Double Indemnity (Pre 'Body Heat' Post Coital)

Hit Me With Your Best Shot Episode 4.8

Double bourbon is fine, Walter."

As a baby cinephile in the 1980s I grew up with Body Heat (1981) as my noir of choice. Before I had any biblical knowledge of my own, I was utterly enthralled by Kathleen Turner's come-hither challenge and roaming hands, William Hurt's 'not-too-smart' insatiable lust and that broken window in a sticky Florida summer. For reasons that seem immature/absurd now, I avoided Double Indemnity for many years afterwards feeling 'I'd already seen it'. Never mind that Body Heat was less a remake than an "inspired by" or that Body Heat's reign as the Best of the Neo Noirs does nothing to diminish the bewitching "rotten to the core" vortex of Double Indemnity's scheming plot and sexual shenanigans.

Different noirs for different eras. But the long shadow that Body Heat cast on my early views of this entire genre is probably why my choice for this week's "Best Shot" is this seemingly minor one from Billy Wilder's 1944 classic. 

Seemingly.

This shot occurs at the end of a long "love scene" early in the picture between Phyllis (Barbara Stanwyck --  the collected Best Shot articles have many insightful comments about this unimproveable star turn) and Walter (Fred MacMurray) as they dance around their sexual and murderous desires. The scene is filled with talking in the shadows -- I could watch Stanwyck plot silently and minimistically for another two hours on loop --  and three bits of physical intimacy, an arm grab, a kiss and a 'comforting' embrace. The scene is then interrupted by a narrative flashforward. When we return to the scheming duo, they're presented to us like so. Phyllis side-eyes her willing rube, gazes at her hands (a repetitive gesture... just how much blood is on them?) and stands up to leave with this bit of disingenuously banal needinees...

will you phone me?

Double Indemnity has many gorgeous shot compositions involving diagonal shadows and I love all of them. But its visual prowess and ideas extends beyond venetian blinds. This is an atypical shot in the film's visual composition because, despite the square frame, it's very horizontal... as befits a post-coital tableau.

Yes, they've 100% just had sex even if they're still in the same clothes as before the flash-forward. We've never seen Walter with his guard this down though Phyllis, inscrutable Phyllis is still the exact same woman. Sealing the deal of this scene's brilliance for me is the costuming and cinematography: Phyllis has never before been clothed in such a tactile way (fuzzy sweaters must have equalled instant boners back in the 40s and 50s); and the lighting choice is provocatively counterintuitive since it's Phyllis, the not so innocent and virginal, who is bathed in soft light while Walter in shadow.

P.S. A runner up...

This shot, from the final confrontation between Phyllis and her conquest, could inspire novels out of context it's such rich and decadent. In context, which is what we should be talking about, it's a triump of both Art Direction and Cinematography; that same living room, which we've returned to multiple times, never feels as sinister in any other shot. The composition also allows Walter's shadow to enter the frame before him, which is telling, and then has both the regretful man and his dark shadow in frame, both separated. It's also my favorite example of Double Indemnity's great use of venetian blind shadows -- usually involving Walter -- and the diagonal tension they bring to each of his scenes withough the film having to resort to anything as crude as canted camera angles.

Straight Down The Link...
Aliston Tooey on Phyllis' spidery web
Amiresque "drive thru beer!"
Antagony & Ecstasy on Stanwyck's unparalleled femme fatale triumph
Cinesnatch this week's film coincides with some Best Picture Oscar revisionism here
Entertainment Junkie loves Stanwyck's satisfaction
Film Actually 'the stillness speaks volumes'
The Film's The Thing 'a messy bit of business in Aisle 3"
I Am Derreck on Walter's double secret life
Pussy Goes Grrr the scorpion and the frog
Victim of the Time considers the 'ugliness' of Double Indemnity
We Recycle Movies talks LA Architecture and venetian blinds

.... or see all the stills in chronological order

Next Week, Wednesday May 8th:
David Lean's Summertime (1955) with Katharine Hepburn in Venice. Join us by selecting your own choice for "best shot"

Thoughts I Had... While Staring at the First Image From "Nymphomaniac"

Behold the first still released from Lars von Trier's Nymphomaniac which will star Charlotte Gainsbourg (in her third collaboration with the director following Antichrist & Melancholia). These are the thoughts I had in actual chronological order...

• That's a really odd choice for a first still. It's a tremendously vague tease but better this than those movies which release "first looks!" that might as well be headshots of the actors, they're so generic.
• Remember when Laura Dern got high from inhaling glue in paper bags in Citizen Ruth? 
• If that were Michelle Pfeiffer and this were 1992, a bunch of cats could run into frame and resurrect this poor soul.

