Let Them All Link

• Salon The Marvelous Mrs Maisel's Emmy campaign disrupts Los Angeles with 1959-era prices 
• The Atlantic's "friendship files" talks to three thirtysomething women who all cosplay Scarlett Johansson's Black Widow 
• Slate comparing the starpower of 2019's Little Women to the starpower (back in the day) of the 1994 cast - Saoirse vs Winona and more. Really fun article but the part on Sarandon and Dern is a major misread of the mid-90s. Sarandon was at the very peak of her fame in 1994, headlining a sleeper blockbuster (The Client) and building yet more momentum to win her inevitable Oscar win the following year. She should have bested Dern (who we loooove, don't get us wrong).

 After the jump The Godfather, Faye Dunaway's trouble, Steven Soderbergh's secret movie, Mulan trouble, Kristin Chenoweth's breakout and more...

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Would you rather?

Would you rather?

... slide down a waterfall with Chloe Sevigny?
... vandalize a classroom with Asa Butterfeld?
... ski with the Hemsworth brothers?
... get sessy with Amandla Stenberg?
... eat your feelings with Sam Smith?
... go backstage at a Versace show with Luke Evans?
... hang with Glenn Close & Timothée Chalamet?
... or have lunch with Lily Tomlin & Debi Mazar?

Pictures are after the jump to help you decide.

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Who will win the Emmy for Leading Actress in a Comedy?

By Spencer Coile 

After six consecutive years of Julia Louis-Dreyfus deservedly dominating this category for her performance on Veep, we finally have a race on our hands in the Lead Actress in a Comedy Series field! Or do we? As diverse as this lineup is – consisting of newcomers, veterans, and representation from six different networks – it feels as though Rachel Brosnahan’s name has been on that Emmy statue since the pilot for The Marvelous Mrs. Maisel premiered last March. Is she going for the gold, or is the race more competitive than we think? 

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Months of Meryl: A Prairie Home Companion (2006)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#33 —Yolanda Johnson, a Midwestern songstress and longtime staple of the titular radio show.

MATTHEW: Two of the most revered artists in American cinema history, Robert Altman and Meryl Streep each built their lauded careers by probing into characters from countless corners of the world, driven by an ardent and undiminished interest in the micro — but never minor — idiosyncrasies of collective human behavior. For those who believe in the supernatural forces of fate, there is something undeniably kismetic in Streep and Altman’s first collaboration, which would turn out to be this mighty auteur’s valedictory effort. A Prairie Home Companion, Altman’s final film, is a moving backstage comedy that sketches out the (fictional) final broadcast of the historic and beloved Minnesota radio variety show of the title, created and hosted by Garrison Keillor, who also scripted the picture. (Keillor was fired from his program in November of last year over allegations of sexual misconduct.) Brimming, like all of Altman’s work, with an abundance of people and all their peculiarities, A Prairie Home Companion relies on the character-inhabiting talents of an irresistible and excitingly-paired ensemble, whose every member gets ample opportunity to ingest spirit and specificity into a wide array of oddballs and straight-men, from Woody Harrelson and John C. Reilly’s ribald cowboys to Maya Rudolph’s quietly panicked and heavily pregnant stage manager to the pair of aging songbirds brought to fanciful, rueful life by Streep and Lily Tomlin.

As Yolanda and Rhonda Johnson, the two surviving members of a four-sister singing act, Streep and Tomlin are, quite simply, a match made in acting heaven...

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Cast This: "9 to 5" Reboot

by Murtada

It seems like this is the time for reboots and remakes. Every film or TV show we’ve ever loved is getting another go. So why not the classic female workplace revenge comedy 9 to 5? It’s not like things are going great for women in the workplace 38 years on from the original,  as the last few months have shown.

Patricia Resnick, the writer of the 1980 version, is teaming up with Rashida Jones to pen this one...

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