We Can't Wait #6: Into the Woods

[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's abstew on" Into the Woods"]

Into the Woods
Director Rob Marshall tries his (jazz) hand at another movie musical based on the popular Broadway show. The film centers around a Baker and his Wife who have been cursed by a Witch to remain childless. To break the spell, the couple must go "into the woods" to bring back certain objects. Along the way, they encounter classic characters from fairy tales including Little Red Riding Hood, Cinderella, Rapunzel, and Jack (he of the famed Beanstalk).

Cast & Crew
The sprawling cast is a mix of movie stars (Emily Blunt as the Baker's Wife, Meryl Streep as the Witch, Chris Pine as Cinderella's Prince, and Johnny Depp as The Big Bad Wolf), Broadway performers (Tony winner James Corden as the Baker, Lilla Crawford, from Broadway's latest revival of Annie, as Little Red, Tony nominee Billy Magnussen as Rapunzel's Prince), and talented individuals at home in any medium (Christine Baranski as Cinderella's Stepmother, Tracy Ullman as Jack's Mother, and 2014's "It" movie musical star, Oscar and Tony nominee, Anna Kendrick as Cinderella). [more...]

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Top Ten Olivias

Here's a top ten stream of thought quickie for you. Let's just say it's in honor of Olivia Wilde who has been bouncing around in my head since that Boogie Nights live read last week and who won the StarMeter award from the IMDb last night. Congratulations on being so eminently, um, searchable, Livvy.

Olivia Wilde in Rush

I have to admit I don't quite get her appeal but Congratulations! Her career is white-hot right now (Rush is playing at TIFF and winningly surprisingly strong reviews) and she's engaged to Jason Sudeikis. Without further ado, off the top of my head and just for fun... 

The Ten Greatest "Olivia"s

10 Olivia Pope on Scandal
I don't watch Scandal (forgive) and the one episode I did see was atrocious and made me wonder what everyone is smoking when they praise it (blasphemy?) but I've been rooting for Kerry Washington since the very beginning of her film career (Our Song, holla!) and don't really wish to jump ship despite a few stumbles. Plus, she's up for an Emmy in this year's small screen Best Actress competition for this role, which is really quite historic if you check, television wise. If you love Scandal PLEASE explain why in the comments. [TFE's Interview]

09 Olivia Hussey
Romeo & Juliet need, desperately need, to be played by very young actors to maximize the authenticity and resonance of their tragedy. But it wasn't until Franco Zeffirelli's gorgeous gorgeous gorgeous 1968 adaptation that people finally understood this en masse. I am on record as complaining about the constant revivals of Shakespeare on stage and in the movies. But Romeo & Juliet I especially don't understand any more at least in movie form. [more...]

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Q&A: Disappointing Actresses, Mixed-Up Hunks, Subtitled Crickets

And now the return of the 'Ask Nathaniel/Q&A' series wherein you asked me questions and I pick two handfuls to answer. 

Disposable project on the line for Emily. Yes, another one.DAVID: Which actresses filmographies are you most disappointed in? I'm thinking in terms of actresses you admire and think are incredibly talented, but, for whatever reason, end up working in subpar films.

NATHANIEL: I think the popular answer here is Rachel McAdams but aside from Mean Girls I've never cared too much. The answer that came immediately to mind was Emily Blunt. It’s not that she’s making terrible films per se, it’s just that given how Oscar worthy she was in that plum comic part in Devil Wears Prada seven long years ago, and then how sexy she was in that blink and you’ll miss her bit in Charlie Wilson’s War soon thereafter, I expected her career to explode in the way, say, Carey Mulligan’s did post An Education or at least for her to be more direct competition for Anne Hathaway. I wonder why Blunt isn’t either in more demand or more interested in challenging herself. Maybe it's just bad luck. She seems to be working exclusively in indies that don't crossover, mainstream films that are quickly forgotten or headlining gigs which don't really work in some crucial way (Young Victoria, Adjustment Bureau). I’d love to see her really challenged either by a role or by an auteur. Will Into the Woods bring a happily ever after to that heat-losing career?

The second choice is Evan Rachel Wood who seemed to chuck what looked like incredible range and promise to the side for a long procession of Very Bad Girls. This was, in no small part thanks to her inarguable electricity in Thirteen (2003) but when you play variations on one theme too often you either become a superstar or people lose interest. I thought she was good in Ides of March (2011) but it isn't what she needed. What she needs is a total about face role.

JOHN T: The last foreign language film to clear $20 million was Pan's Labyrinth, almost seven years ago. What do you think it would take for a foreign language film to catch on in that way again?

Amy Adams, Oscar Tragedies, and a Beefcake Triple after the jump...

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Vintage 1983

With nothing new in theaters worth getting excited about my head has been all over the (time) map of cinema. I picked this year somewhat arbitrarily to discuss.

Were you alive in 1983? Even if you weren't do you think of it fondly? To give you a little context for the year: Ronald Reagan was POTUS and Nancy had just contributed "Just Say No" to the vernacular; M*A*S*H ended its lengthy run on television; Michael Jackson's "Thriller" was all anybody listened to; Cheers and Hill Street Blues were the Emmy champs.

Let's savor 1983's cinematic crop for a moment. Are these movies (and people) and things aging well? Is there much left to savor? 

Best Movies According To...
Oscar: The Big Chill, The Dresser, Tender Mercies, Terms of Endearment, and The Right Stuff were the best pictures nominees but they also loved Cross Creek, Fanny & Alexander, Educating Rita, Silkwood and Zelig
Golden Globe: (drama) Reuben Reuben, The Right Stuff, Silkwood, Tender Mercies, and Terms of Endearment* (comedy/musical) The Big Chill, Flashdance, Trading Places, Yentl*, and Zelig
Cannes: The Ballad of Narayama
Box Office: 1) Return of the Jedi 2) Terms of Endearment 3) Flashdance 4) Trading Places 5) War Games 6) Octopussy 7) Sudden Impact 8) Staying Alive 9) Mr Mom 10) Risky Business
Nathaniel: The King of Comedy, Monty Python's The Meaning of Life, Pauline at the Beach, The Return of the Jedi, The Right Stuff, Silkwood, Terms of Endearment, The Year of Living Dangerously and Yentl. I'm holding a spot in my top ten open for Fanny & Alexander or Zelig which are weirdly movies I never get around to seeing even though I am likely to worship both given the time frame in their auteur's filmography in which they land...

Adorable '83 Babies after the jump...

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Review: "Looper"

An abridged version of this review was originally posted in my column at Towleroad 

"Time travel hasn't been invented yet," Joseph Gordon-Levitt warns us from 2042 in LOOPER's voiceover. "But in the future it will be." In 2072 crime lords send their victims back in time to be killed by "loopers"  like Joe since it's the only way to get away with murder. (Apparently infallible forensic science has also been invented in the future!). 

Loopers dispatch their prey unceremoniously with a crude descendant of the shotgun called a  "Blunderbuss" which is useless at long distances but impossible to miss with up close. When each Looper's contract expires, his older self is sent back to his younger self for execution which is called "Closing the Loop". In this case that's Bruce Willis sent back in time to meet his death at the hands of Joseph Gordon-Levitt in Bruce Willis drag. (Joe's makeup effects, though extraordinarily non fake-looking are initially distracting -- JGL doesn't look like that!) 

Nothing kills genre films quicker than exposition. When you have to pass out glossaries to the uninitiated or explain the rules over and over again, a story can sputter and die or, at the very least, bore you stupid the second time through. Looper, however, is a wonderfully nimble exception given the size of the learning curve. More...

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