Breakfast with... a repurposed "Birth" Score

September is "Better Breakfast Month" so we're celebrating because we love food and movies

This post has been repurposed from the TFE vault... but for most of you it will be "new"

Seventeen years ago on this very day (September 8th) Jonathan Glazer's Birth premiered at the Venice Film Festival (where Elisa and I are right now!) and began its long journey from misunderstood/reviled oddity to cult-beloved arthouse classic. Far fewer people remember this but ten years ago, its score was repurposed in a Quaker Oats commercial called "Wake up America"! (Remember commercials? They were these interruptions to your binge-watch that you didn't cause with the pause button.) It was one of those commercials that would look right at home during the Olympics: pretty Americana, sunrise, sports, and other daily wholesome capitalistic endeavors like the building of skyscrapers. If I hadn't been looking away from the television when it aired ten years ago, I would probably have never made the connection that the commercial was the opening score to Birth.  Alexandre Desplat is one of movie composers of all time so why shouldn't his scores live on past their movies and earn him yet more coin?

The commercial and its voiceover went like so...

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Oscar Predictions: Will Best Actress be dominated by biopics yet again?

by Nathaniel R

Jennifer Hudson as Aretha Franklin in "Respect"

We'd love not to be a broken record but until the Academy isn't, we must sing the same choppy tune: The Academy has a biopic problem. They just can't give them up and nearly always view mimicry (of various degrees) as more of an achievement than character creation from scratch. We'll never understand it exactly but it keeps reasserting its truth. So that's always where you have to begin with predictions. This year's Best Actress category has the potential to be entirely performances based on real people.

Not that it will be. There are (that we know of thus far) seven real life characters as female leading roles this season...

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Emmys Watch: Will Anya Taylor-Joy win in the crowded Lead Actress in a Limited Series category?

Our team is breaking down the top contenders in all the major Emmy races and highlighting some of our favorites over the next few weeks. 

So far, Anya Taylor-Joy has won the Golden Globe, SAG Award and Critics Choice Award for "The Queen's Gambit." Is an Emmy next?By: Christopher James

The limited series field became the go-to place for stories about women this past year. Great performances from Oscar winning actresses go head to head with buzzy, zeitgeisty performances from rising stars. There’s no shortage of contenders, but a shortage of slots. Only five women will earn nominations when they are announced on July 13th. Perennial winner Anya Taylor-Joy (The Queen’s Gambit) will likely show up. Will she win though once up again Oscar winner Kate Winslet (Mare of Easttown)? Could a critical favorite like Michaela Coel (I May Destroy You) or Thuso Mbedu (The Underground Railroad) surprise? Or will they end up as a shocking snub?

Read on to see who might be in contention this year...

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YNMS: "Nine Perfect Strangers"

You're mine now.

Already was, Nicole. 

...and you want to be mine.

Also true.

YES - Actually that'd be a "yes! yes! yaaaaaaaaaaasssss !!!"
NO - n/a
MAYBE SO - n/a

Nicole Kidman as "Lucille Ball" and "Masha"

My fellow Kidmaniacs, we have so much to look forward to! By now you've probably seen this photo of Nicole Kidman on the set of Aaron Sorkin's next project, Being the Ricardos a week in the life of the stars of seminal sitcom "I Love Lucy". An earlier image of a much more orange wig is also floating around. People seemed to take offense at the very orange wig as if they had never actually looked at old photos of Lucille Ball. That hair was a COLOR... and a mood. No, a way of life. (This wig above is more subdued.) 

This week we also got the trailer to Nicole's next miniseries Nine Perfect Strangers  while playing some kind of shady self-help figure / cult leader? Neither have release dates yet but the miniseries is "soon". We suspect the other is a likely December release in theaters (or 2022 if Amazon is feeling confident about their next Oscar slate as is.)

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