Why Amy Adams May Have to Sit This Oscar Year Out...

The news of Amy Adams winning the NBR delighted many and also stirred up the usual "The Film Experience hates her!" complaints in the commentary. We do not. Being frustrated by an actor's ubiquity and dullness at one particular annual event is not the same as hating them or their work. Amy Adams is a very fine actress. She has given many delightful performances, two of which would have even made non-controversial Oscar wins had she managed to actually nab the statue (Junebug or The Fighter).

Amy Adams (5), Albert Finney (5), and Glenn Close (6) are the living actors with the most Oscar nominations who have never won.

And it's true that she's quite amazing in Arrival, serving as the audience vessel to in two simultaneous and important ways that the movie couldn't succeed without: she's awestruck by what she's watching (she's our eyes and surely our facial expressions in the dark); apart from that awe she's emotionally and intellectually engaged with the events in order to grapple with them and suss out meaning which is what the audience is always doing when they're watching grand films that demands that they pay attention with both their heart and their mind.

But for all of that I don't think she's making the Oscar lineup and here's why...

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Podcast: Arrival, Loving, and Cape Fear

We're back to weekly podcasts! This week Nick, Joe, and Nathaniel discuss two new Best Picture hopefuls and one bold remake

Index (43 minutes)
00:01 Arrival - thinky empathetic sci-fi just when we're starved for understanding in the real world + Amy Adams!
19:35 Slight spoilery territory on Arrival and comparing it to other movies
27:05 Cape Fear's 25th anniversary. One of our favorite Scorsese's.
33:30 Loving a quiet civil rights drama
41:11 Almost Christmas and goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?  

Loving and Arrival...

Jack Arnold Centennial

Tim here. Today is the 100th anniversary of the birth of director Jack Arnold, and if your response to hearing that name is a polite look of blank incomprehension, I wouldn't feel bad. Arnold's not exactly a household name and never has been, but you wouldn't want to imagine what classic sci-fi would look like without him. For a short time in the 1950s, Arnold was possibly the most admirable genre film director in Hollywood. I can't think of any better way to demonstrate how singularly iconic his work has been than to point out that he's the only filmmaker to have two different films named dropped in "Science Fiction/Double Feature", the opening number from The Rocky Horror Picture Show.

Undoubtedly the film for which Arnold remains best-known is the 1954 Creature from the Black Lagoon (and it's dimwitted first sequel, Revenge of the Creature, but it wouldn't be sporting to hold that against him), and it's fairly easy to argue that it's his best work, too.

on the set of The Black Lagoon

But however impressively he handled that last gasp of the Universal Horror machine, it's by no means his only noteworthy achievement...

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Yes No Maybe So: "Passengers"

Do you like the Passengers trailer? The film, opening December 21st, is a mainstream-aimed original. Those are not quite an endangered species (yet) even though it feels that way after this summer of numbing sequels, remakes, and franchise extensions.

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TIFF: Relating to Amy Adams in "Nocturnal Animals" and "Arrival"

Nathaniel R reporting from TIFF. The festival is winding down now but my mind keeps drifting back to the Amy Adams double feature on day two. If there were gif walls featuring all of Amy Adams close-ups in both of her movies this year, they would accurately describe this critics innermost thoughts about the movies they came from. Read on and I'll elaborate (without spoilers) though we'll obviously revisit and go into more detail when both movies actually...ahem... arrive in mid November which is unofficially 'Amy Adams Month' according to distributors.

ARRIVAL (Dir. Denis Villeneuve, US)
Paramount Pictures. Opens on November 11th

In this gripping and sensationally crafted sci-fi drama, adapted from the short story "Story of Your Life" by Ted Chiang, Amy Adams plays Dr. Louise Banks. Dr Banks is a prominent linguist who is recruited by the government to attempt to communicate with extra-terrestrials. They have arrived on Earth or, rather, are hovering above it in twelve space crafts each in a separate area of the world, appearing to do nothing at all. Will the world's fearful governments nuke the ships or can Dr Banks save the world (if it's even threatened?) by learning why they've come?

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