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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Only Five Episodes Left - HIT ME WITH YOUR BEST SHOT

❝I don't want to be presumptuous, but could this (UNDER THE SKIN) be the best collection of visuals from this series?❞ -Andrew E.

❝Very cool line-up! Glad you're splitting GONE WITH THE WIND even in two parts it will be hard to pick just one shot each.❞ -Joel6

THE MATRIX is actually an unexpectedly awesome choice for this series❞ -Mark

 

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Entries in Original Song (67)

Saturday
Sep212013

Link Hunter

Variety mourns film criticism wondering if Roger Ebert was the last critic who really mattered
Cinema Blend talks "narrative" in Oscar campaigns and what they might mean for the futures of Gravity and 12 Years a Slave
Pop Matters Matt Mazur elaborates on his comments from the last Supporting Actress Smackdown
Antagony & Ecstasy another rave review for Short Term 12, beautifully written by one of the web's best film critics. (This is why I hired him, yknow)


i09 in today's stupid remake news Neil Marshall who once directed a movie as good as The Descent is going to remake the clever Norwegian film Troll Hunter. Despite the fact that Trolls are kind of, you know, Scandinavian in nature in their appeal/fictional dominance. 
Awards Daily Sasha thinks its crazy to doubt a nomination for Sandra Bullock in Gravity. Maybe I am crazy but I'm kind of doubting it. Not wholly mind you... she's definitely in the running. But Oscar's acting branch does not like scifi and have only gone there a couple of  times really in lead (Sigourney Weaver in Aliens and Jeff Bridges in Starman spring to mind). But it could be that my feelings about the averageness of her performance are getting in the way. All that said, I do think it's strange to suggest that Oscar WANTS to reward women over 40 for being successful. On what basis is this a thing since they're always going for 20somethings when they could reward older women?
/Film Michael B Jordan, Saorsie Ronan, and David Oyelowo all being talked up for the next Star Wars movie 
Empire the first official picture from the tank-centric war film Fury starring Brad Pitt. I used to think that one day I'd grow out of Brad Pitt but it hasn't happened. And shan't. I just love him. 
Playbill Kristin Chenoweth to play Jennifer Lopez' best friend in the thriller The Boy Next Door about a woman (Lopez) who falls for her teen son's friend. I love me some Cheno but that is bizarre casting + genre weirdness, right? 

Today's Must Listens
Here's Lee Daniels talking about being gay and black in Hollywood... and in life. When asked which is harder in Hollywood he replies:

 I don’t know what to say to that. I want to answer that question to you but I have to be very honest with you that I’m afraid to answer that question because, uh, and I have to stay like Cecil and stay silent because I want to work."

 

Finally can we talk about BEST ORIGINAL SONG for a minute? I've been remiss as per usual in thinking through this category. IndieWire is pushing this rap number from Short Term 12, which is one of the film's key moments narratively and also emotionally courtesy of a pretty great performance from Keith Stanfield who also co-wrote the song with the director.

Until they abolish the category as some have argued they should, it's worth trying to suss out. But which songs will be eligible? Let's make a list in the comments while I'm updating my Oscar charts.

Thursday
Aug292013

Best Shot: Butch & Sundance & Their Girl

It figures. I try to throw a curveball in our often actress-centric blogging by choosing a guy's guy movie, a buddy Western for Hit Me With Your Best Shot and the most frequent face that pops up in your choices is the momentary it girl of the late 60s Katharine Ross. In Butch Cassidy and the Sundance Kid (1969) she plays the school teacher Etta Place, essentially "the girl" of the narrative (and not much more complex a role than that) and twice over, too, since she's shacked up with The Sundance Kid (Robert Redford) but also in 'what if?' love with Butch Cassidy (Paul Newman) as evidenced in the Oscar-winning "Raindrops Keep Fallin On My Head" interlude early in the film. Redford & Newman? Lucky girl.

Which leads me to this very scientific poll for TFE readers (as suggested by forever1267 in the comments). Butch and Sundance are a pair in the movie but unlike Katharine Ross you can only have one. Make your choice based on '69 only!  

 


Now that that's out of our systems, let's choose a best shot. And good God (God = Conrad L Hall) there was much to choose from)

Click to read more ...

Sunday
Jul212013

Team Experience: (More) Emmy Reactions

Now that we've had a few days to process the Emmy award nominations, do we have any outrage left over?Though we’re a film site, it’s unwise to ignore proclaimed golden age of television we’re living in -- even if the arguments that TV is greater than film is wholly suspect --  especially when so many movie stars keep on crossing over. So we surveyed Team Experience with the following questions:

  • win you're most rooting for?
  • most baffling nomination?
  • most compelling category?
  • better luck next year?
  • which Oscar-winning actress?

Which Oscar Winner Are Your Rooting For For Emmy: Helen, Jane, Jessica, Maggie or Melissa?

Read our collective responses and answer the same questions after the jump. No small screen coverage is complete without your comments, TV being so communal.

Click to read more ...

