Oscar Volley: “Best Supporting Actor” is one wild ride!

The Oscar Volleys continue. Today, NATHANIEL R and CLÁUDIO ALVES discuss the volatile Oscar race for Best Supporting Actor. 

Andrew Scott in BLUE MOON | © Sony Pictures Classics

NATHANIEL: So Cláudio, it falls to you and me to discuss Best Supporting Actor, and I will try reeaaaaaaaaly hard not to bring up my broken-record pet peeve about this category because I know readers have heard it a million times.  I don't want to talk about it anymore, so for the duration of this conversation, I'm going to pretend that all the actors are in roles perfectly sized for this particular category. And so we're here to discuss everything else... but not that!

Performance quality-wise, I think this is a good quintet - even if I'm still seriously angry that people wouldn't give Andrew Scott the time of day for Blue Moon since his performance is stronger than Hawke's AND he is giving you so much backstory and giving it so economically and with laser minimalist precision. Such a generous actor - he doesn't steal scenes so much as immerse you in them and what's going on between these characters. Anyway, I just love him, and I had to get that off my chest first. It's been a struggle.

So my opening question to you is struggle-themed. I'm curious who you think had the most difficult role to play here and why...

Click to read more ...

Best International Film: And Then There Were Two...

The Oscar Volleys continue. Today, ERIC BLUME and NATHANIEL R discuss the Oscar race for Best International Feature Film. 

NO OTHER CHOICE, Park Chan-wook | © NEON

ERIC:  Hi Nathaniel, I feel lucky getting you all to myself to discuss Best International Film.  I do think the slate is ultimately very strong overall, but before we get to our five nominees and an assessment on the race, can we take one last brief moment to mourn the EXCLUSION of a film in both of our Top 10 lists, Park Chan-Wook's No Other Choice?  It's no easy feat to make a film that's both political and funny, and he really nailed his tiny little bullseye.

NATHANIEL:  Maybe it's a tiny bullseye but I bet if you zoom way in that bullseye is as intricate as the lines in a diamonds or as multi-colored and weirdly patterned as an iris. Which is to say that not only was it my favourite of the submissions but it's quite literally my #1 film of the year. (Why leave everyone in suspense since it takes me so long to post my awards). I really am just obsessed with it and Lee Byung Hun absolutely deserved a spot in the Best Actor lineup too. The Korean superstar is so confident in his gifts that he's able to be goofy and pathetic and sad without ever losing his Movie Star-ness. It's really a miracle performance if you ask me because he does all that while feeling utterly spontaneous in each scene. Anyway I could talk about this movie for days...

Click to read more ...

Oscar Volley: Can anyone beat Frankie in "Best Production Design"?

More Oscar Volleys are upon us. Today, ERIC BLUME and BEN MILLER discuss the Oscar race for Best Production Design...

ONE BATTLE AFTER ANOTHER's Florencia Martin and Anthony Carlino are just happy to be nominated. They have non chance of winning.

ERIC:  Hi Ben, let's take a look at our five nominated films for the Best Production Design Oscar:  Frankenstein, Hamnet, Marty Supreme, One Battle After Another, and Sinners.  Maybe just for funsies, we can go backwards.  What are the two films that you think stand the smallest chance of winning this award?

BEN:  Frankly, there aren't many categories where One Battle After Another stands very little chance, but I think we have finally arrived at one...

Click to read more ...

Oscar Volley: Is an upset possible in "Best Editing"?

It’s that time again! Lynn Lee and Eurocheese discuss the Oscar race for Best Editing.

the Best Editing nominees

LYNN: Happy peak Oscar season, Eurocheese! Excited to discuss the editing category with you. Overall, this is a strong if relatively unsurprising lineup. I, for one, am absolutely delighted Sentimental Value made it in – that final scene in itself deserves all of the awards. And I can see the merits in the other selections, even if the Academy once again went with all Best Picture nominees (yawn). But then it’s been almost a decade since they included any non-BP nominees. So I will just sit in the corner and shed my own quiet tear for the unsung A House of Dynamite, which deserved more awards love in general but in this category in particular. At least the BAFTAs recognized that!

What are your thoughts on the nominees? And do you think the winner will also win Best Picture (for the fourth year in a row)?

Click to read more ...

Oscar Volley: Best Costume Design is all about aliens, monsters and demon twinks

Our Oscar volleys continue with the site’s weekly RuCappers, Cláudio Alves and Nick Taylor, tackling Best Costume Design…

Never trust a twink in oversized clothes and Coke bottle glasses with a hungry gaze.

CLÁUDIO: Hello, hello, hello, it's time to discuss my favorite Oscar category - Best Costume Design! And to keep the tradition going from these volley's last few seasons, why don't we start by describing a sartorial mélange of all nominees? Imagine me coming to you in Varang's war headdress and Marty Mauser's Coke bottle glasses. I'm also in a plus-sized cut of Smoke's azure-leaning ensemble, but instead of a 1930s suit jacket, I'm donning the powder-blue doublet from Hamlet's first staging. For extra accessories, let's go with the anachronistic Tiffany beetle jewelry with which Mia Goth adorns herself in Frankenstein.

What about you, dear Nick? What are you wearing, diva?

NICK: For this year’s runway, I’m seizing on the crimson death currents uniting these films…

Click to read more ...