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Entries in Oscars (11) (342)

Thursday
Jan052012

VFX Oscar Upset: Rainbow Bridge of Asgard Shut Down For Repairs

This post is only illustrated with Hugh Jackman because I'm still reeling from that LES MIZ story! It's like a huge robot shaped like Taylor Swift just punched me!!!This just in (if this post were written last night. Pretend with me!)... The Academy has narrowed their Visual Effects race to ten players.

They'll have to cleave this list in half again by Tuesday January 24th, 2012 when the Oscar nominations are announced. Which five films will remain standing?

Captain America: The First Avenger
Harry Potter and the Deathly Hallows Part 2
Hugo
Mission: Impossible – Ghost Protocol
Pirates of the Caribbean: On Stranger Tides
Real Steel
Rise of the Planet of the Apes
Transformers: Dark of the Moon
The Tree of Life
X-Men: First Class

 

GOODBYE TO YOU
What does this mean? Only that five previously eligible semi-finalists have been kicked to the curb.

No more Cowboys & Aliens (though the ADG bit). No more Sucker Punch (later lobotomized ladies!). No more Sherlock Holmes Part 2 (is it just me or is this movie feeling strangely nonexistent to the world despite being in the box office top ten) No more Thor (the hammer is his penis). No more Super 8.

The latter rejection seems like the biggest surprise to me. It's seemingly the only Movie about Movies containing scenes of the filming of other Movies to not catch on with awards voters this year since The Artist and Hugo and even Drive seem to be doing just fine, thank you).

Which half of the finalist list are you all in for?

Related: Current Visual Oscar Predictions

Wednesday
Jan042012

Interview: Charlize Theron on "Young Adult" and "Snow White"

Reason #103 to Love Charlize Theron: The Hello Kitty t-shirt in "Young Adult" was her idea!If I were brainstorming about the imaginary pop culture diet of fictional Mavis Gary, the self-absorbed alcoholic YA novelist at the cool heart of Young Adult I'd put this forth: She's never watched the Oscars but flips absently through fashion roundups in the magazines the day after every year. (Her beauty is only skin deep and her thought processes even shallower.) Her creators director Jason Reitman, screenwriter Diablo Cody and actress Charlize Theron, on the other hand all have a lot going on upstairs and are also intimately familiar with Hollywood's big event. If Academy voters widen their range a little to notice the brilliance of this smart acerbic comedy, who knows? They could be invited back again.

Not that any of this seems to concern Charlize Theron, who calls me herself on the night of our interview, to discuss her new role. As a producer on the film, she seems less concerned with statues and acclaim and more about finding the right audience for such a tricky unique film. "It's not a quintessential Jason Reitman film and it's not a quintessential Charlize Theron film," she says, matter of factly. Anyone expecting another Juno or Monster will be thrown. They planned carefully with pop up screenings and key theater appearances and a quick but not instantaneous wide release. Smart. Young Adult feels like just the kind of film that will grow its audience slowly (we're definitely already on board) and it's easy to imagine a Mavis cult gathering over time. 

"You have to celebrate the spirit of the movie you're making and release it into the world in that way." she says speaking like a producer. Though of course we know her first and foremost as an actress, a great oneAnd she's an enjoyable conversationalist in that regard, too, though she knows when to keep a secret about her films and her process.

 


Nathaniel R: When did you first feel you understood Mavis while reading the script. Did you have a moment of "I know this character?"

CHARLIZE THERON: It wasn't something specifically but I guess just an overall feeling. Otherwise i don't think i could have said yes to the film. She felt human to me. She felt real. This overwhelming need and want to be loved and this kind of loneliness and the horrible tool set that she has to go about getting those things.  I guess those things all kind of resonated with me? 

Nathaniel: If we were to look at your script: Is it pristine? do you write a lot of notes? How do you prepare?

CHARLIZE: How do I prepare? You know, it's a little bit like asking a magician 'How did you pull a rabbit from the hat?' I don't know if people really want to know that stuff. I think what we're trying to do ultimately is have people forget about that stuff. On top of that I don't have anything that's concrete. Every time is different. I know that I have a very obsessive compulsive mind. So when I know I'm doing something I think everything in my daily life i'm observing and filing and knowing that I might be able to use it.

From the moment I say yes it's breathing and living under my skin. I'm constantly thinking about it. And conversations with my director are sometimes important. But I don't talk about things too much. For me it's a very intimate experience and an "alone" experience. I have to go through it myself.

That's interesting since Mavis is so solitary. And writing is, too.

Diablo and Jason who are both writers know that world really well. I'm not a writer so I didn't realize how great they were at capturing that until writers came up to me and said "oh my god that's exactly my life." Everything kind of stops and disappears. There is no outside world. So, I have to give them credit for really nailing that.

Beauty is such an important issue to Young Adult but in your most famous role, Monster, your own beauty doesn't factor in. Do you think about your own beauty when playing roles like this? 

[Character Beauty, Three Consecutive Villains and that damn 'Hello Kitty' after the jump

Click to read more ...

Tuesday
Jan032012

PGA Noms: "Ides" Resurfaces, "Tree" & "Drive" Ignored

20 Days til Oscar nominations!

Every time the Producers Guild of America announces their awards, I have a split second of alternate universe confusion wherein I imagine the golfers on the PGA Tour breaking to vote on their ten favorite movies of the year. I'm pretty sure they'd have found room for DRIVE.

wocka wocka wocka

(I'm sorry! I couldn't resist.)

