars, enveloping their innocent prey.

Now I'm not one to talk about how an actor uses their hands - it makes me feel like Guy Woodhouse telling Roman Castavet about that "kind of an... involuntary reach" - but Dafoe's performance demands it...

Click to read more ...

Thursday
Oct112012

Yes, No, Maybe So: Hitchcock

After a seemingly abrupt transition from 2013's slate to November 2012, Fox Searchlight isn't wasting any time with their Alfred Hitchcock bio. The official site is up, a new poster (to your left) arrives so shortly after the teaser poster, it wasn't much of a tease at all. And, now, the trailer.

It feels like a long time since a Yes No Maybe So breakdown, right? We course correct now to parse Hitchcock --  the trailer for the film about the man, not the man himself or his films! We'd be here for years for the latter. Based on the two minute evidence do we want to investigate the whole two hours? Why and why not? 

You know how this works by now so let's join Alfred & Alma during the making of Psycho...

YES

  • 'The Making of Psycho'... we wouldn't have such predictable allergic reactions to biopics if more of them would stay tightly focused on one chapter in someone's life. Cradle-to-grave is just so frought with cliff notes inelegance.
  • Psycho is my favorite Hitchcock film, so I'm happy to watch a "making of". Psycho wasn't always my favorite Hitchcock but it just kept climbing the charts over the years until there was no film left to hurdle. But honestly I'd be just as happy to watch "Alfred Hitchcock and the Making of Torn Curtain" -- pick a film any film -- because behind the scene and screen is a place I love to spend time.
  • This Shot!

 

More 'yes,' the trailer and some 'no's and 'maybe so's after the jump...

Click to read more ...

Thursday
Oct042012

Oscar.... 'he goes a little mad sometimes'

Let's talk Hitchcock and Oscar. I'm in the process of updating every Oscar chart -- tis the season! -- and I think I'm just going to give Hitchcock the benefit of the doubt. No one has seen it but if they're rushing to complete it having moved it from 2013 to now, Fox Searchlight must feel they really have something (best case scenario) or that the competition or their other films are weak (worst case scenario). New photos just emerged from People Magazine of which these of Alfred Hitchcock (Sir Anthony Hopkins) and Janet Leigh (Scarlett Johansson) are excerpted below.

The "Scoop" page ripped from People makes the movie look a little cheapzy (that's cheap + cheesy) but that could just be People's formatting influence for broad appeal. I'm giving the film the benefit of the doubt and expecting an Oscar hit. You?

BEST PICTURE & BEST DIRECTOR
Fully updated charts with shakeups and some new text. Gains for Hitchcock and Life of Pi as The Master and Lincoln are in danger of fading and Hyde Park on Hudson disappears altogether.

Where do you think my "order" is spot on and which films would you flip? Do you think the Directing Oscar is Ben Affleck's to lose even if Argo doesn't win Best Picture?

 

Thursday
Sep202012

Hitchcock Arrives Early

Hitchcock, which was formerly known by the very expositional title Alfred Hitchcock and the Making of Psycho will now open Friday November 23rd says Fox Searchlight. The Oscar game board was already quite crowded but Searchlight isn't exactly a shrinking violet when it comes to their own chess pieces. With The Sessions opening in October, and Hitchcock ideally positioned a month later for Thanksgiving weekend, they're clearly feeling confident.

 

2012 was already so crowded (particularly in Best Actor!) but what the hell, right? It's not like anyone will have an easier time being invited to Oscar dinner again than Anthony Hopkins if he nails the mimicry. While it's absurd to suggest that an Oscar for someone playing Alfred Hitchcock is like an Oscar for Alfred Hitchcock, who AMPAS is consistently flogged for not honoring properly, but... well you know how people love a proxy.

And the man himself was always particular about timing. If Fox Searchlight, really wanted to go all out with this movie they'd get really fussy about the screenings, too, to further the Psycho for Psycho homaging.

Imagine everyone being forced to sit down before a movie starts in 2012! Although this might constitute cruel and unusual punishment rather than a savvy marketing ploy; in 1960 they didn't play 25 minutes of commercials before movies began. (In 1960 they still understood that 'no commercials' was a major pro for the movies, something TV could never offer you.) 

Sacha Gervasi, who previously directed the very winning documentary Anvil! The Story of Anvil! helms his first traditional feature but if he can bring the humor and pathos of that documentary to this biographical comic/drama than this might be a winner. The all star cast includes Helen Mirren as Hitchcock's wife and Scarlett Johansson as Janet Leigh. Toni Collette plays Hitchcock's longtime personal assistant Peggy Robertson. Might we have new Supporting Actress candidates to consider too? Even leads if the story thread about Hitchcock's marriage gets lots of screentime.

Time to update the charts again. I just did and this news and the new Oscar dates have already made them seem so out of date and long ago. And now we've even got a new "live singing!" Les Miz video to enjoy. This Oscar race? It's on.

P.S. My weirdly persistent flu -- which you've seen reflected here in erratic posting -- turns out to actually be pneumonia. Boo. So I am a mess and must stay in bed rather than attend my NYFF screenings.... [weeping]! But perhaps I'll be a blogging maniac as I mend. Laptops were invented for bed rest.