The Harvey Girl.

 Jose here with one for all of you Streep obsessives.... which is, hmmm, 88% of TFE readers? Last week The Weinstein Company acquired distribution rights for Meryl Streep's Margaret Thatcher movie The Iron Lady. Apparently Harvey Weinstein was so impressed with Meryl (duh?) that he just had to have this movie.

What does this mean in terms of Oscar? Meryl probably has it in the bag. Consider: Back in the glory days of Miramax, Meryl was nominated for Music of the Heart (one of the most forgettable performances in her oeuvre) and people like Émilie Dequenne, Julia Roberts, Cecilia Roth and Nicole Kidman were snubbed. Meryl had no chance of winning that year but still...

Fast forward nine years and Meryl was back to represent Miramax with Doubt. Difference is that by then, the company had nothing to do with the Weinsteins and Harvey was hard at work getting Kate Winslet her Oscar. Meryl was inarguably the runner-up that calendar year but it would be interesting to think how things might have gone, had Harvey been pushing Meryl and not Kate. Let's not forget that back in 01, Miramax (under Harvey) won Jim Broadbent an Oscar for Iris, in the year of Gandalf and Don Logan.

Harvey Weinstein is as much of an Oscar obsessive as we are and 2011 marks the 30th anniversary of Meryl Streep's first Best Actress nomination (The French Lieutenant's Woman). Will he be using this as an angle in his campaign?

Related:
Current Best Actress Chart (next update when Cannes concludes)
Streep Posts and Old Streep Posts

Reader Spotlight: John from Boston

Continuing the Reader Appreciation Series, here's a conversation with John (pictured left) from Boston. He's been reading the site ever since it launched and hearing that warms the cockles of my heart. Loyalty is definite top ten top three material as character traits go, don't you think?

Nathaniel: Do you remember your first movie?
JOHN: I think my first movie was Cinderella.  I was so frightened of the evil stepmother that we had to leave early.  When I was young, every movie scared me.  I didn’t sleep for years after E.T.  (yet somehow/somewhere I became obsessed with this medium).

First movie obsession?
Probably Clue.  I remember renting it when I was home from school with chicken pox in fifth grade.  I probably watched it 10 times in one weekend.  It is so campy, but so utterly entertaining.  …and what a cast!!!  Eileen Brennan as Mrs. Peacock and Madeline Kahn as Mrs. White are classic!  I still bust that one out every once and a while.

I love that one, too. Mrs. White is the best in the movie but when I play the game though I am always Professor Plum or Miss Scarlet.

Mrs Peacock and Mrs. White

 Okay, you're suddenly in charge of the cinema for a year. How do you wield this awesome power?

• Todd Haynes and Julianne Moore have to make at least 2 movies together
• Tom Hanks, Julia Roberts and Sandra Bullock are put on one year hiatus (Meg Ryan would be too, but what the hell has she done lately)
• No sequels
• No Oscar campaigns
• I decide all Oscar nominees and winners

Heh. Okay. Who are your three favorite actresses?
JULIANNE MOORE is the God to whom I pray.  I saw her receive the Hasty Pudding award in February.  She cannot be more awesome.  There are too many awe-inspiring performances to name.  JUDI DENCH continues to amaze me.  I thought she could only be the strong, comic matriarch until she blew me away in Notes on a Scandal.  MERYL STREEP is a given.  She is so perfect every time out that I take her for granted.  If she doesn’t win a third Oscar sometime soon there is no justice.  Katharine Hepburn, Cate Blanchett, Julie Christie and Angela Bassett get special recognition.

Take one Oscar away from someone. Give it to someone else.
I can’t only do one here.  I have to take advantage of the moment.  I would go back to 1958 and give Susan Hayward’s Oscar for I Want to Live! to Rosalind Russell for Auntie Mame. Auntie Mame is my all time favorite and Russell is so spot-on.  One of the best comic performances ever!  Second, in 2005, I would take Reese Witherspoon’s Oscar for Walk the Line and give it to Joan Allen in The Upside of Anger.  It is a major travesty that this performance was not even nominated (Keira Knightley in Pride & Prejudice…what was the Academy thinking?). That was definitely Allen’s best--better than her three Oscar-nominated, which are all fantastic. 

2005's Film Bitch Gold Medalist Joan Allen has other fans. She shoulda won the Oscar.

Finally, I would take Kim Basinger’s 1997 Supporting Actress win for L.A. Confidential and give it to Julianne Moore in Boogie Nights.  This is my third choice because I still have faith that Juli will win one day.

Have you ever dressed up as a film character for Halloween? Has a film character ever dressed as you?
Like so many others in the past, I was tighty whitey clad Tom Cruise in Risky Business two years ago for Halloween.  I had the right hair at the moment .  He’s not a film character, but Matthew Morrison’s Will Schuester definitely raided my tie/cardigan collection.

Okay John. Let's wrap up. The movie of your life. Tell us about it.
Stephen Daldry would direct the movie of my life starring James Franco (I am not scarred enough by the Oscar gig to not cast him).  The movie is part Seasons 1-3 of Brothers and Sisters, part Mean Girls, part Into the Wild, part Latter Days, part The Devil Wears Prada, part…

So many parts!

