Podcast: Instant Reactions. Oscar Nom' Morning

Oscar Nomination Morning has always been like Christmas day to me. I sleep restlessly. I wake early. I tear open my presents. When I first met Nick Davis ten years ago, we knew we were kindred spirits since it's also like that for him. In some ways it can be even more exciting than Oscar Night. More to celebrate / complain about. We lean celebratory as best we can here. Congratulations to you and you and you and you... and okay, you too.

You can download the podcast on iTunes or listen right here at the bottom of the post. If you haven't yet seen the nominations, we have a full chart.

podcast topics include but are not limited to... 

• Oscar as Christmas. Troubled sleep.
• "Man or Muppet?", Bret McKenzie and Original Song
• Blockbusters and how they performed in their categories.
• Extremely Loud and Incredibly Close and War Horse overperformed while The Help underperformed
• Echo chambers and their limitations ... especially in the various craft categories. 

• Tilda Swinton's Oscar trajectories
• NINE BEST PICTURES? Spreading the wealth.
• Iron Lady's makeup and Harry Potter's nominations.
• Brad Pitt happiness.
• Congratulations to all the nominees... except you.
• Actually we breeze through everything! 

Here's our instant reaction to the nominations!
I did no editing on this one so when you hear only silence that is Nick and I both furiously reading names on a screen rather than paying homage to The Artist.

Other New Oscar Posts
Here's an FYC for next year ;)  | Virgin Oscar Nominees | What would you say if you got an Oscar nom? |  Prediction Stats

Instant Reactions

Interview: Bret McKenzie from The Muppets and Middle Earth

Bret McKenzie at the Muppets premiere in 2011Oscar's music branch has been known to throw an unpleasant curveball over the years  in the Original Song category (no Cher performance last year? Ouch! No Springsteen in 2008?! It still stings.) but if they don't deliver us a performance by the resurgent Muppets on the February broadcast, felt fur will surely fly. We get so few original musicals these days so The Muppets was the go to musical comedy last year.

Bret McKenzie has given Oscar ample reason to include the beloved characers on the big night. The actor/musician, most famous as one half of the Flight of the Conchords duo and soon to be seen as an Elf in Middle Earth (however briefly) in The Hobbit: An Unexpected Journey wrote two songs that have landed on Oscar's Best Original Song eligibility list: "Life's a Happy Song" and "Man or Muppet". (The third eligible song from the movie "Pictures in My Head" has different composers).

I spoke to him recently on his awards buzz, his cult hit show and (very briefly) Middle Earth. He calls the response to his Muppets songs "Pretty incredible. I did not expect to get awards for this movie."

Nevertheless, the honors have been coming. Both of his Oscar eligible songs are up for the Critics Choice Award this Thursday (imagine competing with Elton John!) and who knows? An Oscar nomination (or even two!) could follow. 

Nathaniel R: Did you feel crazy pressure about taking on this job. The Muppets have "The Rainbow Connection" which is an all time classic. The music is very connected to their whole mythology. 

BRET MCKENZIE: It was a very intimidating job, taking on Paul williams shoes. Luckily I wrote one song at a time for it. Initially I wasn't writing three or four so I didn't feel so much pressure. But one of my friends was like 'Oh man, you're never going to write another 'Rainbow Connection' [Laughs] I was like 'Yeah, you're right!'

But, you know, we just did our thing really. Luckily James  [James Bobin director of The Muppets who also had a hand in Flight of the Conchords] and I had just spent the last five years doing Conchords. We had done a lot of comedy musical numbers so we were pretty comfortable with the genre. The challenge was just to make sure that the songs felt like Muppet songs.

Nathaniel: Was this a situation where they knew exactly where they wanted a song. "It goes here and it's about this!"? 

Bret: That's exactly it. When I came on they'd already done the script. I went in to James' office and he had the film mapped out on script cards on the wall, white cards. A blue card was a song. There were songs scattered throughout the movie. That's how we did Conchords as well, so you didn't have songs back to back. They had these sort of loose ideas for what the songs should be. They'd actually -- by the time I came on -- already had dozens of demos submitted. They got lots of people to write songs and they went through and chose their favorites. It was surprising how difficult it was for people to write songs that fit into the musical format.