• Who is this poor soul? 
• This doesn't look as fun as the movie's title. Bleak it looks.
• If this movie is as good as The Idiots (1998), my vote for the single most underappreciated von Trier marvel, I will want to have sex with it.
• Did you see Smashed? That scene where Mary Elisabeth Winstead accidentally smoked crack during a Lost Weekend really threw me.

• Will this movie have a mix of pathos and humor like many of von Trier's films or will it be an across the board icky provocation like Manderlay or Antichrist.
• Oh, I actually just looked up the plot synopsis on IMDb which suggestes that this is an image of Charlotte from perhaps the opening scene of the movie:  

A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.

• Interesting cast I think: Returning von Trier alum Charlotte herself plus Jens Albinus, Udo Kier, Jesper Christensen, Stellan Skarsgård and Charlotte's Antichrist hubbie Willem Dafoe; Scandinavian von Trier Virgins: Shanti Roney (who was marvelous in a sexually charged uncomfortable scene in Applause) and international actress Connie Nielsen who turns it out when a director challenges her (i.e.  infrequently but enough to make you long for the next time); People we most hope have sex very naked and super often in the movie even if its uncomfortably von Trierian sex: Jamie Bell & Uma Thurman; Stunt Casting: Christian Slater (as Charlotte's father?!) and Shia Labeouf who one assumes wanted to get naked and artsy again. 

p.s. here's a second official image, less vague, less safe for work. 

Interview: Eddie Redmayne Talks Live-Singing, Skinny-Dipping, Name-Calling

If there's a surprise name called out as one of the Best Supporting Actors this year on Oscar Nomination morning, might it be Eddie Redmayne? The rapidly ascending 30 year-old actor, a recent Tony winner for "Red" on Broadway, stood in as surrogate for our enduring communal crush on Marilyn Monroe (Michelle Williams) in My Week With Marilyn just last season but the spotlight is even brighter now. Les Misérables' entire second act romantic structure spins on his swooning revolutionary Marius. In one of the quirks of movie awardage, male actors aren't generally honored for their facility with romantic drama, but Redmayne's secret weapon could well be his rendition of the grief stricken show-stopper "Empty Chairs at Empty Tables" in which he mourns his fallen brothers who died at the lonely barricades... at dawn. He'll undoubtedly jerk at least some tears from the Academy's acting branch this week as they finalize their ballots (due on January 3rd).

Marius is getting married! Eddie Redmayne in "Les Misérables"

I asked Redmayne about the massive pressure he must have felt approaching this famous number in Les Misérables and our conversation stretched back to Oliver! The Musical on stage and on through his non-musical duets with Cate Blanchett, Julianne Moore, and Michelle Williams in his young but vivid filmography. [More...]

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FYC Film Bitch Awards

It's that time of year. I've starting to draw up my lists of the Best This and Best That in every category... so many categories! The Nomination Party begins on December 28th and runs through January 23rd. As per usual, I'd love to hear your input on categories that are harder to winnow down and easier to mess up on by forgetting something totally brilliant. Last year I had some issues completing things but I am happy to report that I'm not quite as terribly behind schedule this year. So hit your FYCs in the comments for the following categories:

Best Line Delivery | Action Sequence | Sex Scene |  Musical Moment | Best Kiss |  Credit Sequence | Opening Scene | Best Actor or Actress in a Limited or Cameo Role | Best Scene in General

Best Actress Film Bitch Long List: Knightley, Hunt, Wallis, Chastain, Riva, Cotillard, Weisz, Corinealdi, Fanning, Dowd, Seydoux, Lynskey, Winstead, Streep. or Williams?

You do that whilst I continue to debate the acting categories with myself... It's so crazy hard to narrow down Best Actress every year! Can I have 15 nominees just so all of these bright actresses get their due?

Review: Free Pass for "The Sessions"

This review was originally published in my column at Towleroad...

When Madonna's "Sex" book turned twenty last week, a common thread of blog coverage was 'tame by today's standards' and I wondered which new standards other people were living by that I wasn't privy to? I'm not talking about private culture -- people have been seeing strangers naked long before Grindr or easily clickable pornography -- but about mainstream entertainment. Which mainstream female celebrity has been running around aggressively in her birthday suit lately? We've hardly made great strides at accepting female sexuality since then. Proof positive: the current political debates. The male body has, on the other hand, become more commonly objectified two decades on but penis sightings are still as rare as they were in the "Sex" book and people continue to make a big flaccid point of being shocked whenever they're visually reminded of their existence... especially in the movies. Find even one article about Forgetting Sarah Marshall, Eastern Promises or Shame that doesn't mention Jason Jr,  Viggo Jr. or The Fassmember; tough assignment. 

This longwinded preface isn't as off-topic as it sounds for a review of THE SESSIONS. The sexually-minded lightly funny new drama stars Oscar nominee John Hawkes (Winter's Bone) as Mark O'Brien, a paralyzed man who dreams of losing his virginity from the discomfort of his iron lung. 

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