Red Carpet Globes Pt 1: Lisbeth is Wednesday

Last week on Red Carpet Convos, Joanna and I were trying on gowns; I borrowed Penelope's (don't judge) and she wore Evan Rachel's.  This week Kurt and I gawk at the Golden Globes but alas, there's no word on which of these dresses Joanna would wear.

Nathaniel: Welcome back to Red Carpet Convos, Kurt. This was meant to be a three-way but Joanna had a fashion emergency off stage of some sort. She's here in spirit and promises to return!‬
Kurt:  A Wardrobe malfunction, naturally.‬ 
Nathaniel: ...which very few ladies were actually having on the Globes red carpet. Everyone (well almost everyone) was so put together. Let's start with Best Actresses of Yore.

Miss 2005, Ms 2008, Dame 2006, Double Dipper 1988 & 1991, and Mrs 2002

poll by twiigs.com

‬

Kurt:  ‪Reese gets my Lazy Trophy of the evening. ‬Between the dress and that wind-blown hair, she looks like she's shooting Bridesmaids 2...in Chicago.
Nathaniel:  ‪Lazy is an odd adjective for Reese since her signature roles are so go-getter ambitious but career-wise and fashion wise. Okay, maybe.‬ 
Kurt:  ‪Yes on go-getter, but doesn't this outfit feel grab-and-go?‬
Nathaniel:  ‪I feel the same way about Kate Winslet since she's been doing only black and white for, what, four years now? Her walk-in s like hitting the "desaturate" button on Photoshop. But she looks sensational anyway.‬
Kurt: I'm with you. It's "matronly" as all the fashion cops have no doubt screeched, but she just looks so beautiful. I even like the clutch, i mean "trophy placeholder"
 

Nathanile: Hee. Hey, trophies are the best red carpet accessories. Did you hear Helen Mirren doing the voice of Becky on last night's Glee?‬ 
Kurt:  ‪ha! no! the boyfriend and i missed Glee. we watched Stage Beauty, with Claire and Billy Crudup.
Nathaniel:  ‪My deepest apologies. You're still functional this morning?‬ 
Kurt:  ‪hahaha...aw. yes, it's a mess. but in terms of sexuality, i had fun.‬ 
Nathaniel:  ‪That sentence out of context! Watch...

in terms of sexuality, i had fun.‬ 
-Kurt 

Kurt:  ‪omg indeed‬. whoops. But back to this damn dame. Regal as always. Definitely red carpet MVP year in year out‬

Yes, she did!Nathaniel:  I think Jodie wore this color for her first Oscar win? Anyway, it's my favorite color on her. 
Kurt:  ‪I do like Jodie's outfit; however i keep getting, A Fish Called Jodie‬ 
Nathaniel:  ‪A Fish Called Jodie. Now I am imagining Jodie seducing Jamie Lee Curtis ...in French.
Kurt: It could happen.  I know everyone loves nicoles dress, but, bless her, she's such a perennial offender for me. and this number looks like her kids glued macaroni all over it
Nathaniel: Wrong. Jodie and Nicki Kidman Nicki Kidman both look like the movie stars they are. Or were...? The weirdest thing about winning an Oscar is sometimes how much it's like a cliff face rather than a peak.‬ Not for these two in particular. I'm just thinking aloud. Sorry, let's call it the ‬‪Susan Sarandon effect when Oscar is like The End. Mabe I'm only thinking of her because she used to favor the peekaboo cleavage that Kate is blessing us with.‬ It's for ladies that are proud of their racks.‬ 
Kurt:  ‪yes. more on Madonna later‬ 
Nathaniel: HA! So when I was assembling that "previous winners" lineup i kept wanting to including Laura Linney, Glenn Close and Julianne Moore but then had to remember. Statue Repellent!‬ 
 

Kurt:  ‪Poor Julianne...