The other notable exclusion from the PGA's list is Terrence Malick's THE TREE OF LIFE but considering that the two most notable exclusions are auteur movies which didn't exactly light the box office on fire it makes sense that the PGA would embrace bigger and more producer-driven hits in their place. But I don't think this is bad news for The Tree of Life in the best picture race since it's obviously going to get a healthy portion of #1 votes. Enough though? Who knows.

Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures

  • THE ARTIST Thomas Langmann
  • BRIDESMAIDS Judd Apatow, Barry Mendel, Clayton Townsend
  • THE DESCENDANTS Jim Burke, Alexander Payne, Jim Taylor
  • THE GIRL WITH THE DRAGON TATTOO Ceán Chaffin, Scott Rudin
  • THE HELP Michael Barnathan, Chris Columbus, Brunson Green
  • HUGO Graham King, Martin Scorsese
  • THE IDES OF MARCH George Clooney, Grant Heslov, Brian Oliver
  • MIDNIGHT IN PARIS Letty Aronson, Stephen Tenenbaum
  • MONEYBALL Michael De Luca, Rachael Horovitz, Brad Pitt
  • WAR HORSE Kathleen Kennedy, Steven Spielberg

 

The inclusion of Dragon Tattoo is the most interesting because it is neither a big hit nor a critical darling nor a sound Oscar contender (though I suppose the last point is debatable). Was it Scott Rudin directed sympathy for Embargo-Gate? Was it just lazy just-saw-that voting? Did they genuinely love it?

The inclusion of The Ides of March might be the most telling since it also scored with the Golden Globes rather unexpectedly. When I first saw it I thought "my god, everyone is underestimating its Oscar chances" but then everyone quickly shoved it to the side as an also ran and I followed suit. Perhaps my initial instinct was closer to the truth than I knew? Do you think there's Oscar life left in THE IDES OF MARCH?

animation and tv after the jump

Click to read more ...

Tuesday
Jan032012

The Iron Linky 

By now you've heard that Meryl Streep will be receiving an Honorary Golden Bear at Berlinale in February. The fun part of this news that you probably haven't heard elsewhere is this is the 62nd Berlinale Festival and Meryl is... 62! They grew up together! The best part of this news for those attending the festival? That would be festival screenings of Kramer vs. Kramer, Sophie's Choice, The Bridges of Madison County, A Prairie Home Companion and Out of Africa. I'd love to see all of those on the big screen again... even though they're not the five exact choices I would have made as a programmer (obvs you have to have Kramer & Sophie though). Coming next weekend we'll look at the Reader Streep Rankings. (Thanks for all your e-mails.)

Oscarables
The Wrap Will the Oscars move away from the Kodak Theater in two years? They're considering their options before recommitting to the contract.
Gold Derby
 shares the new Oscar ballots for Best Picture and accompanying instructions sent to Academy members. Voters can only vote for five favorites though more than five might be nominated given the complicated rules and thousands of ballots.

Etcetera
Antagony and Ecstasy rips into Phyllida Lloyd's The Iron Lady. Only Streep survives.
Low Resolution rips into Albert Nobbs. Close survives. Sort of.
Paper Mag Matthew Modine turns to short filmmaking with Jesus Was a Commie. May also battle the Batman but won't confirm it.
Guardian Swordsman Bob Anderson, who staged fights for massive beloved franchises Lord of the Rings and Star Wars, has died. 
24 Frames talks about a quartet of movies with ambiguous endings. Spoilers obviously. Strangely the author chastises you for not having seen Rampart. Not that the distributor will let you!
Stale Popcorn thinks Rooney Mara is The Girl With the Ungrateful Stuck Up Attitude.  
Cinema Blend Demi Moore will cameo as Gloria Steinem in that Amanda Seyfried Linda Lovelace biopic which keeps getting starrier. 
In Contention interviews Jeremy Irvine and Richard Curtis on War Horse 

Monday
Jan022012

Online Film Critics Need To Talk About Terrence

You may have heard that the Online Film Critics Society unleashed their press release on the world today. It rained Manna Malick from Heaven as The Tree of Life won 5 of their 13 gongs. Their winners...

Picture The Tree of Life
Director Terrence Malick, The Tree of Life
Actress Tilda Swinton, We Need To Talk About Kevin
Actor Michael Fassbender, Shame 


They go against the grain frequently with Best Actress. Aside from obvious sweepers like Natalie Portman or Helen Mirren in their years, winners have included Melanie Laurent from Basterds, Michelle Williams from Wendy & Lucy, Reese Witherspoon in Election and more. Like the Los Angeles Film Critics Association, who are even more adventurous in Best Actress citations, the OFCS is much more traditional / conservative when it comes to Best Actor almost always going with a major future Oscar nominee or frontrunner. The only exception in their entire history is Billy Bob Thornton who won for the Coen Bros picture The Man Who Wasn't There (2001). Funny how critics groups, even large ones, have such obvious personalities.

Actor Michael Fassbender, Shame
Supporting Actress Jessica Chastain, The Tree of Life
Supporting Actor Christopher Plummer, Beginners
Adapted Screenplay Bridget O'Connor, Peter Straughan for Tinker Tailor Soldier Spy
Original Screenplay Woody Allen, Midnight in Paris
Editing Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa for The Tree of Life
Cinematography Emmanuel Lubezki for The Tree of Life
Animated Feature Gore Verbinksi's Rango
Film Not in the English Language Asgar Farhadi's A Separation
Documentary Werner Herzog's Cave of Forgotten Dreams

As previously noted the OFCS will also be handing special prizes to Jessica Chastain and Martin Scorsese in addition to these prizes. Jessica Chastain, very recently interviewed right here, was so busy this year they must have figured that one prize wasn't enough.