Would you rather?

Our dumb celebrity-gawking game to get your week off to a silly start. Would you rather...

... have a whiskey at a poetry reading with Martha Plimpton?
... wander the Universal sound stages with Jeff Goldblum?
... snake charm with Anya Taylor Joy?
... take in an art exhibit with Carla Gugino?
... play shadow games with Glenn Close?
... get piggy with Billy Magnussen?
... shop for tasty pastries with Kim Cattrall?
... wear mythological creatures with Juliette Binoche?
... take a drive to Sundance with Olivia Colman, Kaitlyn Dever, Alice Englert, and Thomas Mann?
... pose on the red carpet with Gal Gadot, Chris Pine, and Patty Jenkins? 

Pictures are after the jump to help you decide!

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Soundtracking: "Let The Sunshine In"

by Chris Feil

Etta James’ “At Last” has to be one of the most cliched romantic song choices in the movies, diminished over the decades through overuse and reductiveness, its swooning sexual pull often taken for granted or sanitized in gauzed lensing. But leave it to an original like Claire Denis to capture the oft-revisited song with new ears.

With Let the Sunshine In, Denis delivers us her take on a romantic drama, with all of the structural turns outside of genre convention as she approached vampire films and science fiction alike. Instead of the kind of romcom story developments we expect to see in our stories of women struggling to find love, this film is turns that into a more expansive character study with Juliette Binoche as our protagonist Isabelle. It is essentially examining the desire to be in love as a state of being.

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Hirokazu Koreeda is directing an all star cast!

by Nathaniel R

Koreeda, Deneuve, and Hawke working on a movie called "Truth"

Somehow this had escaped our attention so apologize to those for whom it is old news. Thanks to Juliette Binoche for getting us caught us up to speed on her instagram, sharing photos from the set of the next film from Japanese master Hirokazu Koreeda. Koreeda was already in our brain because his current brilliant film Shoplifters, which opens in the US around Thanksgiving time. It won the Palme d'Or at Cannes and we hope it's nominated for the Oscar for Foreign Language Film.

His next picture is called Truth. It's his first non-Japanese language picture with an all star French cast plus Ethan Hawke...

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NYFF: Claire Denis and the "High Life"

Jason Adams here reporting from the New York Film Festival...

We're all dying. That's the grand rule of everything that we do all we can to distract ourselves from. It might seem like some of us are dying faster than others from the position we're standing in at any precise moment, but time is, as the saying goes, relative. We're all of us on track to stardust, circling the drain of a black hole out here, hair stiff on end.

Leave it to Claire Denis to dream-weave a perverse space opera all about that stuff, then. Who else, really? High Life on its gorgeous scuffed up Rothko painting of a surface has all sorts of distractions from that central mission statement - Horny convicts in outer space! Juliette Binoche's infinite ponytail! Something called a "Fuck Box!" - that a smaller-minded filmmaker would've gotten caught up on...

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NYFF: Olivier Assayas' "Non-Fiction"

Jason Adams reporting on the New York Film Festival which kicks off Friday night.

Calling a movie "Woody-Allen-ish" in 2018 is less of a double-edged sword than it is a single-edged one - there's not a lot of benefit; mostly just wounds. And yet Olivier Assayas' Non-Fiction kind of demands the comparison to Classic Woody - it's about a group of chatty literate urbanites having  literate urbane chats in luxurious apartments and outfits, all of them sleeping with each other while being obsessed with death and sex and books, order TBD. It's terribly witty in that very specific way that certain New Yorkers love, where they can turn to the person next to them and smile and nod, everybody content that hey, they got that one.

And listen, hey, I am one of those Certain New Yorkers myself, so I'm allowed to make fun...

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