Q&A: Resurrections, Musicals and "Julianne Pfeiffer"

I feel like if I talk about the Oscars anymore than I already do I will slowly become one! Gold plating, lopped off head, ... the works. This week's question were extremely Oscar focused. In order to escape my immobile sword-holding genital-free fate, I'm not answering them just yet. I'm also not answering any "top ten" questions but feel free to go on giving me top ten list ideas ;) 

I'm suddenly realizing this Q&A series is like writing 10 blog posts at once. Which is... well, must rethink this series! So only non-Oscar focused questions today and then we'll just gag on naked gold men tomorrow and Wednesday, K? 

Here we go.

Luiserghio: If you could resurrect one classic director to direct a modern actress/actor?
Nathaniel:  My first thought was William Wyler for just about any actor or actress that needs a chance to really nail a top flight dramatic adult piece. Who has a better track record for directing actors to grand serious performances with nuance and depth? Nobody. But then Vincente Minnelli directing Anne Hathaway popped up and I'll go with that. Not because she wants to play Judy Garland and he's the expert but because he understands color and musical numbers and Hathaway would soar under both conditions. Plus she seems to have an 'Old Hollywood' soul as it were so she'd be perfect for any resurrection.

Mandy Patinkin, Eartha Kitt and Toni Collette in "The Wild Party"Robert G: If you could guarantee one stage musical from any time in history would be adapted to a film, what would it be?
Nathaniel: If you'd ask me this five years ago I would've said Sweeney Todd. 

This is such a tough question as there are so many great ones. Many stage musicals I love wouldn't transfer well like A Choru -- whoops! I regularly try and picture "The Light in the Piazza" and "Caroline, Or Change" as feature films. I think a masterpiece could be made from Sondheim's "Follies" but what director alive is both genius enough to handle the complexity of it and has enough industry muscle to demand that only extraordinarily gifted singing actors handle the vocally demanding songs? So maybe I should just say Michael John LaChiusa's "The Wild Party" because I am weirdly obsessed with it and because there's more room for error. By which I mean it's busy with noise and dancing and banter and that's easier for modern Hollywood to understand than pure singing musicals. If they made a mistake here and there they wouldn't destroy a masterwork and we'd still get an entertaining film. Please note: This guarantee wish comes with Toni Collette reprising her lead role as alcy showgirl "Queenie".

Queenie was a blonde and her age stood still and she danced twice a day in the
... vau-de-ville ♫ 

Sean C: Which of the four actors do you think has the biggest opportunity to drop the theatrical dramedy-ic ball in CARNAGE?

John, Jodie, Christoph and Kate checking out TFE's Oscar charts!

Nathaniel: Such a mean-spirited (or maybe just worried?) question. I'll give you my answer after the jump.

Click to read more ...

Stoke Yourself For Stoker

JA from MNPP here, curious if y’all have been following the delightful casting news that’s been coming out bit by bit day after day for Oldboy director Park Chan-wook’s first English-language film Stoker. I mean just the fact that PCW is making an English-language movie’s exciting enough – not that I have trouble with subtitles, I'm fervently infatuated with every movie he's made, but it means one of my favorite directors is getting to round up some of my favorite Hollywood actors, which he’s doing in spades.

First, some background: Stoker’s script was written (under a pseudonym) by Prison Break actor Wentworth Miller, and is described as “a dramatic thriller about a young woman whose eccentric uncle comes back into her life after the death of her father.”

Attached to the script way back when it was first being talked about were Carey Mulligan and Jodie Foster, which already got us thinking something really good is going on with the script or Park's exciting enough all on his own to snatch up such solid names... hopefully both! Unfortunately scheduling got drawn out and Carey took off to star opposite Michael Fassbender in Steve McQueen’s upcoming film Shame (can’t blame her for wanting to go hang with Fassy for awhile) and Jodie went to work with Roman Polanski on Carnage (also can’t blame that). But Park & Co. managed no downgrade in their replacing – Mia Wasikowska and Nicole Kidman (making up for this) stepped right in. Now them's a two-fer.

The role of the “eccentric uncle” was rumored for awhile to be recent Oscar picker-upper Colin Firth, but somebody apparently decided to age the character down a whole bunch and the role went to the 50 year old Firth’s 33 year old Single Man boyfriend Matthew Goode instead. Even though he might not pack the immediate wallop that Firth does, Goode’s shown a lot of promise in the past – he was mesmerizing in The Lookout.

We don’t have word yet when filming begins, but we're thinking it must be soon since three more names have hopped on board over the past week – Lucas Till, who played Havoc in the recent X-Men movie; Alden Ehrenreich, a cute young thing that caught Steven Spielberg’s eye and can be seen in both of Francis Ford Coppola’s most recent efforts; and most awesomely Jacki Weaver, who shoulda won that Supporting statue last year for her terrifying turn in Animal Kingdom just for the way she arched her eyebrows and smiled that sinister Grinch’s smile. If you’re keeping count, that's three count ‘em three singular Aussie actress sensations for the price of one. Can’t beat that!

Links: Slayers, Ringers, Tomatoes, Beavers

The blogging police have informed me that if I don't post the "first look" at Katniss (Jennifer Lawrence) from Hunger Games I shall be banished forever from the Billion Kingdoms of the Internet. Satisfied? I guess I should read this book. But how to join the rest of the world in loving teenage killers? It's a gene that skipped me by. Except Buffy. But her victims were vampires so that was always kinda fun.