So you knew which characters your songs would be for ahead of time.

Yes. I was writing for Gary and Walter who didn't exist. I knew who Jason Segel was. I had seen Forgetting Sarah Marshall so I knew him.  I knew he could sing a bit which is always good. Then I got the job of writing the rap for Chris Cooper which was one of the highlights of the film, teaching him how to rap. He's a very serious actor, an Academy Award wining actor. He was quite method! [Laughs] We're quite different people. I'm quite bubbly and he's very serious. 

Even about rapping?

He took it very seriously. He wanted to make sure it was a solid rap performance. I taught him over Skype how to rap! 

Did you test the Muppet music on your kids to see how they responded?

Musical Comedy Divas & Muppet-like Middle Earth Directors ...after the jump!

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39 Original Songs Aim To Have Oscar Singing Along...

If you've ever read Inside Oscar, you'll know that the Best Original Song category at the Oscars has been infuriating people since time immemorial. They regularly snub instant classics and even when a great movie song is nominated it will usually lose. The music branch gets far less flak from the media than other controversial Academy subcategories like the Documentary group or the Foreign Language Film nominating committee but that's only because everyone knows that songwriting has very little to do with the actual art of cinema ... unless you're writing an original musical. Brett McKenzie's work on The Muppets aside, that really only happens once a decade or so.

Four other quirks to know. 

1. The music branch HATES Madonna as a songwriter (the list of classic songs snubbed is alarming and her W.E. song "Masterpiece" has already been jettisoned) but likes her as a singer (both times she has sung other people's material -- Evita and Dick Tracy -- wins followed).
2. They actually have an average point system to determine nominations rather than a  hierarchal ballot like most categories so you can theoretically torpedo someone you don't like by giving them a bad score.
3. Three, a maximum of two songs from any movie can be nominated so if you are the only person who wrote an original musical that year, you can't hog the category even though you did more work than anyone else.
4. They can't even be trusted to let the original performers perform them on the ceremony (Hi Beyoncé!) so don't get too excited about seeing Robbie Williams, Elton John, Zooey Deschanel, Lady Gaga, Jordin Sparks, Melissa Manchester, or any of the other celebs who sang this year's eligible tunes.

I'm rooting for Captain America's "Star Spangled Man" because it's a) awesome and b) actually used for narrative purpose rather than end credit pleasantries. Both are so rare in this category! So watch it get shut out.

Here's the eligibility list with as many music videos as I could find after the jump...

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Random Question For Anyone Who Lived Through the 1980s

How hard would you have laughed at someone who  told you in 1988 that scary seductress Glenn Close (of Fatal...Liaisons fame) and firestarter Sinéad O'Connor of "The Lion and the Cobra" fame would one day be nominated for a Golden Globe for penning an end credits lullaby to a quaint little movie about a gender bending waiter by the name of Albert Nobbs?

Glenn Close and Sinéad O'Connor at the Albert Nobbs premiere

Funny how things change. Makes you wonder how tame today's provocateurs will be in 2034.

poll by twiigs.com

Which of the Golden Globe "Song" nominees will repeat with an Oscar nomination? Or here's a better question for you: why do the Golden Globes even have this category when they don't have on air musical performances by which to jusity it? 

Melissa Leo Talks Short Oscar Hopeful "The Sea Is All I Know"

Any day now -- perhaps any moment! -- the Academy will release the 10-wide finalist list for the Best Live Action Short category at this year's Oscars (prediction charts). Currently approximately 70 films are qualified so it'll be a deep cut for that next-to-nominated list. One of the buzziest possibilities, though, is Jordan Bayne's "The Sea Is All I Know" which stars the LEOgend herself, Oscar winner Melissa Leo. Director and star sat down together to speak about the film after a screening here in NYC to discuss the film.

After Melissa joked about getting all dressed up for us, they chatted and answered a few audience questions.

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