And so we come to the end of our individually chosen FYCs. Amir, our team coordinator, is off for a month long holiday (!) which leaves myself, Nathaniel, your immortal but ever running-late host to wrap things up. To recap: we asked each team member to write up a personal favorite longshot* from one specific category. Here's the final entry in the series, a performance I really love in a film I really don't.
Why highlight a film I don't care for? Because it's important to remember during all-or-nothing awards season that each individual element of a film is different than the big picture and ought to be treated as such for the purposes of awardage.
Which brings us to...
See, it wasn't just the eternal sunshine of California or the vast vistas of desert land and salt water. It wasn't even really the hazy hash-filled air that P.T. Anderson's troupe was breathing. But I was parched and hungry the whole time I was watching Inherent Vice. I needed a fresh water oasis in the salty Pynchonian desert and Josh Brolin came to my rescue as "Bigfoot". Repeatedly. Fortunately he was also hungry, orally fixated you might say, and an eager lunch companion.
Like many characters in the film he's introduced with wonderfully descriptive prose that one assumes is lifted from the novel for voiceover. Brolin's introduction is in glorious widescreen longshot. The V.O.:
Like a bad luck planet in today's horoscope, here's the ol' hippie-hating mad dog himself in the flesh, Lieutenant Detective Christian F. "Big Foot" Bjornsen, SAG member, John Wayne walk, flat top, of Flintstone proportions, and that little evil shit twinkle in his eyes that says 'civil rights violations'"
Brolin just owns this, presenting as a black & white Western rectangle stiffly inserting itself into the movie's otherwise geometrically ragged and fringed array of colorful people. Of course you can't see an evil shit twinkle in someone's eyes in long or medium shot but you can hear it in their voice.
Congratulations hippie scum! Welcome to a world of inconvenience"
Immediately we move to Bigfoot's office where the detective taunts Doc Sportello with carefully chosen words and obscene self-lubricated hand gestures; he's always shoving things into his mouth: frozen bananas, fingers, diner food. Brolin's line readings aren't just well delivered but perfectly balanced and heaped, as if he's collecting the best syllables on a fork, whichever wons have the most condescending flavor. The actor captures how natural all of this comes to Bigfoot now, that its both performative for Doc and completely innate in Bigfoot's character (we instantly register that the performance is now the reality after numerous pre-movie variations of these same conversations between the two detectives) since he's even doing the same things when he's out of view on the phone or half lost in his own strictly business thoughts when he's eating.
BigFoot's buzzkill nature would be suffocating if Brolin didn't find so many ways to play the notes. And though Bigfoot is mean to stand in opposition to the movie's other characters, he'd be totally at odds with the movie's loose hippie daze tone if he also weren't so damn funny. There are a great many people who think Inherent Vice is a good time movie in and of itself. Whether or not that proves to be your experience know this: it's a far greater party every single time Josh Brolin shows up to crash it.
Motto pankēki!"
*I selected Brolin before his BFCA nomination so perhaps he's not quite as improbable as expected in a low key supporting actor competition, so I'm crossing my fingers... or licking them in Bigfoot's honor.
RELATED
BEST SUPPORTING ACTOR CHART
Each Longshot FYCs In Case You Missed Any
Actor, Locke | Actress, Belle | Supp. Actress, Gone Girl | Supp. Actor, Inherent Vice
Picture, Obvious Child | Adapted Screenplay, A Most Wanted Man
Sound Mixing, Grand Budapest Hotel | Costume, The Boxtrolls
Cinematography, Homesman | Prod. Design, Enemy | Editing, Citizenfour
Short-Lived Longshot FYCs = Academy Thought Otherwise
Makeup, Only Lovers Left Alive (eliminated) | FX, Under the Skin (eliminated)
Screenplay, The Babadook (ineligible) | Score, The Immigrant (eliminated)
Friday, December 26, 2014 at 4:43PM 
Tim here. Our journey through the list of films submitted for the Best Animated Feature Oscar now takes us to France and Belgium and the utterly beguiling children’s film Minuscule: Valley of the Lost Ants. Cumbersome title notwithstanding, it’s a light and breezy little lark, with a simple fairy tale-esque story so elemental in its particulars – an infant ladybug separated from her parents falls in with a colony of black ants and helps them in their war against aggressive red ants - that the movie can get away without having a single word of dialogue to be found anywhere in its running time.
