Wednesday, June 18, 2014 at 1:00PM The first still from a movie called Regression starring Ethan Hawke and Emma Watson. You captioned it and dialogued it. It's time to name the winner, who chooses the new banner theme.
"I'm sorry it has to come to this, but......five points WILL be taken from Gryffindor."
-Jake D
Choose your banner theme, Jake!
Friday, March 14, 2014 at 11:00PM Cinema Blend Sebastian Stan, the Winter Soldier himself, has a nine picture deal with Marvel Studios (!)
Vanity Fair Lee Pace stars in a new series AMC hopes can replace Mad Men. Yeah, good luck with that. I especially worry that they're going for another anti-hero. Mad Men and Breaking Bad weren't exactly standard fare when they started. You have to offer something new once imitators are a dime a dozen on every channel.
The Playlist first images from the new Dardenne Bros film starring Marion Cotillard as a woman about to lose her job
Marion Cotillard would like you to share an ice cream cone with her
IndieWire intriguing interview with Ethan Hawke, who seems to understand his own limitations and his career
Playbill a live album of West Side Story with Cheyenne Jackson as Tony is coming soon
i09 the next X-Men movie will be set in the 1980s
The Wire reminds you to finally watch Darren Aronofsky's Pi since it's Pi day (3/14). You need to jump because it's almost over
Coming Soon Captain America 3 is playing "chicken" with Batman vs. Superman, both slated the same weekend in May 2016.
Today's Watch
I guess Frozen's "Let it Go" has run its course and now people are on to "Love is an Open Door". This video is so adorbs, cute parents perfectly lipsynching the duet while their daughter ignores them in the back.
Monday, January 27, 2014 at 11:58AM 
[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's Tim Brayton on Boyhood.]
Boyhood
Richard Linklater’s 12-years-in-production epic follows one child from age 7 to 18, as he and his parents grow up in front of our eyes. There’s no readily apparent plot details beyond that -- unless you're reading spoilers from Sundance reviews -- but I’m hoping for robot vampires.
Talent
Director-producer-conceiver Linklater is joined by his ever-ready partner in long-form narrative, Ethan Hawke, as well as Patricia Arquette. Ellar Coltrane, in the longest-gestating breakthrough performance of all time, stars as the boy himself.
Why We Can’t Wait
The excellence of the every-nine-years entries in the Before… series have proven beyond a shadow of a doubt that Linklater has a unique gift for telling stories about the way that people’s lives, outlooks, and even personalities mature and evolve as the years go by. And if anything, the hook behind his newly-completed project is even more exciting: watching a child experience all the confusions and difficulties of adolescence in something like real time, the actor living through the same process of maturation as his character. To do justice to that kind of deeply human-scaled content would take a uniquely great director of actors and children, and luckily, in Linklater we have one of the best: his 2003 School of Rock features some of the very finest child acting in recent memory.
Richard LInklater and the cast of Boyhood at Sundance
And if there was any doubt that the one-of-a-kind project was worth paying attention to, the absurdly glowing reviews out of Sundance would seal it. The "dissenting" views from the general chorus of raptures tend to be along the lines of "this unbelievably ambitious and sprawling and exciting project has some rough patches in the plot and a few scenes that don’t land". It would be worthy getting excited for what sounds like the most singular, game-changing film of the year based on the buzz alone, but for those of us who’ve been patiently following along with the film’s production since Before Sunrise was a standalone, the great reviews are merely the capstone to a generation’s worth of anticipation.
But We Do Have To Wait
Well, not everybody – Nathaniel caught it at Sundance. The rest of us will have to wait until confirmed distributor IFC picks a release date; May worked well for Linklater and Hawke’s Before Midnight last year, and rumors are that the same timeframe is likely for this one.
Previously: #10 Big Eyes | #11 The Last 5 Years | #12 Gone Girl | #13 Can a Song Save Your Life | #14 Veronica Mars | Introduction
Monday, January 20, 2014 at 4:15PM Our Sundance Film Festival continues with Nathaniel on Richard Linklater's "Boyhood"
Life can sneak up on you. Individual moments may linger and shape us but most of life's power is cumulative. It's all in the daily living. When narrative art wants to approach the impossibly grand subjects of Life Itself or at least whole huge swaths of it like Falling in Love or Coming of Age or Starting Over, it's usually in the form of a snapshot: one season, one day, one year, one life-changing event. Richard Linklater's incredible Boyhood, 12 years in the making and longer still gestating before that, starts small. When we first meet Mason Jr (Eller Coltrane) he's a boy of 6 or 7, and not that much different than any little boy... staring at clouds, playing outside, fighting with his sister. But Boyhood has much larger scope and Linklater wanders right out of the singular snapshot and bicycles straight for the mosaic. And what a mosaic! [more...]
Tuesday, December 10, 2013 at 8:00PM Hey everyone. Michael Cusumano here. At the risk of spoiling the finale of my best of the year rundown I have only handed out one perfect "10" score for 2013 and that was in the review for Before Midnight. So when I had the opportunity to see star and co-writer Julie Delpy in person as part of the Reel Pieces series at the 92nd St. Y I jumped at the chance. For all you Before Trilogy obsessives, here are a dozen highlight discoveries from the evening:
1. The first thing I learned is that Delpy’s writing credits on Before Midnight and Sunset are not a courtesy toward an actor who improved around the edges of someone else’s screenplay. One only needs to listen to Delpy speak for a few seconds to realize her piercing intelligence is part of the DNA of the trilogy. The authorial voice is unmistakable.
2. On that score, Delpy noted that while she and Hawke were not credited as co-writers until Before Sunset they were also substantial contributors to Before Sunrise, a script that had numerous scenes left as TBD which were filled in by the actors. Delpy says by the time they started the second film in the series she and Ethan Hawke were experienced enough to know to obtain screenwriting credits.
3. Much like a Mike Leigh production, after extensive workshopping between director and actors the finished scripts on the Before films are tightly scripted, down to the dialogue overlaps.