Tom Shone "An Argument Not Worth Having" via the topic of comedy via Bridesmaids.
Acidemic has a wonderfully fluid train of thought piece on Angelina Jolie's career trajectory and Demi Moore's apocalyptic 80s drama The Seventh Sign.
Go Fug Yourself is happy to see Jodie Foster out and about at Cannes with The Beaver. Except for that one accessory that's always attached to her hand.
The Advocate  enjoyable interview with Rashida Jones (Parks and Recreation and Our Idiot Brother)
Awards Daily Sasha says goodbye to another Cannes

Gallery of the Absurd has a 100% accurate portrait of Stephen King when a new novel idea hits him.
Movie|Line It's true. The Dark Knight Rises has begun filming. Commence endless disposable blogging about what it might be like. Oh wait, that startedback in summer 2008.
Zap2It Buffy or rather Sarah Michelle Gellar is back to series TV on the CW. Ringer, about identical twin sisters and mob targets, has been picked up. First photos follow.

Sarah Michelle Gellar stars in RINGER

Throwing Tomatoes...
Serious Film does not much love Thor. It's one of the more scathing reviews you'll read.

Cheering these movies is beginning to feel like cheering a PowerPoint presentation at a meeting of Marvel stockholders.

Ouch!
Slant Magazine is even more vicious to Pirates of the Caribbean: On Stranger Tides

"Carnage" Cometh

With filming wrapped on the stage-to-screen God of Carnage excuse me Carnage (I guess they shortened the title) from Roman Polanski we get our first still of the feuding couples played by Jodie Foster & John C Reilly (what a weird combo) and Kate Winslet & Christoph Waltz.

This is either during the arrival scene or during one of the we're leaving (only no one actually leaves) scenes. I am happy to hear that they have not adjusted the main time frame. It still takes place in real time in one evening, yay. I guess Polanski is confident enough with his craft (as well he should be) and with the play's terrifically verbal bite to not worry too much about people saying it's "stagey".

Though this statement from Jodie Foster worries me a little.

Kind of like Who’s Afraid Of Virginia Woolf?, but a little funnier. There’s a lot of wit.

Foster absorbing directing tips from Polanski?

Er. I'm not sure you want to compete with Edward Albee in the wit department. Just saying. Few people seem to ever remember how hilarious Virginia Woolf is until they're watching it. It is a bit like being kicked in the stomach while you're laughing so maybe that's why people don't remember the funny ha-ha? God of Carnage... excuse me Carnage... is quite funny and biting and it's true that it bears a passing resemblance to Woolf? in that black comedy four character claustrophobic all in one night way. But it's less genius than Woolf? Woolf? minor maybe. But still Woolf? is so many millions of times better than most everything else in the world that being a minor version of it is still pretty damn hot.

If they've pulled it off expect Oscar nominations come January.

Link Roundup (and Lint Roundup From Navel Gazing.)

Towleroad. Jodie Foster has limits. Michael Fassbender doesn't. Bradley Cooper stars in Limitless.
I Need My Fix clips and poster for Jodie Foster / Mel Gibson film The Beaver.

Also do you like this Midnight in Paris Vincent Van Gogh lift painting? I can't type Vincent Van Gogh in connection with a Woody Allen movie without thinking of Manhattan's "Hall of the Overrated"

Yahoo Answers "Who danced worse? Elaine on Seinfeld or Michelle Pfeiffer in Scarface?" LOL
Us Weekly Lea Michele kissing on Ashton Kutcher in New Year's Eve.
The News Gazette has very uplifting info about the Ebert Fest Lineup. I don't really worship him in the way most movie-obsessives do but Roger Ebert is really a very cool person

Finally,  E! Online posted a rather drooling "ohmygoditshappened!" in response to the filming of the Armie Hammer / Leonardo DiCaprio smooch in J. Edgar. This is worth reading just for the annoying reminder (in the comments) that homophobia is still alive and well and still refuses to call itself "homophobia". It's just like all those stupid racists who always preface racist comments with "I'm not racist" People are so annoying! Ah well. Best to just keep on celebrating cool people instead. Who is cool? Who do you think has been worth cheering lately?

Sorry I'm in a terrible mood. This is one of the reasons Reader o' the Day has been fun. It's cheerful. And a sense of community is important. For reasons I've never fully grasped it's kind of a lone wolf site. The other movie sites and/or awards sites are constantly referencing each other like a tennis match but we're just off to the side doing our thing, day in and day out. Sometimes we'll do something brilliant and no one will notice and it's kind of a bummer. Other times we'll notice total press release regurgitations going truly viral from other sites and we're like 'why? There's no there there? It's just the press release!' This is not to diss other sites -- there are fine ones out there and every site be it great, good, mediocre or below average has its weaker days and its stronger ones (including this one) -- we just find it odd is all. And we're feeling contemplative. It's tough to do original content day in and day out (like The Hit Me With Your Best Shot feature for example) and have it go nowhere and sites that just do press releases and trailers and casting rumors all day are hugely popular. I was discussing this the other day with Glenn at Stale Popcorn, one of my personal favorite blogs. And it is frustrating for sites that try to have an original voice. Sometimes you feel like you're shouting into the abyss and you'd be better off just posting trailers and posters and quoting other blogs for all your posts.

Anyway... [/boring pity party]

My point is: I really appreciate the community The Film Experience has from you, the loyal readers. The ones who are here year 'round and not just when the Oscar noms and Oscar night happenings happen (always the two biggest days, traffic wise). Are you liking the Reader o' the Day feature? We're doing it for the rest of the month. Maybe it should be a weekly feature hereafter? We'll see.

Awards Brief
The Producer's Guild has announced their awards night date for this film year. It's January 21st, 2012. One date down... dozens more to go.