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Entries in precursor awards (422)

Friday
Sep232011

Gotham Tributes: Charlize & Gary Aiming For Oscar

Another day, another "tribute" announcement as legions of luminaries ready themselves at the starting line waiting for that Oscar gun to sound. We've talked about this twice before (focusing on Streep & Spielberg) but "tributes" and "lifetime achievements" are as common during Oscar season as superheroes are during the summer. Even moreso! The Gotham Awards, which happen here in NYC in November, will be honoring four recipients: Director David Cronenberg, Actor Gary Oldman, CEO Tom Rothman and Actress Charlize Theron

Obviously Gary (never nominated) and Charlize (2 nominations, 1 win) are aiming for Lead Acting nominations for the spy thriller Tinker Tailor Soldier Spy and the comedy Young Adult respectively. Rothman, announced previously, is an industry power and you have to bow down to those men/women once in awhile. Meanwhile Cronenberg has A Dangerous Method to push. Though awards traction will be hard to come by for such a subtle and talky film, it's still worth campaigning for because here's the thing: If you're still fighting for your first nomination (insanity given that filmography!) you've got to lay plentiful groundwork and build momentum so that eventually they (awards groups) catch up. I don't mean to be morbid as I hope this is a long time away but can the 68 year old Cronenberg at least get an Honorary Oscar before he dies? I mean... The Fly, Dead Ringers, A History of Violence, etcetera...

The Gotham Awards, which celebrated their 20th anniversary last season, have definitely been picking up steam as a valuable Oscar stop, regularly giving boosts to smaller films like Winter's Bone, The Hurt Locker and Frozen River.

The "career tribute" portion of their ceremony has included at least one future Oscar nominee every year since 2004. With so little information (i.e. clips or photos) on Charlize's work in Young Adult, we have to assume that Gary Oldman is in the best position currently to continue that trend. But it would be awfully sweet to see Charlize Theron work a role worthy of her gifts again... and work it all the way to the shortlist.  She's one Oscar winner whose career, filmography, and popularity have never properly reflected her talent. I mean she even made the most of that way too standard role in North Country for which she received one of those disposable "after glow" nominations. 

For now, we have to just enjoy Charlize in her glamour spokesmodel roles and hope she finds a signature screen role while she's still in the age range in which that happens. Yes, yes, I hear your screams of "Monster (2003)!" But however strong that work was... it doesn't properly reflect Charliziciousness (Charlizionomy?) now does it. THIS does...


COMMENT ASSIGNMENT: (What? I'm bossy!)
If you were paying tribute to Cronenberg, Charlize, and Oldman and could only thank them for one thing, what would it be? Get as specific as such tributes should be!

Wednesday
Sep212011

Spielberg Buried In Gold

Remember a couple of weeks ago when we noted how crowded the Lifetime Achievement field is getting already for 2011? Well, add another huge name to the list:  Steven Spielberg, who already has three Oscars, a Thalberg, 3 Golden Globes and a Cecil B DeMille, 4 Bafta honors of varying sorts, 2 NBR honors, an honorary Cesar, 11 Emmys of different types, 3 DGAs and a lifetime achievement, at least 1 award from every critics organization, and dozens upon dozens of other prizes will be adding to his trophy collection in January. He will be honored by the Producers Guild of America with the David O. Selznick award on Saturday January 21st, 2012 three days before the Oscar nominations are announced. (Just in case War Horse isn't Oscar worthy?)

This will be the 8th time Spielberg has been feted by the PGA. He's won 4 times competively and received 3 additional special honors from that guild. If you melt down all his statues to form one big one how big would it be? Bigger than a mechanical shark named Bruce that's for sure! Maybe even bigger than a T-Rex?

In other lifetime achievement style honors...
We forgot to mention that Glenn Close's first tribute of 2011 (we're betting more will follow) happened over Emmy weekend at the San Sebastian Film Festival.

She looks happy.

