On the Linkfront

VF Hollywood Charlize Theron's son loves Emily Blunt... and Frozen
Pajiba posits that Grease 2 is the superior Grease and a feminist triumph
Gothamist On the Waterfront is coming back to movie screens on April 24th and 27th as a Fathom Event. It's rarely seen on the big screen, so go
Variety there is a Three's Company movie in the works. Because.
Guy Goald "The Garlic Awakens"

The Retro Set the 8 most cinematic Duran Duran music videos. They stole from Mad Max, The Night Porter and even Indiana Jones
Towleroad This is awesome. Salt Lake City is renaming 900 South (a pretty cool street as it goes in SLC) "Harvey Milk Blvd". In related news: SLC must have changed a heap since I lived there for this to happen
NY Post Cher: The Musical. It could happen on Broadway
The New York Times Abolitionist Harriet Tubman is coming to the $20 bill. Albeit in 2020. That'll be a fun follow up to the HBO biopic starring Viola Davis (if that one is still on... who knows?)

Vulture Mark Harris's must read piece on Hollywood's strange disrespect for Melissa McCarthy, ICYMI
Pop Matters Duncan Sheik talks about his music for American Psycho on Broadway 
Tracking Board interesting casting: Debra Winger and Tracy Letts will co-star in The Lovers for A24 as a couple planning to break up but having second thoughts  
Stage Buddy Jose interviews Joachim Trier on his first English language film Louder than Bombs

RIP
Variety famous wrestler and TV reality star Chynna, who even played superheroine She Hulk in a porn parody, is found dead in her home 
Guardian remembers director Guy Hamilton who made four James Bond films (including Goldfinger) and other films like Force 10 From Navarone and The Mirror Crack'd 

Oops
We forgot to share the first trailer to Oscar hopeful The Birth of a Nation. If you haven't yet seen it, here it is. 

Happy 25th "Mermaids"

Rachel Flax would never approve of anniversary postings.. But Rachel Flax, portrayed by Cher at the tail end or her weirdly brief A-list actress run, didn't always know what was best so celebrate we shall after the jump...

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Peter Bogdanovich Gives Good Quote

on the set of What's Up Doc (1972)Peter Bogdanovich, one of the leading directors of the early Seventies, has finally made another movie at 76 years of age. She's Funny That Way, which stars Jennifer Aniston and opens today, is his first since The Cat's Meow (2001) with Kirsten Dunst. His career has been very quiet since his last true hit (Mask, 1985) but he hasn't been.

Bogdanovich's lack of inhibition when talking to the press has surely caused him problems in his career, but it's a source of joy for movie fanatics.It's all too rare to get unmassaged opinions from powerful artists who aren't worried about ruffling the feathers of other artists.

He just gave good quote to the Hollywood Reporter on Barbra Streisand in What's Up Doc? (1972) who originally wanted to do a drama with him instead of a comedy, Cher in Mask (1985) --  he doesn't exactly flatter her but to say he believes she should have won the Oscar that year, and making Paper Moon (1973) with the O'Neal's. That's our favorite of his pictures as you probably noted during the 1973 Smackdown last year.

But his quote on The Last Picture Show (1971) is the best:

[The scene in which] Cloris Leachman [who won the best supporting actress Oscar for her role] throws that coffee pot and yells at Timothy Bottoms — Cloris did it brilliantly. She wanted to rehearse it and I kept saying, “I don’t want to rehearse it; I want to see it for the first time when we actually roll.” I had learned that idea — to not let the actors show you an emotional scene before they shot it — from John Ford through Henry Fonda. It was Hank Fonda who told me that for the big climactic scene with the mother in The Grapes of Wrath, [Ford] wouldn’t let the actors play it for him — he wanted it to be fresh when they did it and of course he used the first take.

So I said, “Action!” and she was extraordinary. [But] she said, “I can do it better.” I said, “No, you can’t; you just won the Oscar.” And to this day — Jeff Bridges told me that he [recently] ran into Cloris and that she said, “Oh, I’m so angry at Peter. That was the first take. I could have done it better.” And Jeff said: “Oh, Cloris. You won the Oscar!”

Beauty Break: Headdresses

I've been holding on to this picture of Sigourney Weaver as "Tuya" from Exodus for a couple of days without any idea what to say about it other than 'thank god Sigourney's signature directors still love her'. Between Ridley Scott (Alien) and James Cameron (Aliens), Lt. Ellen Ripley will always find her way back to decent roles on the big screen.

But I don't understand the casting of that movie at all. Everyone is SO white, like pasty white. Especially Joel Edgerton as Ramses. In The Ten Commandments that role went to Yul Brynner. Though Brynner was also white, a white Russian to be exact though that sounds alcoholic and we're not talking about how drunk looking at Yul makes me, he had that exotic visual flair that had Hollywood casting him in every conceivable ethnicity. Kind of the way Ben Kingsley who is Indian British is used now, only sexier.

Let's stick with the sexy.  The Film Experience loves a good headdress on the big screen. Here are some of the best.  

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Drag Race: The Sounds of My Fury

Here, in picture form, is why I've been unable to function whenever I tried to write about RuPaul's Drag Race

somehow the blurry screenshot seemed appropriate so i didn't try again

Laganja Estranja's bottomless need for attention coupled with her lack of deserving any but mostly her limitless capacity for meaningless affectation completely broke me. As did the epic 3 hours of episode last week -- 3 hours in one single night. Turns out that's enough glitter, saturated color, and aural assault to even give Baz Luhrmann pause. But mostly it was Laganja. If I could describe in writing the clucking, mouth popping, meaningless "words" issuing from her frosted lips I would but judge Michelle Visage summed it up brilliantly in a weirdly accurate gibberish approximation of Laganja's unprocessed non-integrated robotic regurgitation of every drag vocal affectation that the show has ever produced. <-- Good lord that last sentence was a mouthful. I'm gagging on it.

Now that Laganja has sashayed away, the aural nightmare is over (the blazing fury I felt from the sounds a fictional "reality" tv character can make surprised me). And I am free to write about the show again. "Halleloo!" (er... speaking of meaningless vocal affectations!) So instead of trying to catch up we'll just proceed from the now for the sake of all of you who are watching. Cher's family members (mother Georgia Holt and son Chaz Bono) guest starred in order to be interviewed by the queens and Courtney Act basically summed of all of their reactions to the camera...

 Not that that excitement helped them focus because for the most part, they were terrible at being talk show hosts. Trinity K Bonet, who sashayed away, was the worst. She kept calling Chaz Bono "Chad" which might have been funny if it were shady but it was just basic incompetence.

Courtney, who didn't suck at TV gabbing at all, won the night with a stunning wing span (the runway theme was animals) and in addition to the feathers (Trinity) and fur (Bianca) and lion-like manes (Adore), Darienne killed it with Elephant tusks, and Ben de la Creme made a fab entrance in a fly costume... even if it tilted more Costume Shop than Cronenberg. "Help meeee"

Group Regret: Everyone at my viewing party wished they could have seen what Milk would have dressed as in this particular runway challenge. Rawr. She left too soon.

Belated Confession: I really like Joslyn Fox as a person in the workroom (if not as a competitor) so I feel bad for how roundly I was dissing her in the first couple of posts. She's not as dumb as she came off... or at least she's people smart.

You can watch the episode right here if you missed it

Are your favorites still your favorites? Or are your allegiances shifting as we rapidly approach the finale?