American Horror Story Coven: "Bitchcraft" & "Boy Parts"

So Brad Falchuk and Ryan Murphy have finally done it. After years of wooing me with meaty roles for actresses of a certain age (meat served bloody raw) in their American Horror Story anthology series, I am down for watching it as it airs. It's been clear for some time that the creative team's orientation is fully aligned with the Actressexuality™ named and promoted by TFE for several years now. Thus, a natural kinship exists even if yours truly is squeamish about horror. I have been mostly agnostic when it comes to Jessica Lange my whole life (though I thought her "Sister Jude" on Asylum was easily her best work since the 80s) but when it comes to two-time Oscar winner Lange paired with Sarah Paulson, Oscar winner Kathy Bates, Oscar nominee Gabby Sidibe, Lily Rabe, AND Oscar nominee Angela Awesome Basset? Uncle! I surrender to your casting voodoo. 

Kathy Bates in "Coven"

Please to Note: I did try to watch the first two seasons but in both cases, I eventually bailed after a few episodes from the gore and the, how to put this, unwatchable epileptic fits of lensing and editing and framing. Listen, I can live with frenetic editing (you kind of have to since the late 80s) knowing that when I need a fix of long takes that let me enjoy great acting, I can always seek out auteur films. (Odd that it would be auteurs, who so thoroughly OWN their pictures, that would be the only ones to just hand said pictures to the actors on occasion). But it's not just the genre or the typical short attention span in cutting that has previously made AHS unpalatable for me.

The show, or at least the first handful of episodes of its previous seasons, often appeared to have been shot and edited and framed by a group of wild, bug-eyed, A.D.D. addled 12 year old boys... albeit uniquely pervy pre-teens who were raised in asylums and jacked off to photos of grande dame actresses while horror movies were projected on continual loop on the grey walls of their prison. The only break in horror programming was obviously the complete filmography of Jessica Lange.

...or at least the lobotomy scenes from Frances (1982).

It wasn't just quick cutting but canted cameras, baroque flash cuts, inebriated camera swerves, you name it. But let's put that behind us and move on to Season 3's first two eppys after the jump. Spoilers ahead obviously.

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Amir's TIFF Roundup, Pt 1: The Bad and The Ugly

[Editor's Note: I've shared my TIFF experience with you through 12 plus articles. Amir was also there, hell he lives there, so he has a two part report to wrap things up. - Nathaniel]

"Take it, Chiwetel, TAKE IT!"

In awards season terms, the Toronto Film Festival is already old news. A bunch of films screened and some stars showed up on the red carpet and, as you all know, 12 Years a Slave has already won the best picture Oscar and everyone has gone home happy.

That’s not quite how it ends for anyone who attends a festival though. The act of film-watching itself happens with such rapidity that it becomes impossible to process all the films within the short duration of the festival. For me, TIFF hasn’t yet ended, mentally. I keep going back to every film, processing the details I remember and letting a whole new reaction unravel.

Here’s a truth I discovered this time around: it is impossible to maintain a regular work schedule, watch 30 films and also write about them. I had to compromise one of those things, and you can tell by my complete absence from this space which one of those I chose to leave out. But let’s pretend for a minute that it’s last week, you are still interested in festival coverage and you want to find out how I feel about the films I watched. Shall we?

Toronto's Oscar Problem & more after the jump...

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Team Experience: (More) Emmy Reactions

Now that we've had a few days to process the Emmy award nominations, do we have any outrage left over?Though we’re a film site, it’s unwise to ignore proclaimed golden age of television we’re living in -- even if the arguments that TV is greater than film is wholly suspect --  especially when so many movie stars keep on crossing over. So we surveyed Team Experience with the following questions:

• win you're most rooting for?
• most baffling nomination?
• most compelling category?
• better luck next year?
• which Oscar-winning actress?

Which Oscar Winner Are Your Rooting For For Emmy: Helen, Jane, Jessica, Maggie or Melissa?

Read our collective responses and answer the same questions after the jump. No small screen coverage is complete without your comments, TV being so communal.

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Mine is the Way of the Link ♫

Buzzfeed Young Christopher Walken looks just like Scarlett Johansson
Where the Day Takes You 140 still-living actresses who were born before 1930! 
Coming Soon the Carrie remake pushed back several months to October release... same weekend as Malavita so I get JMoore and MPfeiffer on the same weekend. ayyiiieeeeee
Backstage a plea to the Academy to dump Nicole Kidman and choose Ann Dowd. Ugh, people... you can have both. Just don't nominate Amy Adamzzz or Maggie Smith (she's better on Downton Abbey anyway!). But FWIW Kidman is genius so this article is suspect ;) 

Pajiba lists 10 FYC Ads least likely to be "considered" by Oscar. Sad really because I guarantee youse that the one for On the Road praises two performances that will inevitably be better than something that will be nominated instead of them. 
MNPP watch JA squirm his way through Les Miz. He just can't deal with the all the singing. The constant singing!!!

Speaking of Lez Misérables, Buzzfeed has a funny character guide that is so so so true. I love the recurring Cosette gag. Here's Javert...

TV
Playbill YAY. Sutton Foster will be back on your TV on Monday with the return of "Bunheads". Watch it with me!
Slate Even bigger YAY. Downton Abbey is back on Sunday. With Shirley Maclaine joining the cast
Gawker shares the best thing on TV this week (apparently)... Jessica Lange doing "the Name Game" for American Horror Story. A twitter follower asked me if I'd watched it but I had to admit I hadn't. I can't deal with Ryan Murphy television: so erratic in plot/characterization/quality... even within single scenes! 

