Stage Door: "The Cher Show" and "Aint too Proud"

by Nathaniel R

Musical theater has its own version of limited and wide release / indie and blockbuster if you will. The analogy is far from perfect but those movie groupings are sort of comparable to Off Broadway and Broadway. Every Broadway show is trying to be a four-quadrant blockbuster.  

One of the safest routes to a quick buck (if not necessarily continuous sales) is the jukebox musical. Not all of them try to double as biographies of whoever's songbook it is but many do. That way they're easily marketable, excessively familiar, and can rely on nostalgia and sight-unseen goodwill to fill the house...

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April Foolish Predictions #6: Costume Design

Our annual April Foolish Oscar Predictions continue

Can "Aladdin" repeat "Beauty & The Beast"'s success in Costume Design? And can we ever forgive Michael Wilkinson for making Aladdin wear a shirt for the whole movie?

The last few years of the Costume Design category have been very Powell/Atwood heavy as Oscar's two design queens have either won again (Atwood in 2016) or been double-nominated twice-over (Powell in 2015 and 2018) but it looks like we'll be taking a wee break from those much honored artists this year. Will there be any room room for first-time nominees (Paul Tazewell, Mayes C Rubeo, Julian Day, Daniel Orlandi?) or will we get mostly costuming regulars who could continue to march to Atwood and Powell-like status (Jacqueline Durran, Albert Wolsky, Consolata Boyle, Alexandra Byrne?)

Here's the chart (and the prediction index if you haven't been playing along). But after the jump some images to whet your appetite for the year in costuming to come...

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I've been obsessing over this shot in "Us"

by Nathaniel R

Not sure if there's an audience out there for a return of our Hit Me With Your Best Shot series but Jordan Peele's horror smash Us would certainly be a worthy candidate for the treatment. Lately I've been obsessing over this particular image (above) in which Red (Lupita Nyong'o) has handcuffed Adelaide (Lupita Nyong'o) to her own coffee table. It's not just the slow upsetting crack of the glass, or Lupita's stunning dual performance...

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Jennifer Jones Centennial: "Indiscretions of an American Wife"

We're celebrating Jennifer Jones's centennial. By your request (you voted on which two movies we'd cover), here's Nathaniel R...

Your viewing assignment should you choose to accept it, and you really should, is Vittorio de Sica's Indiscretion of an American Wife (1953), a floridly emotional 65 minute drama (you read that right) in which a very thirsty Jennifer Jones engages in some illicit behavior because what else can you do when confronted with the beauty of Montgomery Clift in the 1950s?

Though 1953 was arguably Monty's peak (he also starred in Hitchcock's I Confess! and the Best Picture winner From Here to Eternity that year), this melodrama from the Italian master Vittorio de Sica is Jennifer Jones's film from fussy indecisive start to farewell heartbreak finish...

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The Joyous Triumph of "Black Panther"

by Chris Feil

Of all of the great wins of Oscar night, some of the most uplifting belonged to the team from Black Panther. The film ran a gauntlet in the past year - early release, genre bias, institutionalized racism - to defy the odds and rack up three richly deserving wins in Costume Design, Production Design, and Original Score. It was the most popular film of the year and yet these wins still shouldn't be taken for granted, theirs a collective trio representing the world we experienced when we experienced Wakanda.

Adding to the sense of massive victory here are several crucial pieces of contextual trivia...

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