Ellen Mirojnick: From "Fatal Attraction" to "Oppenheimer"

by Cláudio Alves

There is little heroic about J. Robert Oppenheimer, whether in real life or on the big screen. Yet, in Christopher Nolan's latest, the commonplace act of getting dressed for the day is treated with the gravitas of a superhero movie's "suit up" scene. If nothing else, the moment highlights Ellen Mirojnick's work, another feather in the costume designer's cap. As with every one of the picture's elements, each choice is carefully deliberated, a negotiation of intimacy and immediacy that tries to transmit a first-person take on the period film. Two-piece tan suits rhyme with sky blue shirts, echoing the Los Alamos landscape, while a turquoise-inset silver belt buckle and porkpie-crowned cowboy-rimmed hat wink at Western iconography. It's a uniform as much as a costume, the men's "mythic look" as described by Mirojnick, who kept hats out of the other character's looks to make her protagonist stand out. 

This could be a lucky year for Mirojnick, awards-wise. Oppenheimer just might result in the designer's first Oscar nomination. Considering her vast career, it's hard to believe she's yet to be honored by the Academy…

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Best Supporting Actress ~ First Round Predictions

by Nathaniel R

Emily Blunt in "Oppenheimer"

So is it finally Emily Blunt's time? She's been thisclose to an Oscar nomination multiple times with other awards bodies like SAG, the Golden Globes, and BAFTA making room for her repeatedly! Somehow an Oscar nomination has never materialized even when she 1000% deserved it (hello comedic genius from The Devil Wears Prada). With the largest female role in the The Year's Biggest Prestige Drama, Oppenheimer, she may finally make the shortlist. But what if previously nominated Florence Pugh joins her in the event that a lot of movies intended for the fall don't arrive as scheduled? Despite the movies lengthy running time they both don't get as many scenes as we would have liked but that might not matter given the film and the response.

Other questions looming over the Best Supporting Actress Oscar race are after the jump.

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Beyond "Oppenheimer": An Alternative Watchlist

by Cláudio Alves

HANAGATAMI (2017) Nobuhiko Obayashi

On August 6th, 1945, the atomic bomb, nicknamed Little Boy, hit the Japanese city of Hiroshima. On August 9th, a second device, Fat Man, was dropped on Nagasaki. Between those immediately killed in the American attack and the thousands who would perish in the subsequent months, 129,000-226,000 lives were lost, most civilian. Japan had been effectively defeated before the nuclear assault, but the nation's surrender to Allied Forces came on August 15th. According to historians over the decades and high-ranking military of the time, the US needn't have perpetrated such horrors.

And yet, for some, the idea of the bombings as a necessary evil persists. Considering this, one shouldn't be shocked that some viewers came out of Christopher Nolan's latest, grumbling it hadn't done enough to question the narrative. A common complaint is that Oppenheimer doesn't show the effects of the bombings, looking away like its titular character when confronted by such images. But would those images have fit the picture's intentions? Isn't the inability to consider consequences beyond abstraction one of the narrative's central tenets? 

As one marks these days of remembrance, it may be more productive to look beyond Oppenheimer and consider Japan's perspective. Perhaps, it's not that Nolan pulled his punches, but that they weren't his to throw…

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Box Office: Two SmashHits Temporarily Reinvigorate Movie Theaters

by Nathaniel R

By now even people who don't pay attention to the movies (a depressing large amount of people) know that this weekend was historic. Barbenheimer broke all kinds of records and in just three days rescued the overall numbers of this summer.  People seemed genuinely thrilled to be at the movies this past weekend, didn't they? At least they did in NYC where we witnessed the pink-clad mania. Oppenheimer viewers were harder to spot --no color uniting them -- but they were also out in droves as both movies had enormous, even historic weekends. So much for Hollywood's recent-history belief that you shouldn't open big movies opposite each other. Competition used to be the norm but it's been rare in recent years...

Weekend Box Office July 21-23 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 600 Screens)	LIMITED / PLATFORM
BARBIE	THEATER CAMP
1🔺★ BARBIE $162 *NEW* 4243 screens	1 ★ PAST LIVES $563k (cum. $10) 629 screens
2 🔺★ OPPENHEIMER  $82.4 *NEW* 3610 screens	2 🔺★ THEATER CAMP $280k (cum. $687k) 51 screens

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Barbenheimer - Ten Great Box Office Showdowns

by Christopher James

This is the summer of "Barbenheimer". What started as a rivalry has morphed into a marketable double feature. In a way, they’ve hyped each other up, making this past weekend (July 21st-July 23rd) the most exciting and anticipated movie weekend of the summer. Both movies exist at opposite poles of the gendered film divide to a comical degree - the hot pink colored Barbie against king of the film-bros Christopher Nolan and his three hour 70mm extravaganza, Oppenheimer. The ultimate winner is the audience, who get two big-budget auteur-driven swings in one weekend. (Barbie won but both movies had huge opening weekends which will talk about tonight when the actuals come in)

This isn’t the only time counterprogramming has pitted a “boy movie” and “girl movie” against each other for a star-studded showdown. Here are our top 10 box office showdowns that served as fabulous precursors for Barbenheimer...

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