Oscar Volley: Two locks for Supporting Actor... and then it's wide open?

Here are Chris James and Eric Blume to discuss one of Oscar's trickiest categories, Best Supporting Actor:

ERIC:  Chris, so happy to be reunited with you, this time to discuss the Best Supporting Actor Oscar.  This category is always one of the weirdest and often the worst... I'm still not done being angry that arguably-bad Troy Kotsur beat the genius work of Kodi Smit-McPhee last year.  But that's how this award often goes.  

Let's start with our "locks".  I think we have two:  Brendan Gleeson and Ke Huy Quan.  And that's great news, because they're both splendid performances and either would be one of the best winners in this category for the last decade.  Gleeson is the embodiment of tragicomedy, and Quan finds that perfect note between farce and realism in an incredibly playful piece of acting.  How do you feel about Gleeson and Quan personally, and would you agree they're locks? 

Click to read more ...

Review: "The Fabelmans" is a 'love letter to cinema' done right

by Cláudio Alves

Around the holiday season of 1952, a Jewish couple takes their son to the movies in New Jersey. It's his first time watching a picture on the big screen, and the experience will change him forever. As Cecil B. DeMille's The Greatest Show on Earth unravels at 24 frames per second, the kid's eyes watch everything in starry awe, growing fearful as a massive train crash marks the narrative's climactic set piece. In the coming days, he'll ask for a trainset as his Hanukah present, growing obsessed with restaging the calamity he saw projected big on that magical place, the movie screen. So he doesn't ruin the expensive toy with multiple crashes, his mom suggests the boy films the crash with the dad's 8mm camera. And thus begins a love story bigger than life itself.

In reality, the boy's name was Steven Spielberg. In this latest memory play turned film fantasy, or private secret elevated to public spectacle, he's Sammy Fabelman…

Click to read more ...

Almost There: Paul Dano in "Love & Mercy"

by Cláudio Alves

Paul Dano's film career has been awards-adjacent since the very beginning. At seventeen, he won the Best Debut Performance Spirit Award for his work in L.I.E. Five years later, he was one of the stars of Little Miss Sunshine, the first of three Best Picture Oscar nominees in the actor's filmography. Still, though the Academy regularly loves Dano's movies, they have never shown any affection for Dano himself. That might change this year with The Fabelmans, where the actor portrays a fictionalized version of Steven Spielberg's dad in what's bound to be one of the season's biggest award magnets.

To celebrate the actor's achievements and potential first Oscar nomination, let's look back to the last time Dano was on the Academy's radar. In 2015, he almost category frauded his way to a Supporting Actor nomination for his work as Brian Wilson in Bill Pohlad's Love & Mercy…

Click to read more ...

Pushing Linksies

• The Reveal "The Gotham City liveability index" through Batman projects. Hee
• Vulture interviews Lee Pace about Pushing Daisies for its 15th anniversary. Of all the shows being rebooted, shows that didn't get long runs should be at the top of the lists
• AV Club gets righteously snarky about theater chains upping their prices for The Batman. Cosign
• Letterboxd curating a fat girl cinematic canon
• Dread Central "a timeline of women monsters in film"

More after the jump including Austin Stowell, Paul Dano, M Night Shyamalan casting news, and Disney's disgusting anti-gay politics...

Click to read more ...

Showbiz History: Hedy's Nude Scene and Paul Dano's Debut

4 random things that happened on this day, January 20h, in showbiz history

1933 The infamous erotic drama Extase (Ecstacy) starring Hedy Lamarr, and filmed simultaneously in three languages (German, Czech, French) premieres in Czechoslovakia. It would take years to travel the Globe since it kept running into trouble with censors due to Hedy's nude scenes and being one of the very first movies to depict a female orgasm (Hedy's perfect face in close-up). Famously brainy Lamarr helped translate the original Czech screenplay into German and French for filming...

Click to read more ...