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Entries in Fences (26)

Friday
Feb172017

Introducing... the Supporting Actress Nominees of 2016

The new Smackdown season is upon us. Before we get to the main event, which will be in a day or two depending on when we finalize it, let's look at the ways in which even movie introduces the characters that will then go on to help their supporting actresses win a nomination. We'll take them in the order in which they show up in their movies.

After the jump you can also vote to determine the reader ranking of the contenders. You know you want to do it.  Meet...

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Thursday
Feb162017

10 Days Until Oscar. Stage to Screen Roles 

Paul Lukas and Bette Davis in "Watch on the Rhine"

It's ten days until Oscar and soon this post may be obsolete! To date, unless I've miscounted, ten actors have won the leading Oscar for reprising a role they won praise for first on the Broadway stage. Soon there could be 11 depending on how well Denzel Washington fares on Oscar night for Fences

ACTORS WHO WON LEAD OSCARS REPRISING THEIR BROADWAY ROLES
They are...

• George Arliss for Disraeli (1929/30)
Arliss had played this role in the Broadway production in 1911

• Paul Lukas for Watch on the Rhine (1943)
He previously played this role from 1941 through early 1942 on Broadway -- the transfer to the screen was mighty quick! 

• Jose Ferrer for Cyrano de Bergerac (1950)
He won the Tony for this iconic role in 1947. Later in 1990 Gerard Depardieu would also be nominated for playing the same role -- and Steve Martin arguably should have been for Roxanne -- but Depardieu didn't win...

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Monday
Jan232017

Personal Ballots: Best Actor and Best Actress

And so it's come to this, the finale of the traditional Oscar-like categories in our own annual Film Bitch Awards. All the nominations have been announced in the first round ("special" non-Oscar related categories still to come). It's years like this when I wish YOU wish 5 were a much larger number in so many fields. There were seven leading ladies I really wanted to honor and six leading men but five does not equal six or seven. Alas. It's also strange when films you really love are denied any nominations in your own prizes. Such was the fate of one film from my top ten list (Embrace of the Serpent). Fences and Lion, two Oscar hopefuls I'm quite fond of, also look deceptively unloved with only two nominations each though with both Best Actor and Best Actress citations, Fences can't complain. 

tfw when you realize you're nominated for a Film Bitch Award. (Huppert plays it cool)

In the final nomination tally, 35 movies received at least one nomination, with Arrival and La La Land leading the pack with 8 nominations each (will they also lead the Oscar nods?). The Handmaiden, Moonlight, 20th Century Women, and Jackie trailed not so far behind. The rest of the films weren't as lucky but perhaps they'll rise in the "special" categories to come. 

Page 1 Picture, Director, Screenplay, Animation
Page 2 Actor, Actress, Supporting Actor, Supporting Actress
Page 3 Visual Categories: Cinematography, Costume Design, etcetera...
Page 4 Aural Categories: Song, Score, etcetera

Friday
Jan202017

In Praise of SAG's "Fences" Ensemble Nomination...

by Brian Zitzelman

photo src

As Viola Davis marches towards Oscar #1 and Denzel Washington to nomination #7 for Fences, let us not forget the other wonderful players in the film. Garnering a SAG nomination for Outstanding Ensemble, Fences is a small, but rich cast... 

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Tuesday
Jan172017

The Final Predictions Begin!

I've updated the Picture, Director, Screenplays, Actor and Supporting Actress charts with final predictions. Though many questions remain we must make the hard calls with nominations only a week away!

Best Picture & Best Director
The Best Picture race will literally never be "locked up" again so long as Oscar sticks with its "5 to 10" balloting math. That shifting number of Best Pictures means that you just never know. I want to say 8 again this year but what if its 5,6,7,9, or gulp 10. The big question mark, at least for this pundit, is Nocturnal Animals. Given that it's the movie that won't go away in precursor season with great showings at the Globes and BAFTA and significant buzz in Los Angeles despite its polarizing nature and its relatively low box office take (lower than ALL the other still buzzing pictures with the exception of Loving). The thing is you can't vote AGAINST something. You can only vote for it, so we're predicting Tom Ford in Best Director. 

Leading Actor
Arguable the most settled of the Oscar acting races with Casey Affleck, Denzel Washington, Andrew Garfield, Viggo Mortensen, and Ryan Gosling all steady players for months. At this point it would be a minor surprise to see one of the ousted. Support for their rivals seems to be far too diffuse.

Supporting Actress
The other "settled" acting race though you can definitely make arguments about one of two women spoiling the party:  Greta Gerwig who is brilliant in 20th Century Women and who has definitely earned her place at Hollywood's most prestigious tables after years of fine work, or Janelle Monae, who proves herself a total natural in Hidden Figures with a bright film career ahead of her. Supporting Actress is a friendly category to double nominees which means if there's a major shake-up it could be both Octavia and Janelle in the mix.

With Captain Fantastic holding strong for Viggo and with its SAG nomination, we're betting the Screenplay shows up, too.

Original Screenplay & Adapted Screenplay
The big question in Adapted might be whether Fences has enough goodwill to earn August Wilson a posthumous nomination, or if naysayers who believe its too "stagey" have made it a Viola & Denzel only party. My guess is that if Tom Ford doesn't show up in Director he shows up here instead and steals that slot away from the late theatrical giant.

In Original Screenplay with three films looking unstoppable for nominations (Manchester, Hell or, La La), one looking like a very typical "of course it nabbed #1 votes!" critical darling style nominee (The Lobster), there's presumably only one spot left and SO many strong screenplays fighting for it: Captain Fantastic, 20th Century Women, Zootopia, Toni Erdmann, Jackie.