Little known fact: All gold plated statues contain gooey centers filled with endorphin rushes, chocolate, and melatonin.

 

Sunday
Sep182011

TIFF Award Winners

The list as they came in [thanks to The Lost Boy]

BEST CANADIAN FIRST FEATURE Edwin Boyd, directed by Nathan Morlando (Paolo's review, Amir's review)
BEST CANADIAN FEATURE Monsieur Lazhar, directed by Philippe Falardeau
BEST CANADIAN SHORT FILM Doubles With Slight Pepper by Ian Harnarine
PEOPLE'S CHOICE MIDNIGHT MADNESS The Raid, directed by Gareth Huw Evans
PEOPLE'S CHOICE DOCUMENTARY The Island President by Jon Shenk
INTERNATIONAL CRITICS SPECIAL PRESENTATIONS The First Man, directed by Gianni Amelio
INTERNATIONAL CRITICS DISCOVERY SECTION Avalon directed by Axel Petersen 

And the biggie, the PEOPLE'S CHOICE AWARD, which often signifies Oscar attention in either Best Picture or Foreign Film categories is WHERE DO WE GO NOW? the musical from Lebanon which is from the director of Caramel. It was recently submitted for Oscar consideration for Best Foreign Language Film.

UPDATE: Here's the international trailer.

It's officially one to watch now, a very likely nominee if past awards are indication. Runners up in this category were Iran's very buzzy marital drama A Separation and Ken Scott's Starbuck

Saturday
Sep172011

Get Link Soon

Being sick would be awesome if one didn't feel like crap whilst staying in bed all day watching movies,  reading blogs, playing iPhone games, and snuggling with the cat. 

IndieWire has an interesting chart of which Toronto People's Choice Winners scored big at the box office after the fest. Adjusted for inflation American Beauty (1999) is still the champ. Or Slumdog Millionaire (2008) without any fancy maths. But those People's Choice winners sure do have a good track record at winning Oscar attention.
Parade has an interview excerpts piece up about Brad Pitt. I don't want to get too sentimental about it but I consider it a huge blessing when very famous and very rich celebrities actually reveals themselves to be good souls, too. The things he has to say about religion and federal government and affordable housing and adoption and all of these things... they are so spot on. I really don't get the bad rap that charitable celebrities often get -- is it just self-loathing turned outward when people realize they wouldn't be even a tenth as altruistic if they were wealthy? Is it jealousy of good fortune? I don't know. But my point is Brad & Angie: love 'em. 
Just Jared Bizarre contest alert. Seems you can enter/audition to be a voice in the animated musical Dorothy of Oz starring Lea Michele (first photos of characters are also present). The closer all these Oz movies get to theaters (I keep losing track of how many there are), the more naive the producers of the celluloid transfer of Broadway's Wicked look. How on earth do you sit on that golden goose property (which has already outgrossed most of the biggest blockbuster films ever) long enough to let an animated film --they take forever!-- beat you to theaters and live off, profit from and burn out the renewed Wizard of Oz fever that you yourselves stoked? Sometimes the Hare and not the Tortoise wins.

Speaking of Brad Pitt, somewhere in this past week I missed the Oscar Fever rise of his candidacy for Moneyball. It would be so weird if the Best Actor race was all hunky across the board: DiCaprio, Gosling, Fassbender, Pitt, DuJardin, and Clooney? 