Psychotic Agent, Silent Actress, Perpetual Loser, Perfection, YELLOWWWWWWWW

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Crazy in Link

I Need My Fix Kate Winslet for St. John. I want to bury my hands in that rug. Look at it! So comfy.
The Atlantic remembers the worst January releases in recent memory. Ah, the toxic dumping ground.
Towleroad Madonna's new album will be called M.D.N.A ... maybe. So she said but was she serious?
THR reports from the NBR awards ceremony where Hugo was honored. Their photo gallery is from last year though so save the clicking on that.

IndieWire Catherine Deneuve will be honored at Lincoln Center this spring, receiving the Chaplin Award
Gold Derby The DGA's television nominees include actresses!
AWFJ Female film critics name their award winners with The Artist taking the top prize
Animation A big informative piece on Oscar finalist The Fantastic Flying Books of Mr Morris Lessmore.
Carpetbagger Jean Dujardin tries to impress Robert DeNiro... who is not easily impressed (at the NYFCC awards)

Guardian much about about nothing. They've closed the Natalie Wood case again in case you were wondering.
Scanners doesn't believe film critics should read screenplays until after they've seen the movie (but is happy to dissect them afterwards (Moneyball & Tinker Tailor Soldier Spy). I kind of agree but I keep wanting to read Django Unchained. It is tempting me!
Gunaxin on Oscar nominations that look baffling in retrospect to some. Unfortunately it sounds like they didn't even see Howard's End before dissing it. I cry foul. Howard's End is GREAT. Merchant/Ivory movies get no respect and it makes me so angry. They were great filmmakers and that was the best film nominated that year.

P.S. "Do not weep for Beyoncé..."

BREAKING: Witch Who Granted Beyoncé Fame Returns To Claim Firstborn Child

[maniacal laugh maniacal laugh]

Golden Globe Nominee Madness

It's the last of the big three precursor nominee announcements this morning. Hot on the heels of the BFCA and the SAG announcement we have the Hollywood Foreign Press Association, more commonly known as the Golden Globes. Film and television stars Gerard Butler, Woody Harrelson, Rashida Jones and Sofia Vergara announced the nominees at 8:30 AM EST which went like so...

MOVIES

BEST PICTURE, DRAMA

• The Descendants
• The Help
• Hugo
• The Ides of March
• Moneyball
• War Horse 

For a split second when we reached five nominees I thought War Horse would be shut out and for once the Globes wouldn't stump for one of the big movies that was about to open, but nope. The Ides of March is the iffiest film here for an Oscar transfer given lukewarm reception but it's still possible. Especially since it's right in their wheelhouse. 

Ryan Gosling drank the Clooney Koolaid in "Ides of March". So did the HFPA who gave Clooney 3 nominations and Gosling 2

BEST PICTURE, COMEDY or MUSICAL

• 50/50
• The Artist
• Bridesmaids
• Midnight in Paris
• My Week With Marilyn

 People are wondering how Marilyn is a comedy. But, you know, Kenneth Branagh is very funny in it.

It's like teaching Urdu to a badger.

Plus it's got musical numbers so I think it qualifies for their split. The Artist probably has this in the bag but for the Globes willingness to surprise (i.e. far more than other groups) 

BEST DIRECTOR 

• Woody Allen, Midnight in Paris
• George Clooney, The Ides of March
• Michel Hazanavicus, The Artist
• Alexander Payne, The Descendants
• Martin Scorsese, Hugo

Sofia Vergara garbled cutely as she does. "Marine Scorsez" is quite the auteur! Expected list here but for Clooney who was an already a guaranteed show at the ceremony due to the Best Actor nom. The HFPA gets a lot of flack for star-fucking but some of their decisions can't really be explained that way. The star doesn't get to show up twice if you nominated them thusly, and you've cut off the opportunity for another star to show.

BEST ACTRESS, DRAMA

• Glenn Close, Albert Nobbs
• Viola Davis, The Help
• Rooney Mara, The Girl With the Dragon Tattoo
• Meryl Streep, The Iron Lady
• Tilda Swinton, We Need To Talk About Kevin

People are going to love Mara as "Lisbeth Salander" in that movie so this isn't too much of a surprise. Plus there was room with Williams heading to Comedy/Musical. This omission hurts Kirsten Dunst's campaign. Her traction seemed to begin and end with the Cannes prize for Melancholia. Also shut out was Elizabeth Olsen for Martha Marcy May Marlene.

