Streaming: "Good Luck to You, Leo Grande"

by Nathaniel R

Here's one we absolutely meant to review at Sundance but didn't get to. We did you disservice. This must-see drama from writer Katy Brand and director Sophie Hyde, now streaming on Hulu, is a fine specimen in the increasingly endangered species of "character-based drama for adults". More rising directors and screenwriters should attempt low-budget premises like -- easier to get funding -- provided they can find and guide actors savvy enough to pull off something direct and delicate. Hyde and Brand have done just that even if they haven't attempted to make it very "cinematic". It's not based on a play but it does feel like a film version of a play. For the wisely economical 97 minute running time we're entirely focused on just two people in one hotel room. Nancy Stokes (Emma Thompson) is a lonely fifty something widow who hires a male escort "Leo Grande" (Daryl McCormack) to fill the void of human connection in her life. She also hopes to finally experience an orgasm...

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Interview: Peeter Rebane on the gay romantic drama "Firebird"

by Nathaniel R

Writer/Director Peeter Rebane (left) and his narrative feature debut "Firebird"

Sometimes timelessness is a curse. We don't neccessarily want period pieces about forbidden oppressed gay romances to feel especially resonate in the now. Neverthless that's what's happened with Firebird. Peeter Rebane's narrative debut, which recently opened in select cities, tells the true story of a gay soldier and his clandestine romance with a fighter pilot in a Russian airforce base in Estonia during the Cold War. The film has been in the works for ten years but in the interim Russian culture has become more virulently anti-gay (stoked by homophobic 'strong-man' Putin) and aggressive about it; please see the tremendous documentary Welcome to Chechnya if you haven't. At the moment Russia is also waging war on Ukraine which adds yet more unexpected charge to the film since one of the two leads playing Russian military men, Oleg Zagorodnii, is Ukrainian. 

When I sat down with the director Peeter Rebane, we talked about all this, as well as co-writing with his openly gay leading actor (Tom Prior), directing sex scenes, and homophobia in former Soviet countries... 

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Linkers Dozen

three must reads
• Blood Knife "Everyone is beautiful and no one is horny." Excellent article about the weird symmetry of the perfection of the body and the desexualization of cinema
• Thrillist Chris Feil suggests Oscars clips for this year's acting nominees
• The Ringer "Robert Pattinson has been lying to you for years" investigating the actors self-mythologizing interviews

Sam Elliott mouths off, the cast of Oppenheimer, a restoration of Alligator, Stephen King's next book, and more after the jump...

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On "Marriage Italian Style" and "The Shop on Main Street"

by Nathaniel R

Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored:  Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).  

I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism...

The Mad "Titane" Snaps

by Jason Adams

An inky black oil smudge smeared across a scarred face, big bosoms sway and heave, belly splitting up the seam, the space where sex begins to sound like a car engine revving up to eleven -- Julia Ducournau's Titane doesn't mince a breath of its runtime with anything but pedal-to-the-metal everything. Titane, the director's follow-up to her also-deranged (but somehow less so!) cannibal-drama Raw, won the Palme d'Or at this year's Cannes, a perfect signifier for the grease-fingered teetering psychosis of our age. After playing NYFF last weekend, it opens in US theaters tomorrow, October 1st.

And this movie, it is a lot!

As Raw already proved Ducournau loves a car accident (I can't imagine that David Cronenberg's Crash wasn't formative) and Titane offers up a doozy early on...

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