Sunday
May192013

Red Carpet Convo: The Great Cannesby

Because we aren't in Cannes, we're gazing at the gowns and only dreaming of the films -- I personally don't like to read too many reviews months before seeing the pictures -- for this edition, which was actually recorded a couple nights ago, I have Jose with me. He's been tracking Nicole Kidman's every move but he's stepping away from the Australian Icon (okay, being dragged away. He really dug his heels in) and joining me to talk other beauties...

NATHANIEL: Hey, Jose. Welcome back to Red Carpet Convos and thanks for taking up the Kidman-Watch. She was absentia today in Cannes (at least to the paparazzi) so it's going to take 11 women to replace her.

JOSE: No one replaces Nic *sobs*

NATHANIEL: Eleven beauties, Jose. Let's start with the ladies who came out for The Great Gatsby but weren't in it.

Bai Ling, Juli, Rooney, Fan Bingbing, and Moneypenny

I'm cheating a little bit to include her as, as far as I can tell, she wasn't at the actual premiere but at some sort of afterparty. [lots more after the jump]

Click to read more ...

Thursday
Feb142013

10 Days 'til Oscar: Score, Song, & Sound

We're in the final crunch now. Oscar voters have to make their final decisions by Tuesday February 19th (with the winners announced Sunday February 24th) so I'm throwing up my own nominees (which I like to announce before the Oscar nominations even. Oy) so you can see my film bitch award picks for the best in the various aural categories here. But while we're on the subject of sound, a film craft I always vow to learn more about and then forget to educate myself, let's make some early Oscar predictions.

BEST SCORE
Naturally I prefer my nominees to Oscars. Unlike many pundits, I knew that the Beasts of the Southern Wild score didn't have a prayer since Oscar's music branch is notoriously exclusive. In addition to their resistance to new composers they also don't really cotton to directors muscling in on their territory, so step away from the sheet music Benh Zeitlin, Benh Zeitlin. (Even an Oscar God as Revered as Clint Eastwood hasn't been able to do it.) Nevertheless Oscar voters and I do have a bit of overlap here as we all swooned for Dario Marianelli's work on Anna Karenina and Mychael Danna's evocative score for Life of Pi. I'd be pleased if either of them won the category. As for the other nominees, I never quite understand the mandatory nature of John Williams nominations. He's certainly created some classic scores over the years but I swear if he just whistled a few bars on a soundtrack he'd be nominated. I also still don't get the Argo score being nominated since Desplat wrote about five film scores this year and they're ALL better than his decent but surprisingly generic work on Ben Affleck's well regarded thriller. A nomination for Zero Dark Thirty would've been so preferrable.

Should Win: Dario Marianelli, Anna Karenina
Will Win: Mychael Danna, Life of Pi. (Even though the music branch is loathe to welcome new blood once they do, they don't tend to have issues with them actually winning the gold.)
Possible Spoiler: Despite Williams' endless nominations, Oscar voters don't seem to be sentimental about giving him a final (and sixth) statue, so I'm guessing Danna's only potential loss comes from Argo-Mania. Alexandre Desplate still hasn't won an Oscar which is starting to seem crazy. 

SONG
Though Oscar and I don't have much overlap -- look, I know Joyful Noise is a crap movie but Dolly Parton writes beautiful movie songs and still doesn't have an Oscar --  I really love the Oscar nominees anyway. All of 'em! It was a good year for original movie songs. I'm looking forward to the performances (should we get them... and it seems like we will).

007 Skyfall - Opening Credits (Best Quality Yet) from Gunnar Lien on Vimeo.

Should Win: Skyfall
Will Win: Skyfall (the night's biggest lock?)
Possible Spoiler: Skyfall... in case they decide to give Adele two Oscars just to see if she pisses herself laughing. 

SOUND EDITING & SOUND MIXING
Oscar likes exceptionally loud movies in the sound categories from the following genres: sci-fi, war, musicals. Which is why you rarely see fragile sounding haunted dramas like, say, The Deep Blue Sea, or fascinating soundscapes like Cosmopolis or artful indies like Beasts of the Southern Wild in the mix. So the weirdest nominee from their choices might be Lincoln which is not particularly loud or showy in terms of sound. I think they missed the boat in ignoring Prometheus in both sound categories this year... but the studio didn't really campaign so there's that. The sound categories can be difficult to predict since who knows what actors make of "sound", you know? And they make up the biggest voting block for winners. Greg P. Russell has been nominated 16 times without winning and he's up again for Sound Mixing on Skyfall. If enough voters become aware of his Oscarless plight, I can't see him losing for such a well loved widely seen film. But are they aware?

watery films are often popular in sound categories

Should Win (Mixing/Editing): abstain... I'm still thinking about this
Will Win (Mixing/Editing): Skyfall & Life of Pi... wild guesswork. They do sometimes split those prizes... and these two films might be in tough battle after tough battle for the entire first half of the ceremony in the craft categories.
Possible Spoiler (Mixing/Editing): Les Misérables & Skyfall

What are you rooting for soundwise with Oscar and what do you think of the film bitch award nominees

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