Oscar Volley Finale: Best Picture!

The Oscar Volley series concludes with Nathaniel R, Nick Taylor, and Abe Friedtanzer talking Best Picture...

Would the DGA 5 have been the Best Picture 5 if there weren't 10?

NICK TAYLOR: Hello hello! We convene here on the precipice of the 98th Academy Awards to discuss its most above-the-line category, Best Picture! Trade’s reporting says One Battle After Another is leading the pack with Sinners hot on its neck. Rather than starting with the frontrunners, let me ask a different question: who do we think would have made this lineup if Best Picture was still only five nominees?

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Oscar Volley: Will “Best Cinematography” make history?

The Oscar Volleys continue. Today, ERIC BLUME and CLÁUDIO ALVES discuss the potentially historic race for Best Cinematography.

With SINNERS, Autumn Durald Arkapaw might become the first woman to win the Best Cinematography Oscar. | © Warner Bros.

ERIC: Hi Cláudio, I'm the lucky man who gets to talk to you about one of Oscar's most exciting categories, Best Cinematography.  Except, for me, it is not a very exciting category this year.  Usually, this branch has at least one or two truly inspired nominations that feel exclusive to their expertise.  This year, much like the Production Design category I just discussed with Ben, I feel like we broke more into the "default" films that popped up in every category. 

What's your initial impression of the five nominees:  Frankenstein, Marty Supreme, One Battle After Another, Sinners, and Train Dreams?

CLÁUDIO: My initial reaction is that the cinematographers branch should collectively see an optometrist, while the Academy at large needs to watch more movies than the twelve or so titles left contending for a Best Picture nod at the end of December. Alas, that is not the world we live in…

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Oscar Volley: "Best Supporting Actress" is a fun, fantastically chaotic Free-For-All!

The Oscar Volleys continue. NICK TAYLOR and ERIC BLUME discuss the ever volatile race for the Best Supporting Actress Oscar.

Amy Madigan in WEAPONS | © Warner Bros.

NICK:  Hello Eric! I’m writing you the day after the Actor Awards announced their winners. Amy Madigan took their Supporting Actress prize for her pristine turn in Weapons, while Wunmi Mosaku can add Sinners’ Best Ensemble award to her shelf. It’s a three-way race between them and Teyana Taylor’s commanding turn in One Battle After Another, and I for one couldn’t be happier. Hell, Inga Ibsdottir Lilleass and Elle Fanning are better also-rans than most of the past decade’s undisputed champions.

After several years in a row of middling lineups, this is the best Supporting Actress field since 2020, maybe even 2016. There aren’t even any leads (or categorically ambiguous) to dampen our fun. In a year with plenty of outside contenders and tantalizing non-starters, all five women earned their nominations fair and square, without feeling preordained. I’m still debating if Taylor or Madigan will go all the way, and while I ponder the fate of all things, let me ask you: How do you feel about this category, Eric? Where do you think the winds are blowing?

ERIC:  Nick, I agree wholeheartedly that this is the best field we've had in many years, not a lame performance in the bunch!  Which is why I'm personally a bit dismayed that the two performances I feel are the strongest (Sentimental Value's Inga and Elle) are the two that seem out of the running for a win...

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Oscar Volley: “Best Supporting Actor” is one wild ride!

The Oscar Volleys continue. Today, NATHANIEL R and CLÁUDIO ALVES discuss the volatile Oscar race for Best Supporting Actor. 

Andrew Scott in BLUE MOON | © Sony Pictures Classics

NATHANIEL: So Cláudio, it falls to you and me to discuss Best Supporting Actor, and I will try reeaaaaaaaaly hard not to bring up my broken-record pet peeve about this category because I know readers have heard it a million times.  I don't want to talk about it anymore, so for the duration of this conversation, I'm going to pretend that all the actors are in roles perfectly sized for this particular category. And so we're here to discuss everything else... but not that!

Performance quality-wise, I think this is a good quintet - even if I'm still seriously angry that people wouldn't give Andrew Scott the time of day for Blue Moon since his performance is stronger than Hawke's AND he is giving you so much backstory and giving it so economically and with laser minimalist precision. Such a generous actor - he doesn't steal scenes so much as immerse you in them and what's going on between these characters. Anyway, I just love him, and I had to get that off my chest first. It's been a struggle.

So my opening question to you is struggle-themed. I'm curious who you think had the most difficult role to play here and why...

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The 14th Annual Team Experience Awards: "OBAA" and "Sinners" lead the nominations

by Cláudio Alves

SINNERS | © Warner Bros.

One Battle After Another and Sinners lead the 14th annual Team Experience Award nominations. Both films scored twelve nods each, a bit below their Oscar haul in the horror flick’s case, but still respectable. However, neither beat the Team Experience Awards record set by The Favourite, which scored 13 nominations in 2019. As ever, it’s worth reminding that these honors are voted on by The Film Experience writers, excluding Nathaniel, who does his own Film Bitch Awards, wholly separate from this list. He probably wouldn’t have allowed the tie that expands this year’s Best Director roster to six slots. Oh well, it’s more cinema to celebrate, more artistry to cheer and applaud. So, let’s get to it!

Discover the full list of nominees, in our 20 categories, after the jump…

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