Finally...
Have you seen the Jennifer Lawrence issue of Vanity Fair? I kind of love Jennifer Lawrence as a celebrity even if I don't love her performance in Silver Linings Playbook (though that's almost the definition of "celebrity" in terms of performance, it's so look at me sparkly and charismatic) but I'm starting to remember how very young she is with some of her quotes. Like this one:

 Not to sound rude, but [acting] is stupid,” Lawrence says. “Everybody’s like, ‘How can you remain with a level head?’ And I’m like, ‘Why would I ever get cocky? I’m not saving anybody’s life. There are doctors who save lives and firemen who run into burning buildings. I’m making movies. It’s stupid.’

Ugh, I hate it when actors are "above" acting. Blargh. Acting is an art. And art is important. Be proud of your craft. Actors are magicians of embodiment, sculpters of emotion, and channellers of human truth. Or they can be when they're doing it right.

Your Fav' Eighties Ladies!

Over the past couple of months we've been holding "Best Character" polls for Oscar's Best Actress category history. We asked not who should win the Oscar but which characters own real estate in your memory. Previously you selected Miranda Priestley, Clarice Starling and other iconic bitches as your favorites from the Nineties and the Aughts. 

But what of the 1980s? Here are the results. *asterisks indicate Oscar winning performances.

Three unarguably iconic characters: Sophie, Celie and Aurora

1981-1985

1. *SOPHIE ZAWISTOWSKI (Meryl Streep) from Sophie's Choice
2. CELIE (Whoopi Goldberg) from The Color Purple 
3. *AURORA GREENWAY (Shirley Maclaine) from Terms of Endearment
4. KAREN SILKWOOD (Meryl Streep) from Silkwood
5. VICTORIA GRANT (Julie Andrews) from Victor/Victoria

Diane Keaton's wondrous performance in REDS (1981) has not been forgotten.Runners Up: To complete the top ten you'd need (in descending order) a third Streep with KAREN BLIXEN from Out of Africa, Debra Winger's EMMA GREENWAY from Terms..., Jessica Lange's rendition of troubled movie star Frances, and with nearly a tie for tenth place Katharine Hepburn's *ETHEL THAYER from On Golden Pond and Diane Keaton's LOUISE BRYANT from Reds. 

Observations: The Streepster's reascendance in the Aughts has obviously polished her earlier work to a healthy shine which would partially explain her tremendous lead as "Sophie" (well, that and the performance itself) and Karen Blixen's near top five placement, despite being hardly as memorable as Sophie or the other Streep/Karen. 

Weakest Showing: While Jessica Lange was an Oscar favorite in the 1980s, her JEWEL IVY in Country received 0 votes. But then Oscar's oft-derided "Year of the Farm Wives" fared terribly, with all three of the farm women failing to muster much enthusiasm. And to think they could have had Kathleen Turner's fiction writer Joan Wilder from Romancing the Stone in there. (She would've hit the top five most memorable characters, don'cha think?)

1986-1990

Dangerous Ladies ruled the Late Eighties

1. LT ELLEN RIPLEY (Sigourney Weaver) in Aliens
2. ALEX FORREST (Glenn Close) in Fatal Attraction
3. *ANNIE WILKES (Kathy Bates) in Misery
4. SUSIE DIAMOND (Michelle Pfeiffer) in The Fabulous Baker Boys
5. MARQUISE DE MERTEUIL (Glenn Close) in Dangerous Liaisons

Runners Up: Completing the top ten in descending order are Julia Robert's Pretty Woman VIVIAN WARD (who initially looked like a top three threat but kept fading throughout the course of voting), Cher's *LORETTA CASTORINI in Moonstruck, Streep's SUZANNE VALE (AKA CARRIE FISHER) in Postcards from the Edge, Anjelica Huston's hard as diamonds LILLY in The Grifters and in a tie for tenth place Holly Hunter's JANE CRAIG from Broadcast News and Jessica Tandy's *MISS DAISY the one who who drove right over the Pfeiffer/Oscar dream. Damn you, Oscar voters!

Observations: Looking back it looks like Meryl Streep owned the first half of the 1980s while Glenn Close threatened her dominance in the decade's second half. And to think they might go at it again this year?!? This poll was the most contentious of the six polls we've held with very small differences in rank between the winners and much in the way of surges and drops. A certain formidable alien fighting woman was always out front but Alex Forrest refused to be ignored and wouldn't allow her a huge lead. Spots 3 through 10 shifted repeatedly with my beloved Kathleen Turner's PEGGY SUE just missing the top ten. [Sniffle]

Fonda and Bridges in THE MORNING AFTER (1986)Weakest Showing: Jane Fonda's ALEX from The Morning After  (which Nick and I tried to recall on the "1986" podcast) received 0 votes from the nearly 800 cast. Of Fonda's seven nominations it's her last and (obviously) her least remembered. It's currently available on Netflix's Instant Watch. Sadly Sally Kirkland's ANNA only barely registered. Kirkland is best known to today's audiences as that crazy-dressing lady who sometimes shows up at the Oscars but that surprise nomination for 1987 was hard-earned. Don't believe me? Watch the movie on Netflix Instant Watch.

Should we do the 1970s?  
What do you make of these 80s polls? Did your fellow TFE readers choose well or would you like to stalk them with Alex Forrest's butcher knife, Ripley's flame-thrower or Annie's hobblin' hammer and right the wrongs they done?