Previous Spotlights

April Showers: Diane & Viggo 'Busy Being Free'

waterworks weeknights at 11 in April

Have you ever wondered why people don't talk more about Tony Goldwyn's A Walk on the Moon (1999)?  It's one of those pictures that contains all sorts of stuff people came to love afterwards in embryonic or transformational stages. It was here that Diane Lane practiced the mesmerizingly guilty adulteress act that she'd be Oscar nominated for in Unfaithful (2002). It was the moment when Viggo Mortensen, so often backgrounded in pictures till then, revealed that he was a Star. It was also the mainstream bridge between Anna Paquin's sexually curious wicked child (The Piano) and sexually wicked curious psychic (True Blood) since she played one of her most ordinary roles as a teenager struggling with all the hormones swirling around inside her and outside of her as her screen mother (Lane) was also experiencing a sexual awakening.

It was even in A Walk On the Moon that Liev Schreiber played the uptight wronged husband and, perhaps learning that Sex-On-A-Stick-Wife-Stealer was the better role, flipped parts for The Painted Veil (2006),  bedding Naomi Watts (onscreen) which he's been doing ever since offscreen. Now, maybe we're reading too much into it. But the point is this: We like A Walk on the Moon.

Mostly it's an enjoyable picture because Diane & Viggo were at the arguable peak of their screen beauty and looked even more sensational paired. Certain star pairings just elevate everything, right? And does any actress do 'aroused but totally conflicted about it' as well as Diane Lane? There are moments in this performance that are just mesmerizing like the one pictured above wherein she shyly lets Viggo give her a necklace, briefly daring to meet his gaze before dropping her head into his chest in submission. Her shyness is fascinatingly mixed in by the actress because the repetitive act of visiting his mobile clothing store is rather brazen; she knows instinctively what awaits her therein. Viggo is such a smooth and hypnotic ladykiller that her legs are over his shoulders before she's realized she's horizontal. Next thing you know, she's let her hair down metaphorically enough to experience sex in the outdoors. Under a waterfall, God's own high pressure shower.

More after the jump [mild nudity] including a question for film historians with a minor in sex scenes.

Click to read more ...

Reader Spotlight: Chris

Continuing the weekly or twice weekly series of reader spotlights. Today's reader is Chris a Midwestern reader with a great sense of humor who started reading TFE in his senior year of high school back in the mid Aughts and never stopped. That's the way we like it, the never-stopping part.

Nathaniel: Do you remember your first moviegoing experience or first movie obsession?
CHRIS: I'm pretty sure it was The Little Mermaid, because I have a distinct memory of Ursula's entrance. I can't remember my first movie obsession, because there have been so many. Probably the biggest was the summer that Moulin Rouge! and Hedwig and the Angry Inch came out. I flipped for both movies individually, but collectively they made me feel like musicals were back for good.

Take one Oscar away and give it to someone else.
I have to go with two on this one (and I'd take them away from double winners actually): First, I'd give Sean Penn's Mystic River Oscar to Bill Murray for Lost in Translation, because Murray gave a career-defining performance and, let's be honest, Penn was light years better in Milk anyway. Second, I'd give Hilary Swank's second Oscar to Kate Winslet for Eternal Sunshine, because it's her best work and Hilary Swank was the weakest performance in the category by a mile!

You're suddenly in charge of world cinema for a year! How do you you wield this awesome power?
I'd get rid of the whole "Oscar movie" release pattern! I hate that having to wait all year for the quality movies, and then try to cram in far too many movies into too little time. Plus, living in the crappy midwest means most of the smaller films don't stick around and I have to rush to see them ASAP anyway.

Have you ever dressed as a movie character for Halloween? And has a movie character ever dressed as you?
I went as Wall•E. Made it myself, too! On the flip side, Joseph Gordon-Levitt totally raided my wardrobe in (500) Days of Summer.

Chris makes his own costumes. JGL steals his look! 

Three Favorite Actresses?
Only 3 is so not fair! I'd have to go with Meryl Streep, Julianne Moore, and Laura Linney.

Name your favorite movie in the following five genres: musical, drama, scifi, horror, woody allen. Go!
Aladdin, Boogie Nights, Children of Men, The Shining, Interiors. Most of those are hard to narrow down just to one, but I was half tempted to put The Room as one that fits all these categories. Jokes!


Previous Reader Spotlights: Peter, Ziyad, Andrew, Yonatan, Keir, Kyle, Jamie, Vinci, Victor, Bill, Hayden, Dominique, Murtada, Cory, Walter, Paolo, Leehee and BBats

10 Years Ago Right About This Very Second...

... Oscar night was wrapping up for the films of 2000. The lady whose smile devoured the world was loving her life.

Did you watch on that night? Were you into the Oscars yet? How is that particular race holding up for you.?  It broke down like so among the "Big 8"

• Picture: Gladiator
• Director: Steven Soderbergh, Traffic
• Actress: Julia Roberts, Erin Brockovich
• Actor: Russell Crowe, Gladiator
• Supporting Actress: Marcia Gay Harden, Pollock
• Supporting Actor: Benicio Del Toro, Traffic
• Original Screenplay: Cameron Crowe, Almost Famous
• Adapted Screenplay: Stephen Gaghan, Traffic

It was a spread the wealth night. Honestly, I'd forgotten that Almost Famous won Original Screenplay since it missed the Best Picture slot that many expected it to nab. You can blame the Weinsteins and the late entry Chocolat for that, I suppose. The other wins I remembered. Crouching Tiger Hidden Dragon won 4 Oscars but I still think it got the shaft (among their nominees) and should've taken Best Picture with ease. And I still maintain that Erin Brockovich was the keeper from Soderbergh's double dip.

And remember this? Winona Ryder sure loved musicians back in the day (in more than one way).

Thoughts? Jump back a decade, won't'cha.