BEST ACTRESS, COMEDY or MUSICAL

• Jodie Foster, Carnage
• Charlize Theron, Young Adult
• Kristen Wiig, Bridesmaids
• Michelle Williams, My Week With Marilyn
• Kate Winslet, Carnage

In perhaps the biggest surprise of the morning, Carnage snagged 40% of the Female Comedy honors though the film didn't garner a comedy film nod and having Foster and Winslet (who was already coming for Mildred Pierce) knocked out their opportunity to invite Cameron Diaz or somesuch. See what I mean about cock-blocking their own star-fucking?

I think they can mail this one to Michelle Williams.

more after the jump

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God of Linkage

A Socialite Life This is not Kate Winslet (to your left). This is Kate Winslet's new wax figure at Madame Tussauds. They went so recent what with the choice of that Emmy dress.
Vulture Stephen Dorff always gives great interview. He's mouthing off about chest hair and nipples on the set of Immortals. He said no to man-breasts for his workout regimen.
IMP Awards as predicted Carnage couldn't keep that brilliantly loud and colorful French poster look. Instead it had to go completely generic and dullsville for American audiences. Do NOT let your movie look like a unique experience; no one will buy tickets! 

The Wrap Colin Farrell, Christopher Walken, Sam Rockwell, and Woody Harrelson and Tom Fucking Waits (!) will star in Martin McDonagh's new action comedy Seven Psychopaths. Eeep, love the cast, love McDonagh (Six Shooter, In Bruges). Make it be good! Please make it be good.
Deadline Jake Abel may be the male lead opposite Saoirse Ronan in The Host. They both appeared in The Lovely Bones.
The Playlist Elizabeth Olsen and Glenn Close to team up for Therese Raquin. Wasn't Kate Winslet supposed to do that once onscreen? The first time helmer is Charlie Stratton who will also write the screenplay.
MNPP [NSFW] doubles up on love for Dominic Cooper in The Devil's Double

and Ugh. How cute are these new We Bought a Zoo posters?

They make me want to love the movie muchly even though I pretty much hated the trailer.

small screen
Vulture Glee's Sue Sylvester Problem. Good piece. It's still a wildly inconsistent show three seasons in. 
Tyler Shields shoots the cast of the best new drama on television, Revenge.

I'm so addicted to this show. Are you watching? But I'm mostly addicted for the magnificent throwback performance from Madeleine Stowe (not pictured) rather than the hottish men so don't let this shot fool you. That said I ♥  Gabriel Mann, far left, who I've always liked as an actor but never to quite this extent. Speaking of... I did not see his recent plot twist coming at all.

P.S. I can't get over how Ashton Holmes (not pictured) looks nothing like he did as Viggo's son in A History of Violence. I barely recognize him six years later.

NYFF: "Carnage"

Though critics screenings have been well under way for some time, tonight is the official opening night of the New York Film Festival. The kick off film is Roman Polanski's Carnage, about which we should undoubtedly say a few words. And then scream them, as we lose our composure.

Moviegoers who have seen Yasmina Reza's hit play "God of Carnage" in any of its many stage productions, had just cause to fear a film version; it's very much a work of the stage. What if they cast the two young boys whose stick-wielding playground tussle prompts all the (psychological) carnage between their parents, who meet to discuss the fight? What if the movie leaves the apartment where the entire play takes place? What if the actors can't handle the tricky satirical tone that has to be rooted in internal drama but stylized enough to extract external laughs?

The first two fears involve the dread "open it up" problem that hover like dark storm clouds over so many stage-to-screen adaptations. If you don't "open it up" you run the risk of your movie feeling weirdly hemmed in and even cheap. If you do "open it up" you run the risk of arbitrary and awkward resizing that feels more like nervous approval-seeking then an attempt to serve the material. With Roman Polanski, an expert at claustrophic storytelling, guiding the tight-quarters squabbling perhaps we shouldn't have worried.

