"The Client" and Populist Oscar Choices in Acting

by Nathaniel R

Today is the 25th anniversary of the release of The Client which was a big sleeper success in its summer, ending the year as the 13th highest grossing movie of 1994. Only that number wasn't bad luck since Susan Sarandon netted a Best Actress nomination for the legal drama. That nomination kept her momentum as "overdue for a win" going strong until the next year when she won the Oscar for something in Oscar's more typical wheelhouse, Dead Man Walking (1995) an issue drama based on a true story.

So let's discuss something no one talks about much. What are the lead acting nominations that would never have happened without the big hit status for the movies that housed them? This is NOT meant as a critique of the performances. Sometimes Oscar just needs to be convinced by enormous success to look at worthy pieces of acting within genres they take less seriously (their loss) or star vehicles they might not have stopped to mull over without all the general audience enthusiasm forcing the movie to be taken seriously... 

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The New Classics - Before Sunset

Michael C here to honor a film with an emotional impact that hasn't diminished over countless repeat viewings...

Scene: The Car Ride
When people talk about the appeal of Richard Linklater’s Before Trilogy they tend to focus on the enchanting dialogue or the romantic European locations, but I think one of the big reasons this series is so beloved is that it avoids all the contrivances usually deployed to keep couples apart in movies... 

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The New Classics - The Hurt Locker

Michael Cusumano here to look back on one of the few classics about the Iraq War on the 10th anniversary of its release. 

Scene: The Daisy Chain Bomb
When Kathryn Bigelow’s The Hurt Locker hit theaters in the Summer of 2009 it was sold as an all-thrills, zero-politics experience. Here, the ads promised, was a film that wasn’t going to go all Valley of Elah on you with ponderous anti-war messages. The trio of soldiers that make up the film’s central bomb disposal unit never discuss politics. They defuse the bombs, they don’t get to hung up on why they are there in the first place. At no point do any of them sigh during a low moment and wonder, “Man, I don’t even know what we’re doing here...”

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Smackdown '01: Connelly, Tomei, Winslet, and the Dames

A bohemian novelist, a longsuffering wife, a snobbish Lady, and a supremely competent housekeeper were the Oscar-honored roles in the Best Supporting Actress competition of 2001. 

The shortlist that year was a veritable who's who of this very category, most of the actresses had been nominated before / would be again. One was already a two-time winner and Dame of the British Empire in fact (Maggie Smith... Helen Mirren wouldn't become a Dame until 2003). The anomaly / party crasher was Jennifer Connelly, who had been a teenage star and was receiving her first taste of awards glory as an adult, building on the momentum of a critically well-received turn the previous year in Requiem for a Dream with a borderline leading role in on of the year's biggest hits (A Beautiful Mind made an incredible $170 million at the US box office, believe it or not). 

THIS MONTH'S PANELISTS   

Here to talk with your host Nathaniel about these five nominated turns are (in alpha order): Erik Anderson of Awards Watch, freelance critic Valerie Complex, This Had Oscar Buzz's Joe Reid, and Shane Slater from Awards Circuit. Now it's time for the main event...

2001
SUPPORTING ACTRESS SMACKDOWN + PODCAST  

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Introducing the Panel for "Smackdown '01"

Thanks for all your last minute votes for the Supporting Actress Smackdown of 2001. The Smackdown and its podcast companion will be up this Thursday so let's meet the panel after the jump...

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