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Entries in Broadway and Stage (408)

Saturday
Jun212014

Review: "Jersey Boys"

This review was originally published in Nathaniel's column at Towleroad

 

‘I’m looking for sky blue and you’re giving me brown,' a fey producer sighs when the Four Seasons are in the recording booth. They’re just going through the motions rather than livening up their material. He could just have easily been dissing Jersey Boys itself, Clint Eastwood’s needlessly dull adaptation of the Broadway smash. In truth the band’s performance in this scene isn’t appreciably worse than their performances elsewhere in the movie. If you can’t readily spot differences in inspiration and creative fire from one performance to the next, maybe there’s none to be found?

“Brown” isn’t quite the color of it, though. Clint Eastwood’s aesthetic favors underlit rooms, heavy blacks and washed out color. You’d think that aesthetic would change for a splashy musical but you’d be wrong. I mean, why shouldn’t a musical about a famous band with a gift for hooky pop gems look as depressing / dead-end as a drama about desperate boxers or a war film about an island massacre?

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Thursday
Jun192014

Callas, Streep, and "Master Class"

Tyne Daly played the role on BroadwayYou've undoubtedly heard the news by now that Meryl Streep will be playing opera diva Maria Callas in the film adaptation of the play Master Class, about Callas teaching a voice class at Juilliard. Well, telefilm adaptation I guess... so ink Streep down for the Emmy whenever that arrives since Hollywood is all about over-rewarding the winners. On stage the role has been played by Fanny Ardant, Zoe Caldwell, Faye Dunaway and Tyne Daly. Master Class is, in a way, a distant cousin to The Prime of Miss Jean Brodie as each involve an imperious older woman teaching students while also basically monologuing about her own glory days.

Terence McNally's play has been around since 1995 and as recently as last Winter Faye Dunaway, who played the role in a Los Angeles production, was still being interviewed about her struggle to get it on film. If Dunaway was that invested in it I'm confused about the rights issues because wouldn't she have already acquired them? 

As much as I love Streep, her dominance continues to haunt me. I'm an actressexual but I am in no way monogamous about it. (I assure you, 1000% percent that if my beloved Pfeiffer returned to the movies and got every part for a 50something woman, I'd complain, too.) And while I despair for the other supremes Streep's age who can't get around her to get their shot at golden roles (both because Hollywood always wants Streep and because Streep is more prolific now than she has been since her late twenties!), this could be truly great. Mike Nichols is Streep's best collaborator and truly gifted at guiding her. Streep has rarely been better than she was in Silkwood, Postcards from the Edge, and Angels in America. I'd list only two of her other performances as equal to that realm of pure transcendence.

Maria Callas

That said it'd be more tantalizing, at least from afar, to have a lesser lauded less ubiquitous performer and it'd definitely be fascinating to have a "has been" goddess  in the role. Consider that on Broadway one of the raves for Daly's performance said:

one of the most haunting portraits I’ve seen of life after stardom

Not that Streep doesn't have prodigious gifts of imagination but "life after stardom" is not something the three time Oscar winner has or ever will experience, despite it being a universal journey for 98% of movie actresses. 

Thursday
Jun192014

Only Linker Left Alive

Screen Crush Top Secret the making of an 80s comedy classic 
The Playlist celebrates Chinatown's 40th Anniversary 
MNPP David Oyelowo twelve times 
The Wire a rumor roundup on Doctor Strange and what's going on

The Movie Scene takes a different tack on those "halfway mark" lists that are starting round the web, merely ranking the films that were new to him this year on DVD... classics mixed with brand new things. I've never been able to compare different eras well in terms of "rank" - give me year to year contests or decade lists but otherwise... too tough! 
Row Three I haven't listened to this yet but I love the concept: a podcast devoted to one movie soundtrack an episode with a new person interviewed about what the soundtrack meant to their life. This episode is Dirty Dancing
/bent Lupita Nyong'o on the cover of Vogue for July. Only the second African (though some African-American entertainers have made the cover) 
The Wire remembers the Broadway-to-screen adaptations prior to Jersey Boys which brought the stage actors to the screen. As you can see this practice has decidedly mixed results - when it works it's magic but when the people are way too old for the roles on the big screen... 

first official image of Jamie Dornan in 50 Shades of Grey (2015)

Great Question
The Guardian is doubtful that 50 Shades of Grey could do it but with a history of horny films asks 'what could bring the erotic thriller, a long dead genre that peaked in popularity with Fatal Attraction (1987), back to the cinemas?'

Off Cinema
Gayest of All Time "Kitty Bro Five" -'Dat Be Cute' is right!
Pitchfork MoMA will host a Björk retrospective next year
Autostraddle every character from Orange is the New Black as they appeared on guest stints in Law & Order -- as much as I blame that show for so much that is wrong with television, I recognize it kept food on the table for countless thespians
Mr Dan Zak true life story that inspired the nun's arc on OITNB

Finally...
Our 'Halfway Mark' articles are coming up in a week or two surveying the year in progress but Indie Wire started early and polled critics about the best of the year thus far (I always forget to vote on these things). Grand Budapest Hotel, Under the Skin, Only Lovers Left Alive, and Ida are the top four. Their combined domestic gross is $65 million OR what Fault In Our Stars and 300:Rise of an Empire earned in their first week. (Le sigh)

Thursday
Jun122014

Ruby Dee (1922-2014)

We've lost another showbiz legend.

Ruby Dee photographed by Carl Van Vechten in 1962

Ruby Dee, the showbiz legend and awards magnet -- the list is seriously long and includes an Emmy & Grammy -- rose to fame on stage and screen in the 1940s. Her feature debut was That Man of Mine (1946) but her best remembered roles came later with The Jackie Robinson Story (1950), the screen adaptation of the oft-revived play A Raisin in the Sun (1961, which just netted yet more Tony Awards) opposite Sidney Poitier, and the first Off Broadway production of "Boesman and Lena" with James Earl Jones on stage in 1970.

Ruby Dee during her victory lap of events honoring her in the Aughts. This one is from 2008Younger audiences undoubtedly know her best from her screen return in the classic Do The Right Thing (1989, with her longtime husband Ossie Davie who passed away nine years ago), her political activism, and that round of lifetime achievement prizes in the Aughts starting with SAG in 2001.

That victory lap arguably peaked when she gave Denzel Washington the slap he deserved in American Gangster (2007). The resulting Oscar nod was surely a recognition of a sturdy cross-media showbiz career that stretch all the way to 1939 (gasp) with a stage debut at 17. She died in her home at 91 yesterday after a full, vibrant and influential life. 

Monday
Jun092014

Tony Award Winners

Did you watch the Tony Awards last night? The evening began with Hugh Jackman proving his physical fitness -- his knees get such a workout -- by hopping through his entire continuous shot production number, basically a tour of the backstage and upcoming performers in costume.

That led to a night of high energy but strange and touristy musical number choices like numbers from ancient top-selling shows (Les Miz and Wicked) rather than new ones that need the sales help and non-Broadway celebrities like Sting and Jennifer Hudson taking up a lot of room to sell shows that aren't even open. It'd be a bit like the Oscars going "how about Interstellar?" while giving prizes to Gravity back in March. 

Hugh Jackman also rapped with LL Cool Jr via the famously chatty opening number of "The Music Man" Hugh Jackman has now spent 14 years of his career playing Wolverine and at this point he's really wasting his life (I mean once you have 100s of millions, what's 20 million more?). He needs to commit and make only movie musicals before he's too old.  

Highlights and winners of the night after the jump...

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