The trouble-making sons of Penelope and Michael Longstreet (Jodie Foster and John C Reilly) and Nancy and Allen Cowan (Kate Winslet and Christoph Waltz) do appear in the film but in a wonderfully smart and ambiguously played framing device. This change from the play stays magically true to the spirit of the source material but is also entirely new and right for the change in medium (which is EXACTLY what adaptations should strive for). So the first thing Roman Polanski does right is that even though we do technically leave the confines of a realistically sized New York apartment (i.e. small) both visually and physically (the apartment building's hallway), we never once feel as though we've escaped the crowded private hell of two married couples. For a smartly succinct 80 minutes (it happens in real time) you are trapped with the parental quartet and their justifiable concern: what to do about a violent encounter between their children. The comedy and drama of the play-turned-movie are the ways in which said real and justifiable but basic-sized problem morphs, twists, pivots, wiggles, shrinks and expands -- it just can't hold its shape -- until it's a series of problems both microcosmically petty (home cooking, name calling, cel phones) and gargantuan unsolvable (Genocide! Corporate Greed! Marriage!).   

For the most part the actors all do solid work. Christoph Waltz, in the film's best and most nimble performance, ably suggests that Alan is a bit of a sadist and the only one who is actually enjoying all the squabbling and suffering (until he isn't). John C Reilly has the biggest about face, appearing to be the most accomodating character (and the dullest actor) until alcohol and aggravating phone calls from his mother loosen him up. Kate Winslet and Jodie Foster, two of the screen's most formidable actresses are both good. Kate is best with Nancy's comedic outbursts  (her weak stomach and quick inebriation, just as in the play, provides some of the most memorable moments) but one wishes for more character detail in the inbetween when she isn't the focus of the scene. Foster has the most difficult role. Penelope is an extremely uptight and self-righteous Africa-obsessed mother and she's the one character that's simultaneously the worst at keeping it together and the one most concerned with keeping it together. Though Foster has fine moments her comedy is the wobbliest; one ends up pitying Penelope more than laughing with or at her which is a strange place to end up inside of a viciously dark comedy. Still, there's a certain go-for-broke original bravura in Foster's vein-popping despair (hers is the performance least like the original play's), that one has to admire it even while one mentally recasts. 

As Carnage winds down... Stop. Winds down? Yes, though Polanski often comes up with clever angles by which to watch the four characters interact, the film does run into some trouble with momentum which the play didn't have. The hallway scenes offer new and funny ways of thinking about the fact that the couples can't seem to end their evening even while their hatred for each other grows, but they strain credulity as well. If you're that close to leaving... There are strange lulls just as things are reaching fever pitch, and the ending itself is one of those and weirdly sedate.

Despite Polanski's very smart and controlled approach to the material, one almost wishes he'd taken a page from Jodie's book and just gone jugular. He employs so many different techniques to keep you visually stimulated: depth of focus, variety of shot lengths, staging, camera stability (things get a bit shakier in time with the copious alcohol) that one almost wants to scream at him to commit to one of them, embrace it feverishly and "DO IT UP REAL BIG LIKE!!!" Take your cues from Winslet's ugly vomiting, Foster's whiny-screaming or Christoph Waltz's man-pouting and let your hair down a little. Lose your composure. Risk bloodying yourself up but good.

Carnage (2011) is maybe the best film version one could hope for given the absolute stageyness of the source material but it's good enough that it leaves you wanting one that you didn't dare hope for. B/B-*

Previously on NYFF
Miss Bala wins the "must-see crown" from judge Michael.
Tahrir drops Michael right down in the titular Square.
A Dangerous Method excites Kurt... not in that way, perv!
The Loneliest Planet brushes against Nathaniel's skin.
Melancholia shows Michael the end of von Trier's world. 

* Carnage is unique enough that the grade probably doesn't suggest how "see worthy!" it actually is. It's also the kind of property one might conceivably feel differently about on a second pass. For those of you wondering Carnage's best bet Oscar-wise is an Adapted Screenplay nomination. Since no consensus seems to have formed about "best in show" acting traction will be hard to come by for a shared movie.