Awards Daily snapped photos of Julianne Moore and Ed Harris in a Game Change preview. Disturbing it was (I saw the same one) with Julianne being so spitting image of that one celebritician
Ultra Culture opens the PR package for The Change-Up. Big LOLS ensue.
Nicks Flick Picks starts his beloved "Fifties" column, i.e. best of the year thus far. As always his choices and writeups make you rethink the work... which is what great critics do.
Empire Colin Firth, whose career is still giant-sized post A Single King Man's Speech, will next star in The Railway Man, a POW drama. That is after Tinker Tailor
Towleroad my latest movie column in which I order people around. Go see Drive.
Stale Popcorn remembers the character actress Frances Bay (RIP) from The Golden Girls to Twin Peaks

October News and Request For Reader Input
When I was reading this article on Everything I Know...  in which Mr. Caggiano who teaches courses in musical theater history and the neuropsychology of music (?!?) asks his incoming students to name the best musical of all time, I remembered that next month marks the 50th anniversary of my personal favorite (WEST SIDE STORY). The film version of West Side Story, which first hit the big screen on October 18th, 1961 went on to become a huge hit and one of the biggest Oscar champs of all time (11 noms, 10 wins losing only its screenplay nomination as musicals tend to.). On the classic movies note, I wondered, for younger readers especially (and please do speak up if you have feelings about this), if I use too much of a shotgun approach when discussing old movies here? I sometimes suspect you have too many titles flying at you all the time to really decide what to get familiar with (like in those huge "all time" lists). So perhaps we should focus more going forward? Maybe we should try Classic of the Month style loose themes? It would be boring to talk about the same movie -- any movie -- for an entire month but perhaps a loose theme could include all sorts of detours that tie in but aren't too much of the same thing (Oscar competitions, influences, actor careers.

Sound off in the comments... I guess I'm interested to know if you liked the previous theme weeks like Aliens or the films of Tennessee Williams or Moulin Rouge! this summer or if you had to already know and love the movies to enjoy those?

Thursday
Sep012011

Vote on the Euro Film Awards (Plus: Oscar Submits)

While I normally approve not of "people's choice" awards -- that's what box office is for -- I do find the European Film Awards a curious beast worth noting each year. They have variety by way of scattershot film culture, there being no unifying "Hollywood" to control them. This year their People's Choice Awards -- which you can vote on and enter for a chance to win a trip to the awards in Berlin -- offers up an odd collection of Camp Comedy (France's star-laden Potiche), Royalty Porn (The UK's Oscar winner The King's Speech), Meta History (Spain's Even The Rain), Message Movie (Denmark's Oscar Winner In a Better World), Neeson-y Thriller (the international Unknown), Fish Out of Water Comedy (Italy's Welcome to the South), Ensemble Drama (France's star-laden Little White Lies), and even Animated Family Film (Germany's Animals United).

And the Nominees Are...

Go and vote...
...as long as you're not planning to help The King's Speech win yet more statues. Cinema-Gods help us all.

Meanwhile the Oscar Foreign Film submissions continue...

NORWAY
Anne Sewitsky’s debut Happy, Happy (Sykt lykkelig) which we've previously discussed (I heart the trailer) will represent the land of the midnight sun in this year's Oscar race. Previous awards under its belt include the Sundance Festival's World Cinema Jury Prize Dramatic which, if you'll recall, is the same prize that the great Australian feature Animal Kingdom got its first big boost from in 2010. Joachim Trier's Oslo August 31st is the loser in this Oscar scenario but here's hoping that both films get stateside distribution. 

HUNGARY
Bela Tarr's The Turin Horse will represent daring Hungary in this year's Oscar race. Hungary nearly always competes for Most Atypical Submitted Film which is bad for their nominatability but great for proof of variety in that odd annual Oscar survey of what's happening in international cinema. This one will need a helping hand from that special committee that Oscar dreamt up to basically force critical darlings on to the nominated shortlist. The new system obviously paid off last year for Greece's Dogtooth. Cinema Underground tells it like so...

Not since Alexander Sokurov’s The Second Circle have I watched a movie that felt so much more like physical endurance than an active intellectual and emotional experience... The Turin Horse is a punishing film.  The people in it are ugly and often cruel.  Their lives are repetitive and arduous.  There is little plot, little action, little change of scenery, but there are plenty of long, long takes in which no words are spoken.   

And that's from a somewhat positive review.

Oscar Foreign Film Pages